- Record Label: Secretly Canadian
- Release Date: Aug 17, 2004
- Critic score
- Publication
- By date
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With absolutely perfect production, the end result is one that’s embracing, textured, warm, and still fun.
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Well-played post-rock was always the bedrock of Windsor's sound, but they've added angst, a flayed post-punk edge, and new-wave organ loops to their ambition, creating a sound that should be familiar to Yo La Tengo fans, yet remains distinctly this band's own.
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Overall, this record is strong throughout, illuminated with inspiration and optimistic subject matter.
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MojoIf the likes of 154-era Wire, early Cure and New Order appeal, this is for you. [Oct 2004, p.101]
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McNeely and Matz have found their calling and left a lasting impression with this fierce yet fragile album.
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Frankly, this is an odd listen.
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BlenderWFTD occasionally give in to the urge to crank up the fuzz and play straight-up indie rock, but the narrower each song's scope is, the more it feels like it should go on forever. [Oct 2004, p.131]
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Snippets of gothica integrated into a robust post-Cure party shake, which never come at the expense of the focused precision and attention to atmosphere and nuance the group's always had.