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That overstuffed guest list doesn't necessarily work to the exclusive benefit of The Spirit of Apollo, as sometimes the clutter makes it hard to hear precisely what kind of music Zegon and Spiegel are trying to make here.
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The album is occasionally brought to earth by mediocre hip-hop, suggesting the project would have been better with a smaller, more focused cast.
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On Apollo, L.A. scenemakers Squeak E. Clean and DJ Zegon pull in a wild roster of stars for what feels like a playful unity jam.
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It’s a party record with random hints of sci-fi. The challenges, though, of producing a truly inventive, kinetic collaboration with so many big names must have been massive--the expression “like a kid in a candy store” comes to mind--and N.A.S.A. shows no particular brilliance on this outing.
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MojoThe results are as scattershot as the guest list. [Mar 2009, p.106]
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Q MagazineIt's by nature a patchwork, but boasts more hits than misses. [Mar 2009, p.98]
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The Spirit of Apollo is what happens when you pack 40 guest appearances onto a single album and expect their charisma alone to make something intriguing. It’s a huge gamble, and one The Spirit of Apollo lost.
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These ringers are lively, and complement one another surprisingly well. So why is the record so underwhelming? That’d be the men at the helm.
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Girl Talk succeeded by deconstructing pop hits; we heard every prerecorded sample in a new way. N.A.S.A., on the other hand, just slaps everything up there, and expects it to stick. It doesn't.
User score distribution:
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Positive: 10 out of 20
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Mixed: 0 out of 20
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Negative: 10 out of 20
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Apr 14, 2016
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LeeHMar 14, 2009If you are not an indie rock fan that digs hip hop, pass on this one. Not for everyone but I really dig it. Good energy.
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GavinBMar 3, 2009A Massive album!