The Snake


Generally favorable reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 14 out of 15
  2. Negative: 0 out of 15
  1. To put it simply, it’s a near perfect conclusion to one of the finest records I’ve heard this year.
  2. The Snake for the first time is a journey riddled with surprise--that almost nothing can be nailed down or predicted even after the seven-minutes-thirty of closer of 'My Heart' is pure 'lucky dip' stuff. Each time you dip in, you seem to come out with an even bigger handful of sweetness.
  3. At times The Snake sounds like a drum solo with vocals, but they make their limited line-up sound endlessly malleable, which is no small feat.
  4. Their equipment may be largely restricted to percussion, vocals, and the occasional embellishment of keyboard, but their ability to fully eclipse these limitations and create music with a strong improvisational pulse and so much vitality is a no small feat, and proves that they are continuing to experiment in magnificent, dynamic ways.
  5. The Snake displays many of its predecessor’s strengths--good songs, that emotion-laden voice, the amorphous blend of pop and jazz--without trying to be an action replay
  6. Wildbirds & Peacedrums make experimental music that really carves out its own sonic space, that intrigues and engages without ever really attempting to "challenge," because that's not what it cares about.
  7. Wildbirds & Peacedrums has honed their distinctive mixture of primal emotionalism and imaginative arrangements with a magnetic dynamism that makes for one of the most captivating albums this year.
  8. Music theory waffle/spiritual musings aside, this sees the pair expand their austere template with new instruments and ideas to great effect.
  9. Under The Radar
    Wildbirds & Peacedrums are strongest when tapping into their wild side. [Fall 2009, p.68]
  10. Mojo
    The duo's songs may employ no chords and few notes to sing against, but they are brillantly structured via Andreas Werliin's melodic drum patterns, with Mariam Wallentin's flamboyant, unfettered voice a huge presence. [May 2009, p109]
  11. Q Magazine
    Somehow nothing appears to be missing from the tantalisingly brief beats and blues of 'There Is No Light,' while 'Chain Of Steel's' tick-tocking marimba adds spooky variation. [May 2009, p.119]
  12. In full flight, the effect is sensual, pulverising and mesmeric.
  13. It's a challenging but ultimately very rewarding listening experience.
  14. With this second album cementing the union between Mariam Wallentin's impassioned gut-bucket vocals and Andreas Werliin's busy percussion, they are on their way to becoming the White Stripes in reverse.
  15. Uncut
    It's the skeletal accompaniment that lends the sound real brawn--primitive and intuitive, yet sophisticated at the same time. [Jun 2009, p.113]

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