- Critic score
- Publication
- By date
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UncutIt smacks of compromise. [Jul 2007, p.109]
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The acoustic songs are pretty but tend to run together, waltz after waltz. The London versions are more individualized, and they let Ms. O’Connor push toward extremes.
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Though uneven at times, Theology features a very genuine spirit of expression and much food for thought.
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Unlike many other Christian rock albums, Theology is for the oppressed, not the oppressors.
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Word-heavy, tune-light songs don't help... Worse, O'Connor's delicate voice can be heard puffing, straining and - horrors - singing flat!
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SpinThe second record falters with a clunky combo of Celtic rock and leaden hip-hop rhythms that squashes the fragile, hook-free tunes. [Jul 2007, p.100]
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The acoustic half... overshoots mere serenity and lands in a much sleepier place.
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It's a tale of two cities that was better off reaching an accord for a single CD.
User score distribution:
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Positive: 14 out of 20
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Mixed: 2 out of 20
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Negative: 4 out of 20
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NeverT.Oct 26, 2007She is an incredible singer-songwriter. This record is a masterpiece.
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JohnSep 16, 2007
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briane.Sep 16, 2007