Metascore
71

Generally favorable reviews - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 17
  2. Negative: 1 out of 17
  1. Under The Radar
    20
    Everything sung here is manufactured to conjure up the same bullshit sense of nostalgia that the band's James Joyce-inspired name is supposed to. [#12, p.93]
User Score
8.2

Universal acclaim- based on 13 Ratings

User score distribution:
  1. Positive: 11 out of 13
  2. Negative: 1 out of 13
  1. BrianD
    May 31, 2006
    9
    Fans of topical, safe and radio-friendly modern rock will probably not stick with this album long enough to relize it's true depth. Not Fans of topical, safe and radio-friendly modern rock will probably not stick with this album long enough to relize it's true depth. Not to say that there isn't considerable commercial appeal in this young duo's second successful collection of songs in two tries, but the deeply ingrained roughness of the musical delivery, the gritty vocals and the equally dark subject matter in no way adds up to bubblgun pop indie rock. The bottom line is that these guys can really write, and they deliver their indea with passion unmatched by their indie peers. This is not only an amazing album, it is an important developmental step from a band that will only get bigger as they continue to win over fans. I would consider this album an indie jem that will only grow more amazing as it ages. ....and "Waves of Grain" might be the most moving piece of music I have heard in years. Full Review »
  2. davel
    May 13, 2006
    10
    Great music with an edge and a story to tell.
  3. GervaisR.
    Mar 27, 2006
    8
    Pitchfork is a snark factory of holier-than-thou scenesters who wouldnt get shivers down their spines if Tyson Vogel played Las Cruces Jail Pitchfork is a snark factory of holier-than-thou scenesters who wouldnt get shivers down their spines if Tyson Vogel played Las Cruces Jail on them. Two Gallants rock hard. Unlike the White Stripes or the Yeah Yeah Yeahs, this power duo writes about historically relevant matters and takes tricky politics head on. This direct, confrontational style irks fans and critics who prefer their music more 'ornamental,' but it's the ony kind of music for me. If you don't agree, see them live and then judge 'em. Full Review »