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Stone navigates her way with confidence and prowess, passion and experimentation.
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Thing is, Joss Stone does have an extraordinary voice, and the only misguided ploy on The Soul Sessions is a Roots-produced slo-mo cover of a White Stripes tune.
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It's a record that benefits from the homogenous, warm feeling such an intimate set-up can make for, the tracks setting up Stone's remarkable voice rather than intentionally distracting from the singer's limitations.
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MojoThere's no denying the intuitive understanding Stone has of the often daunting material she tackles. [Mar 2004, p.104]
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She has unique phrasing and a huge voice that accents, dips, and slips, never overworking a song or trying to bring attention to itself via hollow acrobatics.
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The dichotomy of power and sultriness is the [final] track's greatest asset. It's that same duality that should provide Joss Stone with a career that knows no limits.
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Stone shines on this impressive covers set.
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Stones voice is remarkably authentic, and the atmosphere she conjures is smoky and sleazy, pure mid-60s Detroit.
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Her singing is rich, mature and agile but not showy, at least until the final number.
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Q MagazineA fine start. [Mar 2004, p.113]
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Sessions establishes Stone as a formidable interpreter.
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Worthy of more than novelty status.
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Its a good voice, but its not a good album.
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UncutShe has all the signifiers of deep soul experience: the husky, rich timbre; the confident testifying; the honeyed transitions. But the ruefulness, grime and pain... aren't there. [Feb 2004, p.73]
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Norah Jones is herself, give her that. I hate to think what this phenom will have to go through to get that far.
User score distribution:
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Positive: 24 out of 29
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Mixed: 0 out of 29
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Negative: 5 out of 29
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Nov 25, 2021I love this debut!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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Nov 25, 2021What an amazing debut by Joss Stone, her voice is so powerful and her songs so great and relaxing!
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Nov 24, 2021What an amazing debut, Joss Stone was so young and yet so so talent, great songs here