Universal acclaim - based on 31 Critics

Critic score distribution:
  1. Positive: 28 out of 31
  2. Negative: 0 out of 31
  1. Feb 7, 2012
    Tramp offers plenty for listeners to enjoy as she goes.
  2. Feb 9, 2012
    Tramp is confirmation that Van Etten is a singular talent in the singer-songwriter world, a voice that commands attention through sheer power and the subtle impact of her words.
  3. Feb 1, 2012
    Matters of mistrust, isolation, and uncomfortable togetherness dominate Tramp, rolling through every track like a sick, creeping fog.
  4. Feb 3, 2012
    A graceful, distinctive album. [Mar 2012, p.101]
  5. Feb 22, 2012
    An arresting record for challenging times. [Mar 2012, p.113]
  6. Feb 27, 2012
    [A] very fine third album. [Mar 2012, p.98]
  7. Feb 7, 2012
    Here, she and her double-tracked voice sound bigger, thanks partly to help from dudes in Beirut and the National.
  8. 90
    This isn't just her finest album, but one of early 2012's best.
  9. Mar 21, 2012
    Tramp ups the game on both fronts [as a songwriter and as a musician]- her songs have a newfound bravado, and her crushing heartache has become tempered with acceptance and understanding. [Mar 2012, p.87]
  10. Feb 6, 2012
    Some moments here do veer into the more predictable end of indie-rock territory.
  11. Feb 7, 2012
    For the most part, the production serves to accent rather than overwhelm Van Etten's greatest asset, her voice.
  12. Feb 2, 2012
    It's a wonderful record, a colossal achievement, and features some of the most breathtaking, moving and downright beautiful music you'll hear all year.
  13. Feb 14, 2012
    Deeply felt, gorgeously rendered folk-pop songs.
  14. 80
    Van Etten has all the right tools to make a great album.
  15. Feb 7, 2012
    Though it rarely rises above a whisper, Van Etten's captivating vocals and Dessner's subtle production ensure that Tramp is never remotely sleepy.
  16. Feb 7, 2012
    Dessner, as studio ringleader, misperceives Van Etten's power as simply a matter of mounting force and so tries to buttress her performance (her personality) with all the layering clich├ęs and atmospheric tricks in his indie rock playbook.
  17. Feb 2, 2012
    Sometimes the lack of definition and the deluge of words grow tedious, but in these songs, all lushly arranged, as is the entire album, the effect is nothing short of riveting.
  18. Feb 2, 2012
    A gorgeous, fully realized expression of her potential.
  19. Feb 8, 2012
    For Van Etten, it's a logical next step in her upward trajectory.
  20. Feb 2, 2012
    Tramp continues the trajectory that got underway with her debut LP Because I Was in Love in 2009, broadening her sound and exhibiting greater confidence while markedly ramping up the volume.
  21. Feb 15, 2012
    It simply, like her two (arguably better) albums before them, hurts too good to be ignored.
  22. Feb 14, 2012
    For a few tracks, like "Magic Chords," her sound starts becoming a trap for a song that never quite coalesces. But the flip side is "All I Can," which reveals a streak of slow-build adult pop craft that's kept under wraps for much of the album.
  23. Feb 16, 2012
    Tramp isn't as seizing as Epic, its songs aren't as dense and unalike, its textures don't diverge in the same methods, but it breathes more, it quivers more, it shakes, it overturns itself, it rusts.
  24. Mar 15, 2012
    Van Etten is in control like never before.
  25. Feb 9, 2012
    As a whole, Sharon Van Etten really hits the nail on the head with her third try.
  26. 75
    Much of that quiet sturdiness derives from Van Etten's singing, which anchors the music even as Dessner fills out his gloomy arrangements with dense indie-noir details.
  27. Feb 10, 2012
    With the few songs that feature the vocal backing of Condon the fullness that immediately hits the ear makes me realise that introducing another voice or even another medium to the mix would enhance the listening experience of this album by at least 75%.
  28. Feb 13, 2012
    The blend of soul and rootsy grit may not be startlingly original, but here, at least, it's Van Etten's and nobody else's that truly shines.
  29. 80
    The producerly hand of the National's Aaron Dessner and cameos by the likes of Beirut's Zach Condon only add to the conclusion that Tramp is one of the must-hears of early 2012.
  30. Tramp is simply her most fully-realized album yet, and that's all there is to it.
  31. Feb 2, 2012
    Every track on Tramp provides a singularly rewarding experience in one way or another. Only the album's pacing weakens its impact as a whole.
User Score

Universal acclaim- based on 33 Ratings

User score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. Mar 2, 2012
    This album isThis album is wonderful!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Full Review »
  2. Dec 10, 2012
    sharon van etten
  3. Apr 26, 2012
    Sharon Van Etten's voice on the latest CD "Tramp" is certainly its greatest advantage. The album is undoubtedly a product of folk, which seemSharon Van Etten's voice on the latest CD "Tramp" is certainly its greatest advantage. The album is undoubtedly a product of folk, which seem to confirm songs such as moody and also a bit soundtrack "Joke or a Lie" or lethargic, "In Line". You'll also may find interesting use rock patents in the alternative, melodic single "Serpents" or the introduction of mediterranean motifs in carefree "Leonard". Album without a doubt had enormous potential, but it has not been used, mainly becouse of indie rock inserts - simply listen to the first track on the "Warsaw". Full Review »