- Critic score
- Publication
- By date
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The contrast between Pearl and Natasha isn’t always crisply drawn, but a central conviction animates both.
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No question this is meant to be a haunting mood piece, and her gorgeous voice--somewhere between Björk and Tori Amos, to name the obvious referents--makes up in some part for what's lacking in dynamics and compelling hooks.
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MojoWhile Two Suns almost inevitably finds Natasha Khan caught between the rock of artistic muse and the hard place of major label rockability, there's still invention and charisma enough here to keep both leftfield chin-stroker and ingenue fan onside for now. [Apr 2009, p.106]
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She has hitched her modest talent to an art-rock wagon she won't outpace anytime soon.
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While the weaker songs are definitely not throwaways, they miss the mark in more than one way.
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The joy of "Fur and Gold" has vanished and taken some of Khan’s potential with it. This is request for their safe return, no questions asked.
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UncutThough the production has improved, there's still a certain lyrical flimsiness and a sense that, enjoyable and stylish as Two Suns is, it's still just horsing around in the dressing-up box of '80s pop, in a way that's more Might Boosh than Kate Bush. [May 2009, p.77]
Awards & Rankings
User score distribution:
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Positive: 74 out of 81
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Mixed: 4 out of 81
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Negative: 3 out of 81
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Aug 11, 2011
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Apr 16, 2011
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Sep 11, 2019One of my all time favorite albums.
The sounds just takes you to another world, one of magic, darkness, love, hope and desire.