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An instrument-juggling, one-man-band approach that recalls the romantic, psychedelic pop of the Zombies and the textured electronics of Radiohead.
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BillboardThe melodies aren't always there, and the restrained production makes for an occasionally nagging sense of meandering. [3 Mar 2007]
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One man's pop is another man's weirdness. And weird, The Third Hand certainly is.
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RJD2 has made an record that simply doesn’t play to his strengths.
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For better or worse, RJD2’s talent is beat-making. While it’s easy to applaud him for following his dreams, we can’t give him extra marks for his output.
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Some sleepy stuff hurts his cause, but his best songs... combine vivid, polished tracks with solid tunes that pack a sneaky emotional weight.
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It’s more work to listen to than any previous Rjd2 album; listening is a constant quest for the remarkable within the unremarkable.
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For all its comparative brave departures and originality, The Third Hand just isn’t particularly engaging.
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A disappointment, maybe, but that’s to be expected – and shouldn’t we prefer that he want to give us something new?
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This is the sound of a fighter punching below his weight.
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SpinLonger on nuance than hook. [Mar 2007, p.98]
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[Rjd2] has moved away from sample-based instrumental hip-hop, throwing in gently psychedelic Beatles-y songcraft and live instruments to achieve a jack-of-all-trades sound that, while perfectly pleasant, is done better by Beck.
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VibeHe sings with a quavering, unconvincing tremor, and his lyrics are often awkward and bland. [Apr 2007, p.130]
User score distribution:
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Positive: 11 out of 22
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Mixed: 4 out of 22
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Negative: 7 out of 22
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GradyLApr 23, 2007
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EricCApr 9, 2007pretty bad.
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YJMar 25, 2007