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The huge guest list is also a plus since Ross would have a hard time carrying this album on his own, but when surrounded by talent he pushes a little harder and comes up with a handful of rhymes that aren't tired or clichéd.
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On album two, his focus switches from coke to cash as he booms about his fleet of Maybachs (on the soaring T-Pain synthfest 'The Boss') and prepaying his baby daughter’s college tuition.
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The beats are terrific--the problem here is the MC.
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Like any good corporate-mandated sequel, it reprises the strengths of its original product with as little variation as possible, to predictably diminished returns.
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If Ross spouts myriad clunkers, his cadence is at least smooth and his voice cushiony, and so if it's possible to ignore the rapper and focus on the production, Trilla becomes an enjoyable listen.
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The WireRick Ross is pretty much incapable of going more than 30 seconds with out using the word boss--too bad, because Justice League turn out three monsterous cruisetime tracks toward the end. [June 2008, p.63]
User score distribution:
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Positive: 17 out of 28
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Mixed: 5 out of 28
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Negative: 6 out of 28
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JarvisT.Mar 24, 2008Classic.
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BrianLApr 24, 2008
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JamesL.Apr 19, 2008For the most part ross always has a good album he tells it like it is in the real world.