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100When layers of choir-boy vocals are added to the group's singing ("Hun Joro"), when feeble, naturalistic sounds are used in questing improvisations ("Sigur Ros"), or when acoustic instruments coalesce with a swath of electronics ("Dogun"), you'll find your jaw on the floor, too, stunned as ever.
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Based on pure sound, Von is just as much of a treat as the acclaimed follow-up.
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80It's a long, occasionally ponderous listen... but it's an impressive and rewarding journey that moves between prog, space-rock and subdural transmissions in ancient alien tongues.
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78Young, earnest, eerie, and overzealous, Von is a unique, almost belligerently unaffiliated piece of music that unsubtly blazons its idiosyncrasies.
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68While [Von] doesn't possess the astonishing complexity of what was to follow, it does evince the same sort of raw, visceral honesty and passion for perception-jarring experimentation. [#14, p.103]
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The beauteous wash of sound, an otherworldly choir; a dystopian aural experience, both blissfully narcotic and nightmarishly grounding.
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60Von is neither that bad nor that good. It is definitely not a clunker, and despite its rough-edged and misplaced ambition it succeeds quite grandly at times.
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Von is, in a sense, an ultrasound view of the unborn Sigur Rós - it’s almost fetal, an abstracted and vague representation of what would come later.
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Hints at future sonic depths: swirling patterns, impressive musicianship and ambitious ideologies.
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What it lacks is Agaetis’ singularity of purpose, as well as its understanding that atmosphere should be an aesthetic by-product of songcraft and not the other way around.
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They failed handily on this effort, but as we all know by now, it was only a matter of time before they got it right. [#8, p.112]
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40Slower into its stride, with tune-free twittering and dull homages to FX-pedal rock making up the first half. [Jan/Feb 2005, p.123]
User score distribution:
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Positive: 4 out of 5
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Mixed: 0 out of 5
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Negative: 1 out of 5
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JuliaA7
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TomBiswrong10