Wet From Birth - The Faint
Metascore
72 out of 100

Generally favorable reviews - based on 21 Critics

Critic score distribution:
  1. Positive: 15 out of 21
  2. Negative: 0 out of 21
  1. A near perfect record that will have The Rapture,!!!, and every other dance punk band looking over their collective shoulders.
  2. It’s all over the place, yet perfectly fresh and maligned.
  3. 84
    Where it seemed the individual songs on Danse Macabre filled out and stretched the seams of its pop confines, Wet From Birth proposes a more intricate and ambitious space. [#12, p.93]
  4. The Faint have grown beyond being the mere genre revivalists they were on 2001's Danse Macabre. [17 Sep 2004, p.76]
  5. 80
    Grabs you from the opening seconds with a best-of-all-worlds combination of gritty, menacing music and witty, hilarious lyrics. [Nov 2004, p.99]
  6. Another strong outing. [Oct 2004, p.148]
  7. The Faint continue to ensure that across the pond there's an infinitely sexier state of dance-rock affairs. [11 Sep 2004, p.55]
  8. One of the most commanding and exciting albums you'll hear all year. [#7]
  9. Might not be enough to convince disbelievers, but to fans, it’s a gratifying addition to an already impressive repertoire.
  10. 70
    This is well-muscled, heavily mascara'd dance music. [Sep 2004, p.99]
  11. They still sound best when playing fast and loud and are only hampered by the album's terrible title and some bizarre lyrics. [Oct 2004, p.123]
  12. Not just a dance-rock band anymore, The Faint unveil a strong song sense with tunes as richly imagined, well-written and arresting as their titles. [14 Oct 2004, p.96]
  13. Wet From Birth is generally strongest when the beats-per-minute run high... but a few of the slower tracks showcase The Faint's growing way with melody.
  14. Their tracks are consistently both catchy and punky enough to make your lip sneer.
  15. The Faint is never less than snappy.
  16. 60
    Perspiration trumps inspiration, as madly sawing strings and short-circuiting robot bleeps compensate for the lack of hooks. [Oct 2004, p.120]
  17. Even though Wet from Birth occasionally gets tripped up on its own ambitions, it still has its share of enjoyable tracks.
  18. Where the Faint falls short, though, is its lack of daring; even with the welcome addition of strings (apropos of its cinematic live show) and varying styles, "Wet From Birth" sounds contained and merely likeable.
  19. While uneven, the stronger tracks make this a worthwhile listen.
  20. Their mistake is in forcing too many ideas into every possible second.
  21. It's a clever, chic and defiantly underground record, alright, but it's guilty of trying too hard when clearly it doesn't need to.
User Score

Universal acclaim- based on 8 Ratings

User score distribution:
  1. Positive: 7 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 0 out of 7
  1. ChrisD
    8
    I hope Pete B is aware that even if 'the bourgeoisie of all albums' was spelt right AND actually meant something, it would probably be a bad thing, e.g. middle of the road or something. Which this album is not, luckily. I'd say not totally consistent, but mostly a great listen. Paranoiattack is particularly incredible. Kudos! Full Review »
  2. PeteB
    10
    This is a master piece. Cult classic. The Burgiosie of all albums. A MUST record to listen to. If you only ever listen to one ablum ever, this is the one! Full Review »
  3. JustdarinJD
    10
    Amazing! You’ve changed my prospective on music!