- Critic score
- Publication
- By date
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MixerEnveloping, winding, shape-shifting jams that stick together like a deep headphone jam session more than they stick out as noodly jazz guys. [Apr 2002, p.78]
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Alternative PressMMW charge brazenly past cries of Jimmy Smith worship into territory rarely covered by artists either acoustic or electric. [Jun 2002, p.80]
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Many tracks come off as retreads or ideas freeze-dried for consumption at the trio's famous exhaustingly intense live shows.
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If any one album can be said to pick up on the surreal funk explorations of latter-day Miles Davis, Uninvisible is it.
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A weird ride, but a good one.
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Picking up where their 2000 release The Dropper left off and echoing the freeform explorations of their defining 1996 effort Shack Man, Uninvisible falls right in step with these two then takes off running.
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Their most enjoyable collection yet.
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While some of the complexities of their precursors have been beveled off by MM&W, dancefloor maniacs and couch boppers alike will find something to admire in rhythmically compulsive entries like the title track.
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BlenderMMW start with some dirty grooves, then add DJs, horn sections and singers for dissonance and disruptions. [Apr/May 2002, p.115]
Awards & Rankings
User score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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[Anonymous]Jan 1, 2007Grooves and awesome jammage to the max. Just like all of their albums except Farmers Reserve, it gets a 10