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Q MagazineAug 20, 2013Songs such as Painted Indian and Everything's Fine offer a Balearic-tinged euphoria that ends up sounding like the band are at a party they were forced to go to. [Sep 2013, p.106]
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Aug 13, 2013A portion of Tides End listens like a dramatic over-correction into the electro-pop realm. However, by album’s end, Kilfoyle and Verbos find the intersection between vocal melancholy and production excess.
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Aug 12, 2013Musically it’s akin to the recent Neon Neon album, but Kilfoyle’s musings on romance and class are all his own.
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Aug 7, 2013The problem with Tides End as a whole is that it all sounds a bit like a blander, toned-down version of every electro-rock album released in the late Noughties, and unfortunately for Minks, five years isn’t long enough for people to get nostalgic about a certain sound.
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Aug 6, 2013It’s an interesting mix of the wide-eyed and sparkly and the beachfront and nonchalant that makes for a hugely radio-friendly record that won’t dent your credibility.
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Aug 5, 2013Now that the veil has been lifted, there’s not much on Tides End worth the price of progress.
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Aug 5, 2013Its best moments reference the label’s penchant for breezy, languorous guitar lines, like on the catchy Weekenders. If only Minks would lay off the synth and embrace the guitar more often.