Universal acclaim- based on 331 Ratings
Jan 31, 2013After a long journey in search of finding and inhabiting new worlds, we've finally done it. We can proudly call ourselves free and never look back to the past or maybe we should just once, while telling our offspring the glorious story or how we got to where we are now. No better way to do that then to play The Resistance. A masterpiece by muse, even though it is, by some, founded awful, pretentious and well, too much, is conquering the walls that our minds have, those that have to be shattered. A love story, a story that hides the codes of our salvation, is engraved into this musically wonderful album that one, who has any interest in serious music or isn't so overly obsessed with radiohead that he/she disses every step muse make, can't deny. This symphonic blessing slaps you so hard in the head it is tough to realize the minor flaws it has to offer. But all is forgotten, if there is something to forgive, when the symphony arrives. The Exogenesis is the best, most beautiful, pretentious (this, when describing muse, is somehow a good thing - and well it is) piece of music The resistance has to offer. It is definitely the most profound piece of music I've heard in the previous decade, not exaggerating. It's surely not in my interest to slam everyone else nor am I so obsessed with them that I can't hear the real deal, but hearing this song gives you the chills you could only experience while your invocation is being answered. Maybe I am talking too much about it but this is one of the best songs ever written. Other highlight is the United states of Euroasia. This wonderful song is brought to the heights of grandeur and sumptuosity by it's instrumental, let's call it, chorus. With influences from Queen, muse have, kind of, established a more artistic version of art rock. The songs aiming just as high, but incapable of reaching them are I belong to you, Uprising who are not bad but are lacking some elements to make them ready for shipment. This album, maybe not as good as the previous three, contains the very best work modern music could offer us, in many minds covered by clouds and fog which are disabling them to hear it. The grandiosity is here, quality as well, but more of the highlighted would've made it complete.… Full Review »
Dec 20, 2012Muse love taking risks, it seems. With The Resistance, and the recent 2nd Law, Muse have expanded their musical range and compensated some fans along the way. Though as a proud lover of Muse (especially their earlier music, Origin of Symmetry being their masterclass in music), The Resistance is one of their poorer releases, and that goes without question. Forgetting the Exogenesis Symphony (beauty defined), The Resistance has some risky releases from Muse, but still managed to be a solid release worthy of a 7 at bare-minimum for effort, and risk factor.
Opening with the wonderfully powerful, clearly messaged Uprising, a progressive rock anthem designed for the heights of stadium tours, The Resistance seems promising. Gritty guitars, sci-fi electronics, the works. Then comes Resistance, a song so worthy of single material, it goes without saying that Resistance is a solid track. Undisclosed Desires follows, an experimental track setting the boundary for singles the follow, including Madness from The 2nd Law. One of the weaker tracks, Undisclosed Desires is a love-or-hate piece. Personally, I feel the album track is fine, though live it falls to Matt's ego.
The album then take a small turn into piano-induced territory, with the brilliant (and Queen-influenced) United States of Eurasia. A beautifully striking piece, with some mastery piano work, one could never dislike such a perfect design. Though potentially ruining the flow of the album and making it difficult to progress, this is one track which will surely go down in history as one of Muse's finest pieces. Though followed with Guiding Light, we're back into cheese territory. Undoubtedly a difficult track to sit through, Guiding Light is a mess, with extra helpings of brie.
Now we're thrown back into the heavy stuff, with the flawless Unnatural Selection and the meaty MK Ultra, both driven by ridiculous but catchy riffs, impressive vocals, superbly arranged lyrics, and powerful bass surely to impress even the masters of rock. Two amazing tracks worth of Muse acclaim, and definitely some of the greatest works Muse have thrown out there in a good few years. This is what Muse are made of, right here. We're thrown into the deep end yet again, however, with I Belong To You, a piece so ridiculously out of proportion, you're not sure what to think. Personally, I think it's great. A fun track not meant to be taken seriously. Then we're given the Exogenesis Symphony, a beautiful, flawless, three-piece symphony of piano, strings, guitar and stunning vocals. If not the greatest achievement of Muse since Citizen Erased, a perfect end to a great album overall.
The Resistance won't be to everyone's liking, but it has elements so magical, it can easily put you under a spell. Whatever that spell may be, of course. You'll either love The Resistance, or despise it.
Overall Score: 8/10… Full Review »
Feb 7, 2011It is truly amazing how one band can go from furious, honest, passionate, aggressive, but often beautiful music to this sell-out, rip-off, sickening piece of pointlessness. This is one of the cheapest, laziest, most revolting albums I've ever heard, and from a band I worshipped as a teenager. It makes me sick. Not one original moment, and in particular the singles are totally hollow, lifeless, chart-seeking objects of utter shame (hopefully) for the band. 1.8 points awarded for 'MK Ultra' and some memorable moments, like the first minute of 'Resistance' (that is, before it shamelessly and ridiculously explodes into dancing on poor Freddie Mercury's grave, just like - oh I shudder to even say it - United States of Eurasia), and 0.2 points for sheer effort, particularly in 'Exogenesis' (but then again, it's always seemed to me that, because Bellamy starting writing the symphony long before the other songs, the rest of the album could just be filler, to make more money out of releasing his 'work of genius'). But, I was right, unfortunately, about 'BH&R' - that Bellamy was forgetting about the music and letting his immature obsession with very vague and half-hearted themes of opression, conspiracy take over, and blah, blah, blah, I'm boring myself even writing this. What a terrible album. I'm off to listen to the 'Dead Star / In Your World' EP I just bought and sing along with the words "MUSE DIED AFTER ABSOLUTION, MUSE DIED AFTER ABSOLUTION..."… Full Review »