- Critic Score
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100The genius of Wearemonster is that Mueller takes the clarity and mobility of house and synergizes it with the overabundance of melodies, textures, theories, and arrangement schemes found in IDM.
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95Record of the year.
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Five years on, We Are Monster finds Raijko Muller so confident and articulate that Rest comes off in comparison like a set of hastily scrawled clutch notes.
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Track-by-track stylistic swerves make the album singular and exciting, but like-minded swerves within the same tracks ultimately give We Are Monster its living, breathing charge.
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Gorgeous... One of the year's best electronic albums. [29 May 2005]
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84We Are Monster has the depth if you have the time. Yep, here's a fun record that's a work-for-it, in-the-details record, too.
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If it's not a truly inspiring album, it's nevertheless undeniably impressive.
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80His best music has a kind of timbral vulnerability about it that makes you want to reach out and kiss his computer better.
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80Finds Muller reviving a lush disco spirit he once discretely discarded. [Jul 2005, p.92]
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Faultless sequencing, an array of clever (and comfortably familiar) beats, and a refreshingly optimistic, apolitical vibe make We Are Monster a keeper.
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80We Are Monster is one of those fun albums that sounds great whether you're in the mood to move or just sitting down and listening on headphones as you ride to work on the bus.
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70Almost entirely instrumental, but full of a subtlety often obscured by words. [Jul 2005, p.114]
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User score distribution:
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Positive: 14 out of 14
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Mixed: 0 out of 14
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Negative: 0 out of 14
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billye9Stunning.
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BobbyK9While certainly not as immediate as Underworld, the album only requires a few listens before you're caught.
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JMan9Best of it's genre in 2005.