Theatre Is Evil - Amanda Palmer & the Grand Theft Orchestra
Metascore
82 out of 100

Universal acclaim - based on 18 Critics

Critic score distribution:
  1. Positive: 15 out of 18
  2. Negative: 0 out of 18
  1. In every sense, Theatre Is Evil sounds like a million dollars.
  2. Oct 5, 2012
    90
    In Theatre Is Evil, Palmer hasn't just topped her best releases to date. She's done it with room to spare.
  3. Sep 18, 2012
    87
    This record isn't simply a record, it's an emotional, intricate experience that keeps on after the instrumental break.
  4. Sep 17, 2012
    80
    The record is the most unvarnished rock music Palmer's ever created, leaning heavily on '80s goth and the oddball New Wave of folks like Lene Lovich.
  5. Sep 14, 2012
    80
    Theatre is Evil bristles, crackles, aches, and moans with surprising efficiency considering its 15-song length, pairing fractured synths and staccato guitar riffs with Palmer's throaty, untamed pipes, sounding for all the world like a brazenly cool, alternate-universe version of No Doubt.
  6. Sep 7, 2012
    80
    Around two thirds of Theatre Is Evil's songs are bolted to the chassis of a loud, poppy guitar band, bringing inescapably to the fore Palmer's gift for killer-catchy melodies and stratospheric contrapuntal arrangements.
  7. Sep 6, 2012
    80
    Most of the record is a vivid splurge of new wave, glam-rock and showtunes, armed with lyrics as punchy and memorable as their melodies. [Oct 2012, p.108]
  8. Sep 6, 2012
    80
    Theatre Is Evil feels like sitting on the bed of your tattooed, far cooler cousin 30 years ago, while she tells you "all you need to know" about music.
  9. 80
    Palmer captures the human condition like no other artist. {Oct 2012, p.90]
  10. Sep 6, 2012
    80
    The faithful will lap up every eccentric note, of course, but there's much here for the uninitiated to delight in as well.
  11. The album is all about big and big is what you get.
  12. Sep 11, 2012
    74
    Kitsch aside, Amanda Palmer is one hell of a musician and lyricist, and this album, thankfully, makes good on its million-dollar expectations.
  13. Oct 4, 2012
    70
    One of the year's best rock records.
  14. Sep 18, 2012
    70
    This isn't a record you dismiss on one spin and parts require some work from the listener, but given proper attention Theatre Is Evil unfolds into something multilayered and quite lovely.
  15. Sep 10, 2012
    70
    If you like a theatrical sound with a dose of anarchy, quirk and unpredictability, this record comes highly recommended.
  16. Nov 8, 2012
    60
    Palmer seems intent on cramming as many ideas and textures into every song as she can, which is exciting at first but exhausting by the halfway point of an excessively long album.
  17. Oct 5, 2012
    60
    Perhaps the best way to approach Theatre Is Evil is not even as an album, but rather a collection of songs--all fairly similar but often good, sometimes very much so.
  18. Sep 6, 2012
    45
    The gut-wrenching moments are too often usurped by lost wallets, Instagram photos, and tales of songs on the radio--none of which add up to anything greater than the sun of their parts. [Aug/Sep 2012, p.113]
User Score

Generally favorable reviews- based on 16 Ratings

User score distribution:
  1. Positive: 3 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 2 out of 5
  1. Amanda Palmer turns in a dreary, childish effort. The lyrics are nonsensical. The anger is a narcissistic demand for attention. The one thing Amanda Palmer seems to be consistent about is to never learn about her craft. This record is completely amateur. The production values make the - drama kid freaking out and showing her poo panties- quality, even more obvious. A complete waste of time. Full Review »
  2. Amanda Palmer cannot sing and despite her histrionic delivery, she has no sense of musicality. I find it astounding that she continues to peddle such badly drawn songs. Rather than learn her craft, Palmer piles on musicians and sounds drawing even more attention to the inherent emptiness of the each track. The songs are bad on two levels, the insensitivity of her voice and the shallowness of her lyrics. The harder Palmer tries, the more apparent it becomes that she is deeply untalented. I have heard people at karaoke bars with better technique. Avoid at all costs. Full Review »
  3. When I first this I thought 'What an overproduced monstrosity' after a few listens its 'What a brilliant overproduced monstrosity' Now it is granted that you may have to have a sense of humor to fully appreciate the slanted wonder of this album but individually the songs are strong, memorable and Ms Palmer's delivery perfect. Full Review »