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V Image
Metascore
87

Universal acclaim - based on 19 Critic Reviews What's this?

User Score
8.2

Universal acclaim- based on 67 Ratings

  • Summary: The fifth full-length release for the British rock band was produced with Paul Epworth.
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Top Track

Machine
Your smile is nothing to live for But read out your lines And bring the fantasy to life You taste like a ghost A cold simulation So close to the... See the rest of the song lyrics
Score distribution:
  1. Positive: 19 out of 19
  2. Mixed: 0 out of 19
  3. Negative: 0 out of 19
  1. Sep 22, 2017
    100
    Overall, V maintains a distinctively elegant gloom, The Horrors continuing to find intoxicating new shades within their gray moods. It’s an album that confirms them as one of the most consistently surprising, most artistically sophisticated, simply greatest rock bands working today.
  2. Sep 27, 2017
    90
    V is the record that has finally given The Horrors a set identity. Perfecting every element they did so well on their four previous records, V is a pure and unadulterated celebration of The Horrors.
  3. 90
    V isn’t a huge reinvention, more a subtle reboot, and a move which has worked out perfectly. The Horrors are hardly new to making brilliant albums--they did that with their previous three--but V is better than them all.
  4. Sep 18, 2017
    80
    Overall, V feels like a consolidation of all of the strengths that The Horrors have built up over the last ten years, tightly bundled and perfectly accessible without sacrificing any of their artistic integrity.
  5. Sep 22, 2017
    80
    Not everything on V works--"Weighed Down" and "Gathering" lack the focus of the album's highlights--but the songs that do are some of the Horrors' most exciting yet.
  6. 80
    The band have responded by unleashing their ballsiest selves.
  7. 70
    V combines expansive arena-rock sonics with a heavy dose of lush electronics. Indeed, the stern synths and metal-bashing percussion of Hologram sound like vintage Tubeway Army, while the robo-riffing thunder of Machine falls between Suede and the Sisters Of Mercy.

See all 19 Critic Reviews

Score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. Sep 23, 2017
    9
    The Horrors are one of those bands who, no matter how good an album they produce, have always seemed to have an urge to evolve and progress.The Horrors are one of those bands who, no matter how good an album they produce, have always seemed to have an urge to evolve and progress. V beautifully takes influences from all over the place and blends them in without losing any of the band's own identity. The band is tight, production is excellent and Faris Badwan's singing has never sounded so strong. There's some real standout tracks on here in "Machine" and "Something to Remember me by" and as a whole it may be their best work. Absolute stormer of an album and heartily recommended. Very good live too. Expand
  2. Oct 4, 2017
    8
    I have always said that to make each album, consume a different drug, in this case is no exception, The Horrors are very versatile whenI have always said that to make each album, consume a different drug, in this case is no exception, The Horrors are very versatile when producing their music, we see less use of synthesizer and more use of guitars, a less dark sound but more flamboyant and natural. Expand
  3. Sep 25, 2017
    8
    This album compensates the lack of general sense of adventure that Luminous was screaming for, despite of its clean production and sonicThis album compensates the lack of general sense of adventure that Luminous was screaming for, despite of its clean production and sonic intricacy; both inherited from Skying. Now, their concept has finally fell under the push of the right levers, delivering a ten-song set that feels like it´s perfectly suitable for both sunrise activities and weekend outings, for both elaborate-pop lovers and indie-introspective treasure seekers, and not leaving their fans behind. Expand
  4. Oct 4, 2020
    8
    The closest The Horrors have come to recording a full-blown "synth-pop" album, and it's...far from bad, if far from their best.

    At least
    The closest The Horrors have come to recording a full-blown "synth-pop" album, and it's...far from bad, if far from their best.

    At least this album has more of an "identity" than the last album: something that Luminous severely lacked. A band that's unfortunately unlikely to reclaim the heights of their first three albums.
    Expand

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