Transatlanticism - Death Cab for Cutie
Transatlanticism Image
  • Summary: This is the fourth album for the Washington-based indie group led by Ben Gibbard (also of the Postal Service) and Chris Walla.
Score distribution:
  1. Positive: 19 out of 21
  2. Negative: 0 out of 21
  1. 100
    Ben Gibbard has a knack for painting scenes of such intimate detail they come off as universal.
  2. A lush, impeccably produced, musically adventurous, emotionally resonant examination of the way relationships are both strengthened and damaged by distance, the album surpasses Gibbard's other career highpoints, which is really saying something.
  3. For those devoted to this rock band's increasingly artistic gear, Gibbard's a bard spinning pop-song sonnets that cause such constituents of fandom to reel real deep in some crooning-along swooning induced by the lithe lyrics.

See all 21 Critic Reviews

Score distribution:
  1. Positive: 55 out of 56
  2. Mixed: 0 out of 56
  3. Negative: 1 out of 56
  1. Probably one of the greatest albums of all time, "Transatlanticism" covers so much ground it hurts. Tracks like "A Lack of Color" and "Tiny Vessels" explore the subtleties of the human connection, while others like "The New Year" and "Transatlanticism" (featuring the greatest lyrics the band has ever written) attempt to summarize entire personalities. It's an album that makes the word 'terrific' insufficient in describing its brilliance. Expand
    • 1 of 1 users said yes
  2. Death Cab For Cutie delivers one of the most beautiful albums ever recorded. Each and every song on this album is great. The title track is long, but it is so beautiful you don't notice the length. Ben Gibbard's voice is so beautiful that on the vicious "Tiny Vessels" you barely realize he is breaking up with a girl he utterly despises. The album starts of strong with "The New Year" and and ends with the tender acoustic ballad "A Lack of Color". Other highlights include "Title and Registration" and "Passenger Seat". This album perfectly show the spectrum that DCFC is able to cover with even the "rock" songs on the album sounding soft because of the bands excellent playing and Gibbard's heavenly voice. Expand
    • 1 of 1 users said yes
  3. BunifaJ.
    0
    Oh what! This aint no rap album. all I could hear wuz some bitches singing some shit about some fotoboofff. Damn dat is nasty ass shit right there.
    • 1 of 9 users said yes

See all 56 User Reviews

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