Treats - Sleigh Bells
Metascore
84

Universal acclaim - based on 35 Critics

Critic score distribution:
  1. Positive: 34 out of 35
  2. Negative: 0 out of 35
  1. there's nothing else like this band right now and possibly ever. The volume and power of late 90s rap metal without all the stupidity and endless chugalug. Vocals that not only sing sweet melodies but support them with harmonies that push and pull against the current of noise, only sassy and canny, like a My Bloody Valentine that's being marketed to pre-teens.
  2. Even though it's as ambitious an exercise in freeform genre-splicing and pure, amp-blowing volume as has been attempted in the past few years, it's always at least as fun as it is smart, taking the three great pillars of guilty-pleasure music (deafening arena-rock swagger, sugary pop hooks, and delirious dance beats) and rolling them together into a singularly appealing cacophony.
  3. Treats is just a whole goddamn lot of fun to listen to. It's a supremely raw and visceral pop masterwork, one appropriate to rocking out with headphones on, windows-down bumping on car stereos, four-A.M. warehouse dance parties and countless other summer moments that'll soon have soundtracks courtesy of Sleigh Bells.
  4. That their most charming song by far is the straight George Clinton rip "Rill Rill," which leaves open the question of what they can do for an encore. I'll grant that minimalist bands always leave that question open if you'll grant that too often the answer is repeat themselves.
  5. It's as if every element of Sleigh Bells' genre-swerving sound--primitive guitar fuzz, pastiche beats, sugar-buzz?vocals--bypasses the default snark button and burrows?directly into jaded listeners' punch-drunk pleasure centers.
  6. Krauss and Miller immediately reach for the jugular on nearly every track of Treats. The trick could wear thin quickly, but the tracks that previously made the Internet rounds as demos sound just as vital here as they did on first download.
  7. Being interesting, unique, fun and damn good is near impossible to pull off. Sleigh Bells has done it on Treats, and goddamn is it good.
  8. Stripping away all of the surrounding noise, it allows Krauss to bring her dizzyingly sweet voice to the fore, showing that Sleigh Bells are not just a one trick pony and that these songs work on more than just the basis that they are great at shaking windows.
  9. Weighing in at just 32 minutes, Treats can hardly be accused of outstaying its welcome. In fact, its brevity is its strength - too much aural pummelling could be too much. As it is, as soon as the album finishes, you'll want to put it on again straight away.
  10. Even though there are a few tracks where Sleigh Bells try to get away with bluster and decibels alone, it's amazing how much of Treats backs up the talk and the walk.
  11. Forceful is just what is capturing about Treats. It is what makes it so hardcore to the bone. Miller puts together gritty guitar licks and hammering beats worthy of an opening slot with Ghengis Tron in my eyes and matches it to the beautiful, yet aggressive sound of Krauss' mouth.
  12. Together they create absorbingly terse songs, and prove that the indie-rock trend of minimalist, two-person bands still has some kick in it.
  13. The combination of the music's essentials-- jackhammer riffs clipped from punk and metal, mid-tempo beats from hip-hop and electro, and supremely catchy sing-song melodies-- is striking on its own, sounding remarkably fresh and unlike anything else right now. But an even greater source of the record's appeal is how it doesn't sound especially referential.
  14. The best part of Treats is that it makes you rethink the possibilities of this kind of music. It is possible for a former girl-group member and a former hardcore guitarist to get together to make an album that is more daring and more fun than anything you'll likely hear on Top 40 radio this year.
  15. This stuff is genuinely, earnestly satisfying, in the same way all great pop music is: these songs, simply and purely, sound fucking great.
User Score
8.3

Universal acclaim- based on 180 Ratings

User score distribution:
  1. Positive: 24 out of 32
  2. Negative: 7 out of 32
  1. FloB.
    Jun 2, 2010
    10
    What about these guys? I'm all about these guys.
  2. Blake
    Jun 6, 2010
    5
    It's loud, but honestly, that's as interesting as it gets when it comes to this album.
  3. RaphS
    Jun 2, 2010
    10
    Ultimately, only a churlish, dead-eyed cynic would refuse to be moved by this inspired mix of riotous noise and feel-good vibetastic-ness. A pastiche masterpiece. Full Review »