They Threw Us in a Trench and Stuck a Monument On Top Image

Generally favorable reviews - based on 21 Critics What's this?

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Generally favorable reviews- based on 11 Ratings

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  • Summary: This debut LP from the experimental punk outfit from Brooklyn known for their strong live sets features lengthy song titles and an even lengthier closing track (clocking in at over half an hour).
Score distribution:
  1. Positive: 15 out of 21
  2. Negative: 0 out of 21
  1. An intense fifty minute ride through the minds of one of the best new bands to emerge in recent memory.
  2. 90
    One of the most adrenalising albums you'll hear this year. [Sep 2002, p.110]
  3. While they don't quite have the cross-gender appeal of the Yeah Yeah Yeahs, the pouty disagreeability of the Strokes or the urbane refinement of the Walkmen, they heedlessly summon the spirits of post-punk monoliths like PiL, A Certain Ratio and the Pop Group without forsaking their gritty New Yawk-ian roots.
  4. Whether they're shrieking or pleading, dancing or shivering, they're always exuding an intensity that never fails to find a way to hit you hard, really hard.
  5. Liars got the punk wave thing down, but what makes them more interesting than their peers is their willingness to explore beyond the edges of the new-wave box.
  6. While their found object gimmickry is a novel enough enticement, the Liars' solid stop/start rhythm section is what keeps the junkyard noise spastically danceable.
  7. They're at their best on tracks like "Nothing Is Ever Lost[...]," where they conjure the wheeling claustrophobia of PiL circa Metal Box. [#223, p.66]

See all 21 Critic Reviews

Score distribution:
  1. Positive: 6 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 1 out of 7