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Two skills he has mastered in the past, mood and texture, make this record especially good.
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Alternative PressThat's why artists like RJD2 are important: They're brave, they're risk takers, and modern music needs more of them. [Apr 2007, p.192]
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The one-man result: breezy soul tracks with pop structures, chill vocals and a grab bag of flourishes recalling everything from McCartney to Prince.
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While the record isn’t perhaps as instantly impressive as Scale or Multiply, there’s much to enjoy on The Third Hand for an appreciator of the finer points of this thing we call pop music.
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Paste MagazineThe record loses momentum when its latter half settles into decompressed electronica, but RJD2's daring innovation and unconventional melodies are enough to cement his reputation as hip-hop's most adventurous musical astronaut. [Mar 2007, p.63]
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With experimentation comes error.
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Q MagazineAn unexpected treat. [Apr 2007, p.122]
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His conception of melody and harmony is well above the average hip-hop artist, but the album as a whole is very flat and boring.
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Too much of The Third Hand is bland and undistinguished.
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UncutIt's essentially a pop record--albeit a complex and cleverly arranged one. [Apr 2007, p.115]
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UrbSometimes the '70s feel gets feeling hella silly. [Mar 2007, p.96]
User score distribution:
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Positive: 11 out of 22
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Mixed: 4 out of 22
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Negative: 7 out of 22
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GradyLApr 23, 2007
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EricCApr 9, 2007pretty bad.
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YJMar 25, 2007