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Much of The Pursuit mines this fertilely mellow vein, producing a bunch of understatedly melodic music whose consistency only suggests that Cullum should stop dabbling with detours and just accept his strength as a soft rock singer/songwriter.
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This is exuberant music that shouldn’t seem too jazzy for radio listeners, even if Cullum does include a lightening piano solo in the middle.
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Q MagazineSo we get stomping piano pop hits (I'm All Over It), supper-club R&B (a cover of Rihanna's Don't Stop The Music) and finger-clicken' ruminations on the stage of the planet (Wheels, If I Ruled the World). Proof the thrill is in the chase. [Dec 2009, p.111]
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Entertainment WeeklyThe Michael Buble-averse among us are in for a very pleasant revelation. [26 Mar 2010, p.69]
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Too many songs on The Pursuit paint their singer as an un-self-conscious lout, too sure of his hand (“We Run Things”) or his taste (“Mixtape”) or his centrality in the world (“Wheels”).
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While many artists sound anything but comfortable breaking these kinds of musical barriers, Cullum proves once again that he sounds most like himself when the walls come tumbling down.