Two Suns - Bat For Lashes
Metascore
76 out of 100

Generally favorable reviews - based on 32 Critics

Critic score distribution:
  1. Positive: 25 out of 32
  2. Negative: 0 out of 32
  1. Dark, but never needlessly so, Two Suns offers a rich, distinct world of subterranean lullabies, spacey timbres, and ghostly beauty.
  2. Two Suns then is everything it could have been--a worthy follow up to Bat For Lashes' Mercury nominated Fur & Gold... and so much more. Here and now, take a trip, you just may come out enchanted.
  3. A significant step forward from her debut, Two Suns is home to some of the year's most thrilling music so far.
  4. It's the ultimate inner battle of good and evil, one that even the best of us wrestle with when making ourselves vulnerable to the entanglements and snares of love, and one that Khan has found her most confident and enthralling voice in yet.
  5. An easy (if slightly front-loaded) listen that Khan performs effortlessly.
  6. Khan's sublime voice easily distracts from any lyrical ponderousness, and it lends even lines about "diamonds burning through rainbows" a dreamy sort of sense.
  7. Two Suns is epic in scope and ambition and requires a similarly epic patience to unravel its charms.
  8. While her second album is frequently more drama than action, over the long haul, the magical world she creates is one worth being immersed it.
  9. Two Suns is another pitch-black dream world, with Khan's production touches helping paint her enchanting pictures. Color me enchanted. [Spring 2009, p.64]
  10. This record is one made with the artist's full investment, every ounce of heart and soul poured into it visible for all to see.
  11. The slightly pretentious concept, though, is balanced by the equally lavish music and specifically Khan's voice.
  12. 80
    Two Suns doesn't have to parade itself around as a concept album to prove that music has always been, and always should be, about telling a story, as Khan does here.
  13. Two Suns is an intoxicating, addictive album, a step on from "Fur And Gold" a leap into a galaxy of its very own. [May 2009, p.118]
  14. 80
    Two Suns is the rare concept album that's better for the bedroom than for bong hits.
  15. Psychedelic experimentalists Yeasayer add more beats than last time, but nothing that overpowers Khan's out-there mindset, stunning vocals and obvious talents. [May 2009, p.114]
  16. Two Suns is fantastic as well as fantastical.
  17. Two Suns is a dense, intricate album that features at least six brilliant songs, two of which are pure pop gems.
  18. Khan is a fantastic package and a good, if not as maverick as some believe, songwriter. In a year when no one wants to sing about making a cup of tea, she's just the ticket.
  19. Welcome to the (haunted) house of fun.
  20. Another unique and compelling album of mystical indie-rock with shimmering vocals, proving she not only has a voice to be reckoned with, but is a voice to be reckoned with.
  21. Anyways, ignore the write-ups (uh, except this one), which won't be able to help quoting all the spiritual mumbo jumbo about dualism, and enjoy what seems, to me, unstated genre practice at play on a very large stage.
  22. Suns is slightly less immediate, but the Brit's floaty vocals and pagan-princess themes still bewitch.
  23. Two Suns rarely ventures into anything truly experimental; when it does, as in the maelstromic beat of 'Siren Song' or the Scott Walker cameo in album closer 'The Big Sleep,' it makes you curious as to what Khan could deliver if she weren't so committed to her "studenty" (in the UK sense) affectations.
  24. Two Suns is nearly as graceful and poetic as Bat for Lashes' best work; it's just that the album's massive concepts and sounds require a little more time and patience to unravel to get to the songs' hearts.
  25. Pounding on pianos, cranking out delicate little click-clack beats and shivering through choruses with an ultraromantic soprano, Khan proves she's a powerhouse under her billowy sleeves.
  26. 60
    While Two Suns almost inevitably finds Natasha Khan caught between the rock of artistic muse and the hard place of major label rockability, there's still invention and charisma enough here to keep both leftfield chin-stroker and ingenue fan onside for now. [Apr 2009, p.106]
  27. 60
    Though the production has improved, there's still a certain lyrical flimsiness and a sense that, enjoyable and stylish as Two Suns is, it's still just horsing around in the dressing-up box of '80s pop, in a way that's more Might Boosh than Kate Bush. [May 2009, p.77]
  28. 60
    The contrast between Pearl and Natasha isn't always crisply drawn, but a central conviction animates both.
  29. While the weaker songs are definitely not throwaways, they miss the mark in more than one way.
  30. The joy of "Fur and Gold" has vanished and taken some of Khan's potential with it. This is request for their safe return, no questions asked.
  31. She has hitched her modest talent to an art-rock wagon she won't outpace anytime soon.
  32. No question this is meant to be a haunting mood piece, and her gorgeous voice--somewhere between Bjφrk and Tori Amos, to name the obvious referents--makes up in some part for what's lacking in dynamics and compelling hooks.
User Score

Universal acclaim- based on 46 Ratings

User score distribution:
  1. Positive: 16 out of 17
  2. Negative: 0 out of 17
  1. Somewhere between Kate Bush and PJ Harvey, beautifully dark and introspective, dreamy, sometimes scary and way too risky, many steps further from her debut . Two Suns has got to be one of the best albums of the decade. Full Review »
  2. 10
    I had listened a few songs in 2009, but this style not had convinced me, later of a time i listened the whole album and I was really amazed, this album is really surprising, deeper and submerges you in a different world, Natasha has conquered my heart with odd melodies of dream pop, a complex environment which marks a truly infighting, musically wonderful, one of the finest albums I've listened... Full Review »
  3. Two Suns, the second album by Bat for Lashes, was recorded with a special guest. I am not talking about Scott Walker who duets with Natasha Khan on The Big Sleep to close the Mercury Music Prize nominated LP. Let the girl speak for herself, though: My name is Pearl / And I love you the best way I know how / My blonde curls / Slice through your heart / When the sirens come calling / It won’t be long / Until you’re running! Pearl is an alter ego of Natasha and her dramatic performance on Siren Song is one of the highlights of this amazing album. Duality is the main theme here and such allusions will come back from time to time. Bat for Lashes has prepared six massive songs, each and every of them being a material for a single (Siren Song is one of them). The opening Glass is a perfect introduction to the complicated world of Two Suns, full of vivid and impressive imagery. It is also the most epic track. Sleep Alone is less straightforward but has a great icy backing. Daniel, an indie hit, by many is regarded as Bat for Lashes’ best song to date. It is a brilliant homage to the 80′s as well, both in case of music and lyrics. Pearl’s Dream is super danceable but as if it had been reworked by Kate Bush herself. Finally, you have Two Planets. In my humble opinion, this is the greatest song of Two Suns. It pulsates with remarkable energy, whirls with handclaps, electronic bass line and monumental tribal drums. It’s hard to resist while it’s on. What connects all these fantastic tracks is the staggering voice of Natasha. Moreover, Two Suns strike with a beautiful artwork. Why 4, not 5, then? Few ballads feel as fillers, they are dull and do not add anything. Full Review »