Warnings/Promises - Idlewild
Metascore
66 out of 100

Generally favorable reviews - based on 20 Critics

Critic score distribution:
  1. Positive: 10 out of 20
  2. Negative: 0 out of 20
  1. Where 'The Remote Part' was their 'Green'-esque lunge into the spotlight, 'Warnings/Promises' is their full-blwon 'Out Of Time' spectacular. But with less twangle, more teeth. [5 Mar 2005, p.50]
  2. Idlewild may still be figuring out exactly how to juggle its conflicting elements, but there are more than enough truly bright spots on Warnings/Promises to remind the listener of what the band is capable of when it fires on all cylinders -- and even when it doesn't.
  3. 72
    They've arrived at a more basic and touching--at times sleep-inducing--music that lingers for better and for worse. [#16, p.89]
  4. Woomble's lyrics, while literate, are never quite as clever as his supporters would like to believe.
  5. [An] album of considerable grace and poise. [Apr 2005, p.116]
  6. Warnings/Promises is even better [than The Remote Part], a set of hopeless love songs for sad-eyed city girls.
  7. 'Warnings / Promises' is the work of a band pushing itself to the limits of its generous, but ultimately not boundless musical ability.
  8. 70
    Sounding like mid-period R.E.M. isn't the noblest of ambitions, but it somehow seems to work. [#69, p.98]
  9. Warnings/Promises establishes Idlewild as a very good band, but also indicates that it probably won't ever be a great one.
  10. Songwriting chemistry is a tricky thing, and while having two or three competing voices can push writers to new heights, a group of five here leads to songs that are merely passable.
  11. 60
    There are times when their admiration for R.E.M. burns a little too brightly... but overall this marks another step forward. [Mar 2005, p.100]
  12. 60
    Warnings/Promises was written on acoustic guitar and fleshed out in the studiio--a tactic that bears mixed results. [Apr 2005, p.97]
  13. A slightly awkward composite of the band's old strengths and a flurry of new ideas.
  14. At its best, the new album is as beguiling as Teenage Fanclub's recent effort Man-Made. At its worst, it's as turgid as R.E.M.'s most recent snoozer.
  15. The problem with Warnings/Promises is the material: the band failed to bring enough good song ideas with them when they went into the studio.
  16. Rarely gets its head above water. [#11, p.112]
  17. Idlewild undeniably sound like a once-great band helplessly slipping into their confusing middle years. [Sep 2005, p.164]
  18. It has one pace, and that pace is "mature".
  19. Even when the songs work (rarely), the band doesn't; even when the lyrics work (read: never), the music doesn't; even when guitars aren't processed to sound like a cat in a dishwasher, the riffs suck.
  20. Idlewild has become predictable and boring.
User Score

Generally favorable reviews- based on 21 Ratings

User score distribution:
  1. Positive: 15 out of 18
  2. Negative: 2 out of 18
  1. "Don't tell me your afraid of the past, its only the future that didn't last" This lyric made me see my whole life in a different perspective and this whole album just like The Remote Part is full of these lyrical gems. Full Review »
  2. ChelseaM
    8
    This is not their best CD, I don't know if they'll ever top The Remote Part, but it still inherently Idlewild. No one else could capture their sound. Best song of the year, afterall... Full Review »
  3. AndrewJ
    9
    Extremely listenable with outstanding harmonies at the root of all the best songs. 'Not just sometimes but always' and 'I understand it' are outstanding highlights. Fairplay to Idlewild. Full Review »