• Record Label: 4AD
  • Release Date: Apr 8, 2014
Metascore
78

Generally favorable reviews - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 17 out of 21
  2. Negative: 0 out of 21
Buy Now
Buy on
  1. Nov 6, 2014
    89
    Tremors ultimately flourishes as a dazzling set of pop tracks.
  2. 85
    While Taylor definite seems to prefer to approach his themes and ideas with a sombre touch, he’s not afraid to whack up the pace a notch or two, and it appears he actively enjoys getting stuck into dissembling standard percussive forces.
  3. Q Magazine
    Apr 23, 2014
    80
    SOHN is partial to sampling his own voice to augment the wounded confessionals. They stutter rhythmically and mix with a patchwork of minimal yet intricate electronics and low end beats to spine-tingling effect. [May 2014, p.118]
  4. Apr 11, 2014
    80
    Tremors makes it clear that he has plenty of his own material to work on. His reliable vocals lead us through the enjoyable confusion that the album establishes, ever cool and whole-hearted, with a genuine sense of emotional investment.
  5. Apr 11, 2014
    80
    Sure to be a hit with the disenfranchised, give the man a single bulb to perform under on stage and fans will be riveted.
  6. Apr 10, 2014
    80
    Even though the chords are minor and the mood sombre, there’s something pure, clean and uncluttered about the record that prevents it from being altogether sad. It breathes.
  7. 80
    The promise of Sohn’s debut album is that he has still more ideas hiding in the shadows.
  8. Apr 7, 2014
    80
    Overall, this is an excellent album that, like Burial’s Untrue before it, does an uncanny job of submersing you in the sensorium of someone haunted by nights in modern cities.
  9. Apr 7, 2014
    80
    In the end, what keeps Tremors from drowning in its own paralyzed sadness is the feeling that Sohn himself has defeated these dark feelings through the painstaking process of crafting an album so beautiful.
  10. Uncut
    Apr 2, 2014
    80
    The Vienna-based Londoner who lurks behind the Sohn alias coins a wintry brand of high-tech electro-soul on this striking debut. [May 2014, p.80]
  11. Apr 2, 2014
    80
    It’s both expressive and inventive while still retaining that alluring degree of mystery.
  12. Apr 2, 2014
    80
    SOHN's essentially written an album's worth of brilliant pop songs.
  13. Apr 25, 2014
    76
    Tremors finds time to be adventurous with its feet firmly planted on the ground; it moves maturely.
  14. 75
    Tremors manages the feat of being both invigorating and mellow, and no matter how many layers of sound in which the songs find themselves wrapped up, electronic or otherwise, they remain painstakingly personal and human.
  15. Apr 17, 2014
    70
    Sohn casts his falsetto in blues-worthy scenarios--a one-man band balancing songcraft and heady post-dubstep production better than James Blake or Rhye, two inevitable comparisons.
  16. Apr 9, 2014
    70
    Tremors is a flawed debut, ironic given the lyrical content, but it's one that, when properly explored, does have some brilliant moments.
  17. Tremors is frustrating. But when the colours align it’s alluring and impressive.
User Score
8.4

Universal acclaim- based on 37 Ratings

User score distribution:
  1. Positive: 33 out of 37
  2. Negative: 1 out of 37
  1. Apr 16, 2014
    9
    This debut effort from SOHN shows a wealth of promise, as well as solidifies his status as one of the best singer/producers to come out in theThis debut effort from SOHN shows a wealth of promise, as well as solidifies his status as one of the best singer/producers to come out in the last couple of years. Sure, his sound is deeply indebted to those of The Weeknd and James Blake, but his permutation of contemporary pop and moody electronica is a winning one. Songs like "Ransom Notes" and "Lessons" carry with them a deep emotional weight that other electronic singer-songwriters have failed to capture in the last couple of years. Here's the thick and thin of it: "Tremors" is what Kiss Land should have been and what "Overgrown" would be if it was slightly worse. It's a great album, deserving of your admiration or, at least, your attention. Full Review »
  2. Apr 11, 2017
    8
    SOHN delivers a pulsating and unique sound delivered through minimalism and words that are as emotional as they are intimidating. Every songSOHN delivers a pulsating and unique sound delivered through minimalism and words that are as emotional as they are intimidating. Every song has something loud to say, and the album as a whole makes it scream. Full Review »
  3. May 15, 2014
    8
    English electronic musician SOHN may not be instantly making a large name for himself with Tremors. Nonetheless, this impressive debut isEnglish electronic musician SOHN may not be instantly making a large name for himself with Tremors. Nonetheless, this impressive debut is delightfully refreshing, comfortably accessible, and irrefutably unique at a time in the year where music isn’t really knocking us off our feet. Tremors is brimming with fresh and innovative sounds and compositions, tied together with a consistent aesthetic theme that allows the album to always flow coherently. However, despite possessing many complex and clever arrangements and layers, Tremors doesn’t always come across as dynamic as one would hope. SOHN, in his meticulousness regarding energy and atmosphere, casually ignores melody and structure at times, resulting in a very pleasant but easily forgettable experience. So while you may enjoy listening to the album in the car ride home, don’t expect to find yourself still moving to the album’s rhythm and lip-syncing the lyrics an hour later (save for a couple of standout tracks). In the long run, Tremors never surpasses amazing, but it gets pretty darn close most of the time. I hope to see SOHN producing some exciting hits in the coming years.

    FINAL SCORE: 85 (great ----------o---------- almost perfect)
    Full Review »