Metascore
73

Generally favorable reviews - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 17
  2. Negative: 0 out of 17
  1. With this album, French Kicks have taken a sizeable leap forward, taking the right bits and pieces from half a century of rock 'n' roll to make something new and, yes, unique.
  2. Trial is as rhythmically acerbic and propulsive as the last couple of French Kicks offerings, but the pace is a little slower and more deliberate, the songwriting more cohesive, reflective, and mature.
  3. As for its place in the larger new rock movement, The Trial Of The Century's forward motion is on a par with The Walkmen's leap from the gray clang of its debut to the committed window-rattling of this year's Bows + Arrows.
  4. Lavished with luscious keys and gently chiming guitars throughout, ‘The Trial Of The Century’ tickles and teases the listener, offering subtle hooks that take time to appreciate.
  5. New Musical Express (NME)
    80
    Has them concealing Duran Duran, Tears For Fears, Wire and U2 under a thick pea-soup of organ and rolling bass. [30 Oct 2004, p.65]
  6. Mojo
    80
    With elements of synth-pop, new wave and blue-eyed soul distilled into a succession of heart-beating hits, Trial Of The Century is a record that gets better with each listen. [Dec 2004, p.99]
  7. Filter
    76
    While there are a few slow points on The Trial Of The Century... the album is leaps and bounds away from One Time Bells, production and songwriting-wise. [#10, p.96]
  8. Far more unabashedly romantic than One Time Bells, the Kicks have let go of any lingering desire to be a rock band and are warmly embracing new wave style pop a la the Cars or New Order or Elvis Costello.
  9. Entertainment Weekly
    75
    A bit retro, for sure, but the Reagan-era references feel more fond than forced. [25 Jun 2004, p.165]
  10. Magnet
    70
    This newly minted prissiness... gives the twinkly keyboard and tangled guitar of "Oh Fine" and the mock-pomp circumstance of "Was It A Crime" a starry-eyed sensuality. [#64, p.92]
  11. Under The Radar
    70
    The edges have been softened since their debut... but the brainy, melodic hooks are still here. [#7]
  12. Like a less electronic version of the Postal Service, on The Trial of the Century the band invokes nostalgia for that decade but puts it in a different context.
  13. Q Magazine
    60
    Geographically, one would here have to imagine a borough between The Stills and The Walkmen. [Nov 2004, p.120]
  14. Rolling Stone
    60
    As with most cool New York Bands, the lyrics matter way less than the vibe. [24 Jun 2004, p.175]
  15. Alternative Press
    60
    Ultimately unremarkable. [Jul 2004, p.134]
  16. Essentially, Trial is just one semi-interesting idea (retro-tinged, Smiths-influenced, synth-friendly rock) repeated 11 times-- and no matter how able or committed the French Kicks may be to that lone notion, their conviction alone can't make their sophomore record feel any less tedious.
  17. The French Kicks have changed dramatically and not always for the better.
User Score
7.7

Generally favorable reviews- based on 6 Ratings

User score distribution:
  1. Positive: 5 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 1 out of 6
  1. AaronQ
    Jul 21, 2005
    9
    Definately the most underrated album of 2004. "One More Time" was the song of the year. The most perfect straightforward pop album of the Definately the most underrated album of 2004. "One More Time" was the song of the year. The most perfect straightforward pop album of the past few years. Full Review »
  2. DavisW
    May 9, 2005
    9
    Probably the most underrated album of 2004 from one of the most underrated bands around today. Simply brilliant.
  3. Jody
    Mar 3, 2005
    10
    'Trial of the century' is one amazing song after another. Vocalist Nick Stumpf sings with conviction, letting his unique voice 'Trial of the century' is one amazing song after another. Vocalist Nick Stumpf sings with conviction, letting his unique voice complement the songs, not overpower or distract you from the wonderful melodies and lyrics. The songs are much stronger here than on 'One time Bells'. They soften their sound, using more synthesisers and electronic beats, but still keeping the chunky guitar riffs. This album flows beautifully from begining to end, and you will never tire. They are more experimental on their second effort, and I thank them for it. Their sound is truly magical. Full Review »