Uncanney Valley - The Dismemberment Plan
Uncanney Valley Image
Metascore
61

Generally favorable reviews - based on 14 Critics What's this?

User Score
7.7

Generally favorable reviews- based on 6 Ratings

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  • Summary: The first release in 12 years for the Washington DC rock quartet led by Travis Morrison was produced by the band's guitarist, Jason Caddell.

Critic Reviews

Score distribution:
  1. Positive: 7 out of 14
  2. Mixed: 7 out of 14
  3. Negative: 0 out of 14
  1. The Line of Best Fit
    Oct 10, 2013
    75
    Pay no attention to the lyrics (pretend you’re foreign or something), concentrate on the music, and you might just enjoy yourself after all.
  2. Consequence of Sound
    Oct 15, 2013
    70
    The band is so good together, though, and sound so at peace and at ease knocking these songs out, that it makes it hard to even dislike the record, problems though it may have.
  3. Rolling Stone
    Oct 15, 2013
    70
    The endlessly hooky Valley veers from funk-furnished, thrashing tragicomedies ("Waiting") to springy eulogies for the past.
  4. Drowned In Sound
    Oct 11, 2013
    60
    While not a failure, Uncanney Valley isn’t the glorious comeback many were expecting.
  5. All Music Guide
    Oct 14, 2013
    60
    Rather than nervy and isolated, this re-formed version of the band feels like they've got things more sorted out, replacing the uncertainty that marked albums like Emergency & I with a more carefree vibe. The change is one that makes sense, though.
  6. New Musical Express (NME)
    Oct 14, 2013
    60
    It’s fun, but not the comeback it could have been.
  7. Pitchfork
    Oct 16, 2013
    45
    Uncanney Valley seems too bent on interrupting serious moments with corny jokes and bewildering asides to say much of anything about anyone else.

See all 14 Critic Reviews

User Reviews

Write a Review
Score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. MooziikMaster
    Oct 15, 2013
    8
    From all the releases this year, none are quite as nostalgic as this. Two years ago, I discovered The Dismemberment Plan in the best possible time. 2011 was the year that I made huge musical advances in my taste. One album in particular that struck me was The Dismemberment Plan's Emergency & I. It was different. It was fresh. I loved it and played it over and over again. Once I was graced with the chance to see The Dismemberment Plan in Chicago that summer, I thought my life was complete. One last chance to see the band during what seemed like a reunion tour was very humbling. Boy, I never expected them to actually stay together, let alone record a new album. Considering their last album was 2001's Change, there was a bit of a time gap to fill. And oh man, those 12 years have had their toll on the band. A more matured D-Plan has emerged from their forsaken hiatus, with dad-rock rhythms and thoughtful lyrics.

    From the somewhat seasonal sounding opener "No One Is Saying Nothing", The D-Plan try to jump right back in where they left off. Although the track really would have been an awkward addition on previous albums, it seems to fit as the opening track for a new breed of D-Plan songs. "Waiting", the first track released from the band's newly announced return, really needs at least 3 or 4 listens to soak in. At first, its off-beat electronic beeps and sporadic bass line are difficult to handle. Once you adjust to this new effort, it really does sound spectacular. The same goes for "Invisible", the next track on the album. With its beautiful violin intro, Travis Morrison's singing/talking invades and illustrates a sad story. This track is the closest The D-Plan will get to previous album hits such as "Spiders In The Snow" and "Following Through". "White Collar White Trash", the upbeat, eclectic track that features strange lyrics and unique instrumentation brings a new sound to the band's discography. It still imitates previous chaotic sounds, but this time, it sounds a lot more controlled. "Living In Song" and "Lookin'" seem more like transition tracks, simplistic and easily forgettable. Sure, they sound great, but there is nothing outstanding about either of them. "Daddy Was A Real Good Dancer", a danceable ballad picks up speed and reminds the listeners that The D-Plan can make brilliant songs about pretty much anything. "Mexico City Christmas", another highlight of the album, sheds light on who The D-Plan really is. Their origins trace back to chaotic, college sounding tracks filled with youthful lyrics and catchy beats. This track is one final throwback to the old days. "Go And Get It" is a strange affair. With an intro reminiscent of "Radioactive" by Imagine Dragons and any number of Coldplay songs, this track is an attempt to make stadium rock. Although the band does not present itself as this type of mainstream group, I could definitely picture this song blaring over the speakers at a hockey game. Often the final D-Plan song on an album is a good farewell song. This is still true with "Let's Just Go To The Dogs Tonight". This song only feels at home at the ending of the album. With lyrics about saying goodbye and clichéd "repeat after me" verses, we can all wave goodbye to the band that has done a fine effort in their return to the alternative crowd.

    Even though I miss the chaos of the old D-Plan, I am happy that the band has not strayed too far from their original sound and kept their signature innovative instrumentation and exceptional vocals. They grow up so fast.    … Expand
  2. Ghostmissile
    Oct 16, 2013
    8
    I've been a fan of Dismemberment Plan since their first two albums. 12 years have passed since the release of "Change" and I lost my hope a long time ago to hear a new LP from these guys. But it's just a gift to hear new material from them. "Uncanney Valley" is an album that follows the natural progression from "Change" and the solo albums from Travis Morrison. But you won't find here the eclectic D Plan from their first albums. So if you like the old D Plan, and if you were not happy with their last album "Change", you will see it's not worth listening. It's not an "Emergency & I" or "Is Terrified".

    But if you loved "Change", maybe after a few listens you will get a happy nostalgic feeling. It's not a perfect album, not what I would have expected from them in their full potential years ago, but it's so good to hear these new songs. They came back 12 years older, but I'm 12 years older too. Then I still feel in "Uncanney Valley" the things that made me love this band. It's been a very good surprise.    … Expand

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