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The vast majority of the new Roots album lacks what has made their earlier albums so exciting: spontaneity, originality, musical chops, and a sense of purpose.
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Its majority carelessly regurgitates the painful cliches of "enlightened" hip-hop's critical and commercial darlings, while the band falls back on their organic hip-hop sound as a gimmick and piles on guest appearances to disguise their lack of creativity.
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As a listening experience, The Tipping Point is a decent album, a rough transition at best and a stumble at worst.
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The Roots have always been more about the music than the lyrics, but "Tipping Point" excels at neither. [11 Jul 2004]
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For a group who can be so compelling when they aim high and fall short, an effort so squarely average is all the more disappointing.
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Despite their reputation for distinctiveness parts of 'The Tipping Point' feel distinctly under par by the Roots own high standards suggesting that the departures of MC Malik B (Slacks) and human beatboxers Scratch and Rahzel have, in some ways, led to a successive narrowing down of the range of the Roots' previously loose and eclectic sound.
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MojoThis time, the division between uninspired, joyless Gang Starr pastiches like Don't Say Nuthin and the polymorphous likes of Stay Cool or Outro has never sounded so glaringly obvious. [Aug 2004, p.92]
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BlenderIt's hard to shake the feeling that this is a collection of dope beats in search of some rhymes. [Aug 2004, p.134]
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Q MagazineHardcore fans will probably be disappointed with the amount of rhythmic experimentation which, the messy breaks of Boom aside, is pretty much lacking. [Aug 2004, p.113]
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Rolling StoneThe downside to The Tipping Point's chameleonic variety is that the Roots too rarely sound like themselves, or even like a collective. [5 Aug 2004, p.108]
Awards & Rankings
User score distribution:
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Positive: 39 out of 51
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Mixed: 12 out of 51
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Negative: 0 out of 51
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PabloG.Apr 26, 2008
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Feb 24, 2012
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Sep 28, 2011