- Summary: Bjork's follow-up to 1997's 'Homogenic' and last year's soundtrack to Dancer In The Dark is closer in sound and mood to the latter, taking a quieter, more ambient approach. Produced by San Francisco-based electronic artists Matmos, 'Vespertine' utilizes mainly electronic instrumentation,Bjork's follow-up to 1997's 'Homogenic' and last year's soundtrack to Dancer In The Dark is closer in sound and mood to the latter, taking a quieter, more ambient approach. Produced by San Francisco-based electronic artists Matmos, 'Vespertine' utilizes mainly electronic instrumentation, much of which was recorded by Bjork in Iceland. The lead single is "Hidden Place."… Expand
- Record Label: Elektra/Asylum
- Genre(s): Electronic, Alternative
- More Details and Credits »
1997's Homogenic, also a mixture of heavy beats and strings, was not as varied or complete as this album, and while Selmasongs, last year's soundtrack to "Dancer in the Dark" (in which Björk starred), was lovely in its own sweeping, cinematic way, Björk has surpassed herself with this new work.
izataJun 3, 2006Pagan Poetry! Pagan Poetry! This is ultimately her best album, yet!!! It's 1000000x times better than the next one, Medulla....
MichaelRJan 9, 2004A lot of depth and introversian on this album. Good stuff.
Nov 14, 2012Vespertine is her best work to date, as being the most carefully prepared in refined in sound matters, also her voice couldn't be better withVespertine is her best work to date, as being the most carefully prepared in refined in sound matters, also her voice couldn't be better with highlights as "Undo" "Hidden Place" "Unison" and "Pagan Poetry".… Expand
ClifJun 12, 2008I really don't give easily a 10 for an album (it's extremly rare), but this one even deserves a 11! It surpasses everything we had I really don't give easily a 10 for an album (it's extremly rare), but this one even deserves a 11! It surpasses everything we had heard. For the first time until 2001 (maybe we can consider "Selmasongs" as the tourning point) Björk delivers us minimalist (in a good way), spiritual and introspective parts of her soul. Even if I've always admired what she's done previous to this album (the excellence and lava-ish "Homogenic", the breathtaking "Post", and so and so), she has reached the culminate point of her career with "Vespertine". Maybe because of the facts of 1997 (for example, when she smashed a journalist in Bangkok; one retarded fan who wanted to kill her; ...), paradoxally she gained a certain tranquility (and the best is that she accepted to get that), something she had never explored in her previous albums. Since then, we can consider that she has done (almost) everything in her music career. ... Facts are... Even if she's too modest to accept that, she has released, I think, the greatest album ever, by any artist. Music blessed and embarrassed her!… Expand
Dec 3, 2013Listening to this album is like listening to the sound of angels, it is really a beautiful trip to the high above. I love all the elements inListening to this album is like listening to the sound of angels, it is really a beautiful trip to the high above. I love all the elements in the songs, while listening to it I feel from calm to passionate and a lot more, that's why I love this album so much, it gives me a lot of feelings.… Expand
Aug 1, 2014Besides her inaccessibility to mainstream audiences as always -- "Hidden Place" has to be Vespertine's poppiest moment, highlighted byBesides her inaccessibility to mainstream audiences as always -- "Hidden Place" has to be Vespertine's poppiest moment, highlighted by instantaneously memorable melodies, shuffling beats, and sampled choir vocals -- Bjork's 2001 masterpiece has to be one of her weirdest, most sensual, and timeless records to date; it ages as well as her accompanied swan dress she wore on the album cover and at the Academy Awards that very same year. Although it's composed with some of Bjork's most signature sounds, most commonly her use of experimental electronica and scat singing, Vespertine favors more minimal yet ethereal effects to accompany the very, very sexual -- or rather, sensual -- feel in its lyricism and most importantly, Bjork's breathy vocal delivery on every track.
The highlights: "Pagan Poetry" has one of the most memorable melodies -- and most, ahem, NSFW music videos -- of the '00s, which has Bjork writing some of her most deliciously dark and desperate lyrics to the accompaniment of Asian teahouse-esque melodies, music boxes, harps, and Bjork's extraordinarily emotional and equally powerful vocals. The mood throughout the duration of Vespertine typically remains as melancholy as it is wintery ("Frosti" is a one-minute instrumental interlude that tributes the snowy season through and through to the crossfading sample of footsteps in the snow at the beginning of "Aurora"). "Cocoon" is one of the most minimal moments on the album, choosing suggestive and seductive whispers to lure the listener into a momentary coma, while "An Echo, A Stain" is its darkest; the distorted bleeps, bloops, mumbles, and choir vocals are something you'd expect to hear on an early Evanescence record.
Bjork might be more memorable for her early-'90s house music and her swan dress in the early-'00s, but Vespertine is a testiment to just how important she truly is in a music industry where "artists" cannibalize on each other's ideas instead of cooking up their own material. I'd go as far as to call Vespertine the greatest album since Bjork started her solo career in music, but I'd call it one of the greatest, most grandiose albums I've ever heard in my life. Then again, I was born in 1993 and grew up on Bjork's '00s material, but that doesn't mean I don't stand by that sentiment.… Expand
ivanlDec 17, 2003i love "Post", i just dont get this one
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