True North - Bad Religion
True North Image
Metascore
74

Generally favorable reviews - based on 20 Critics What's this?

User Score
8.4

Universal acclaim- based on 11 Ratings

Your Score
0 out of 10
Rate this:
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0
  • 0
  • Summary: The 16th release for the Southern California punk band was co-produced by the band and Joe Barresi.
Score distribution:
  1. Positive: 14 out of 20
  2. Negative: 0 out of 20
  1. 100
    It's easily the band's best release in the last 10 years, and with time it will garner more appreciation in the overall catalog.
  2. Jan 22, 2013
    83
    True North manages to navigate the fine line between philosophy and personal politics, a restraint that Bad Religion only rarely nails so evocatively.
  3. Jan 29, 2013
    80
    As with all of Bad Religion's albums, True North is music played in glorious technicolour. [12 Jan 2013, p.53]
  4. Jan 22, 2013
    70
    True North (their 16th LP) lacks the visceral power and focused sense of purpose their trio of post-Epitaph return albums had, the band nevertheless sound unwilling to go gently into that good night.
  5. 70
    True North is another solid addition to the Bad Religion repertoire, even if it integrates itself a little too well to stand apart from the pack.
  6. Jan 18, 2013
    60
    Bad Religion see no reason to mess with the formula. [Feb 2013, p.98]
  7. Jun 4, 2013
    60
    There’s nothing intrinsically wrong with the Lemonheads-style chug of the remainder, though it plants its flag firmly in the same sonic terrain they occupied during 2010’s The Dissent Of Man.

See all 20 Critic Reviews

Score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. Mar 13, 2013
    9
    True North is the first important release of 2013, and it is an excellent work by Greg Graffin and all the other guys. There are many good songs and You is really exciting. No bad songs, although I don't like Vanity very much. Obviously it's not No Control, but it sounds very good. Collapse
  2. Feb 23, 2013
    8
    Even though I'm Christian I have no problem with music with a generally anti-religious message as long as it's done with originality, maturity and intelligence rather than the usual methods of condescending, ridiculing and being overall obnoxious about it. Luckily Bad Religion has always been an excpetion for me. Their messages of liberation, secular progression of society and calling out political corruption remain passionate, inspired and articulate 30+ years later. They seek to vent and educate rather than poke fun and mock. And when I say they’re intelligent, I mean they’re REALLY intelligent. As in I literally had to have dictionary.com on standby for some of the stuff songwriters Greg Graffin (vocals) and Brett Gurewitz (guitar/vocals) had to say. Which is somewhat understandable considering Greg’s recent side-gig as a university professor. Like I said, this band has been putting out albums since 1982 and has never gone more than 3 years without releasing an album, with the exception of a short mid-80s hiatus. And yet after all these years they still manage to sound interesting and compelling, which is a hard task, especially for a punk band that’s rarely changed up their style. Normally I don’t like when a band always sticks to the same style because they’ll inevitably stagnate and become boring. Somehow though Bad Religion seems to be an exception for this rule as well, at least from what I’ve heard (I’m not as well-versed with their back catalog as I’d like to be as of now). They still manage to create songs that are equal parts sincere, impactful, energetic and catchy, an element that some punk bands/purists seem to stupidly confuse for “selling out”. I greatly appreciate this because it makes their messages easier to swallow even if you don’t 100% agree with them, like myself. Another impressive aspect of this band and this album is their use of 3-part vocal harmonies. These group vocal arrangements create a great effect that soar perfectly over the speeding power chords. This is most notable on tracks like Hello Cruel World, In Their Hearts Is Right and the title track. Each track on this album has a similar fast punk-rock formula, with only one track, the more mid-paced Hello Cruel World, clocking in at over 3 minutes. It blazes through 16 tracks in 35 minutes while making nearly nothing feel rushed or underdeveloped. This is aided by Greg’s powerful and blunt vocal delivery. He makes sure that every word is heard clearly while rarely overenunciating or coming off obnoxious. Still, despite all this political and anti-religious passion, my favorite song here is probably the aptly titled F*ck You. The best thing about this song is about how rather than being a generic punk rock “fuq da man” type song, the lyrics go into detail as to what psychologically causes one to want to say the titular phrase and why it’s so satisfying to say. It’s a rather interesting if short literary study. Lyrical topics elsewhere include the greed of the upper class (Robin Hood in Reverse and Land of Endless Greed), deconstructions of the moral compass (True North, In Their Hearts Is Right and Past Is Dead) and questioning of a higher power (Dept. of False Hope and Popular Consensus). If there’s 1 complaint to be had it’s that even at a short 35 minutes, the punk-rock effect starts to wear off by the end of the album from lack of breaks tempo-wise (with the exception of Hello Cruel World), and as a result it feels rather front-loaded. Still, the overall end product is a very satisfying listen, full of the passion, wit, energy and hooks one would look for in a Bad Religion album. Top 5 songs: You, Hello Cruel World, True North, Robin Hood in Reverse, In Their Hearts Is Right. Rating: 85/100. Expand