- Summary: After the loss of two members, the Las Vegas-based rock duo returns with its third studio album of rough-edged emo pop.
- Record Label: Fueled by Ramen Records
- Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Emo-Pop, Punk-Pop
- More Details and Credits »
Positive: 11 out of 11
Mixed: 0 out of 11
Negative: 0 out of 11
May 21, 2013Let me start by saying that this is not emo. "Emo" isn't even a genre! And that doesn't matter. "Vices & Virtues" is one of the most incredible (instruments-mix) albums of the year! From calm and easy-listen songs like "Always" to (a little-bit weird) songs with (exaggerated) use of instruments. Exaggerated? Yes, but that is nothing (NOTHING) compared to the incredible way that it tastes. "The Ballad Of Mona Lisa", when released as a single, may have took you to a "A Fever You Can't Sweat Out" feeling, but that is not what we have here. While we can listen to a estrange alternative rock with pop signs and not-that-much-understandably lyrics, on Vices & Virtues we have alternative rock (yet) with good electro-pop beats, lyrics with more relation to romance (instead of weddings and hospices from "A Fever You Can't Sweat Out" and beautiful lyrics about seas, flowers and hair from "Pretty. Odd.". "Ready To Go (Get Me Out Of My Mind)" is, although its chorus repeated many times (makes it kind of boring), a great (happy) song that does not have a lyric that good.
We also have "Hurricane" that's an incredible dance thing. Its chorus can't get out of your mind and has like a south-american or spanish feeling that it's enjoyable too. "The Calendar" may be the neutral song. I'm not saying that it's just another song, no. It's a great song that might make "AFYCSO" Fans, "Pretty. Odd." fans and "Vices & Virtues" fans to like it, because it feels like a mix between "AFYCSO" and the rest of "V&V".
Perfect? No. Nothing is perfect. The lyrics are pretty good. There are some fails and some repetitive chorus like in "Ready To Go (Get Me Out Of My Mind)" and "Let's Kill Tonight". Also, we have "Sarah Smiles". More romance? Just because Urie made it for his girlfriend, it doesn't mean that it would be like a romantic, calm and lovely song. Okay, it has a romance thing (it has to) but it also has a good "shake" and all the song is good, not just the chorus. What can we expect from an album that even the songs that are "just another song" are amazing from beginning to end? An album that is Incredible from beginning to end.
Okay, we have some exceptions. "Trade Mistakes" is good, but not thaaat good. "Sarah Smiles" seems to lose its initial charm after half the song. "Ready to Go" is lyrically weak and repetitive. But...
Everything ends with "Nearly Witches (Ever Since We Met)" that gave me a headache. That's not bad, it's just confusing. Starting with a dialogue, then going to french choir, then starts the music with lots of special sounds (polluting it) and then starts the chorus that is different from the rest of the song. And the chorus is much better than the rest of the song, what would make me sad, but instead of it, makes sing because has a great lyric to sing.
So, we have a great "alternative rock with electro-pop beats" album. Not emo. Amazing songs. Good lyrics. Defects? Of course. Worth your time? Oh Yeah!!!… Expand
Feb 20, 2012Panic! at the Disco spiced up their songs with a little mystery complimented by a truly improved vocals of Brendon Urie. The songs in this album are extremely addictive. All songs contained are lyrically deep. This album is clearly not at the mediocre level. The musical brilliance is another turn on not to mention the perfection in terms of instrumentality. This is an album to die for!… Expand
Feb 22, 2012Losing half of their members due to musical differences, Panic!'s Brendon Urie took up the mantle of songwriter which would have copious amounts of pressure placed upon someone who had always co-wrote songs. Nevertheless this third effort from the duo/band, a reversion similar to "Fever" days, sees Urie comfortably navigating his lyrics through the album, bringing up great highlights such as the rollicking trio of "Memories", "Trade Mistakes" and "Ready To Go", and demonstrating that they haven't lost they melodic orchestral sound from the "Pretty. Odd." era on "Sarah Smiles" towards the end. Criticism may be directed at the simple song structure, however few can deny that Panic! is definitely back.… Expand
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