Theatre Is Evil - Amanda Palmer & the Grand Theft Orchestra
Metascore
82

Universal acclaim - based on 18 Critics

Critic score distribution:
  1. Positive: 15 out of 18
  2. Negative: 0 out of 18
  1. Oct 5, 2012
    90
    In Theatre Is Evil, Palmer hasn't just topped her best releases to date. She's done it with room to spare.
  2. Sep 18, 2012
    87
    This record isn't simply a record, it's an emotional, intricate experience that keeps on after the instrumental break.
  3. In every sense, Theatre Is Evil sounds like a million dollars.
User Score
8.0

Generally favorable reviews- based on 21 Ratings

User score distribution:
  1. Positive: 4 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 2 out of 6
  1. Sep 12, 2012
    0
    Amanda Palmer turns in a dreary, childish effort. The lyrics are nonsensical. The anger is a narcissistic demand for attention. The one thing Amanda Palmer seems to be consistent about is to never learn about her craft. This record is completely amateur. The production values make the - drama kid freaking out and showing her poo panties- quality, even more obvious. A complete waste of time. Full Review »
  2. Oct 30, 2013
    10
    Amanda delivers her finest album yet. It covers a wide space, but is consistently great at whatever it tries. The progression of songs is a nicely tuned rollercoaster and while a good chunk of the lyrics are not immediately clear in and of themselves, in combination with the music, delivery, and some introspection, they have more meaning than per syllable than most other albums out there.
    Amanda may be the first to admit she does not know how to sing, or at least know how to sing like some specific other people, the style grows on you and does not seem at all amateurish, quite the opposite.
    While I think the album compares favorably to earlier Dresden Dolls fare, be aware that the style has changed and expanded.
    If you buy an album today, let it be this one.
    Full Review »
  3. Jan 18, 2013
    0
    Amanda Palmer cannot sing and despite her histrionic delivery, she has no sense of musicality. I find it astounding that she continues to peddle such badly drawn songs. Rather than learn her craft, Palmer piles on musicians and sounds drawing even more attention to the inherent emptiness of the each track. The songs are bad on two levels, the insensitivity of her voice and the shallowness of her lyrics. The harder Palmer tries, the more apparent it becomes that she is deeply untalented. I have heard people at karaoke bars with better technique. Avoid at all costs. Full Review »