West Ryder Pauper Lunatic Asylum
- Kasabian
User Score
8.4
out of 10
Universal acclaim- based on 50 Ratings
User score distribution:
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Positive: 45 out of 50
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Mixed: 2 out of 50
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Negative: 3 out of 50
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JackieKOct 19, 200910This album is amazing.
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TwelveVJul 7, 20099Grows on you after a few plays.
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MeMJul 7, 200910Great album, Kasabian are really coming of age. Definately thier best album.
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dexterPJun 13, 20099Absolutely beautiful album from Kasabian, every track just fits together perfectly and makes a nice change to a lot of repetetive stuff coming out at the moment, album of the year until Muse's 5th LP comes out.
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RussellBJun 9, 20099Brilliant album this. A must buy.
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PDJul 21, 200910For me this album is, together with Green Day's "21st Century Breakdown", album of the year.
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MJul 28, 200910I dare to said, best album of the year.
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TrevorMJul 30, 20099This record left me totally floored. Where I once thought Kasabian to be mere flash in the pan, this album establishes them as a major force in British Indy Rock. This easily my favorite album this summer...maybe even this year.
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isaacAJun 11, 200910Absolutely magnificent, stripping away all of the unnecessary guff of Empire away and honing the band back to their all important killer groove.
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GeorgeRSep 13, 200910This is easily the best album of the year so far. There are no filler songs of any kind and the riffs here will keep you humming for ages...
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RHJun 11, 200910Most critics are brainless nobodies who are paid to write shit, but good music can never be held down by papers. Brilliant album.
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NickAJun 26, 20099Kasabian have gone mental on this album - and it's worked brilliantly.
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PedroJul 29, 200910Shit hot album. his will be seen as a classic in years to come - a 21st century Exile on Main Street.
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Jan 10, 201210This was the 1st Kasabian album that I have listened to in full, and the more you listen it the better it sounds, Where did all the lover go, Fast Fuse, Fire all great indie classics,
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Jan 14, 201210totally amazing, they become more sophisticated at lyrics and music, althought a little too mainstream for the band
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The result is an interesting, unexpected piece of work, devoid of a militantly commercial single like Empire's self-titled track, and lacking the shaggy Madchester vibes that Christopher Karloff brought to 2004's Kasabian.
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One suspects the end product here may have had more to do with the record's producer than its creators, and as a result, this album is as unconvincing as the band's hollow assurances that they're open to embracing new horizons.
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Sounding more like Animal Collective than The La’s, in these times when one wrong move is seeing bands of Kasabian’s stature sink like stones, it seemed a brave comeback.