- Critic score
- Publication
- By date
-
UncutThe music, though lithe and limber in a jazz-fusion-funk bag, lacks melodic distinction, while the vocals are delivered in a variety of electronically treated styles that are irritating at first and increasingly so on repeated exposures. [Feb 2002, p.125]
-
MojoA sprawling, instrumentally dazzling work which all but spurns pop songwriting. [Jan 2002, p.99]
-
Q MagazineHis most consistent work since 1991's Diamonds And Pearls, although you'll need to ignore the peculiar narrative episodes in order to fully enjoy it. [Jan 2002, p.106]
-
The Rainbow Children contains one good song, a ballad called "She Loves Me 4 Me," buried beneath layers of spiritual horseshittery.
-
SpinThe music, such as it is, is a river of fat-free, dirt-free, melody-free jazz Olestra. [Feb 2002, p.112]
-
Entertainment WeeklyThe album's light jazz-funk grooves sink under the weight of his sanctimony. [23 Nov 2001, p.82]
-
It deftly balances sweet ballads, outer-space jazz, acid-rock, and firecracker funk superior to almost anything he has offered since perhaps "Sign O' the Times."
-
The experiments sometimes work, but the album is mainly weighted down by cryptic religious ramblings that sap the pop life right out of it.
-
With its fluttering horns, gauzy percussion, and the playing of smooth-jazz saxophonist Najee, Prince's new album, The Rainbow Children, is steeped in the kind of fusion [Miles] Davis pioneered.
-
Unfortunately, the record is burdened by a pretentious, overarching narrative about "the Wise One" and his struggle with "the Banished Ones."
Awards & Rankings
User score distribution:
-
Positive: 40 out of 52
-
Mixed: 1 out of 52
-
Negative: 11 out of 52
-
Sep 25, 2010
-
mitchDec 9, 2004
-
SethB.Dec 3, 2001