Metascore
75

Generally favorable reviews - based on 21 Critics

Critic score distribution:
  1. Positive: 16 out of 21
  2. Negative: 0 out of 21
  1. Jul 14, 2011
    81
    Their conversational deliveries and every man personas, cultivated in the often self-effacing world of blog rap sometimes feel small atop sparse, up tempo production clearly inspired by the late '80s when larger than life mic controllers brought the color to often minimalist canvases.
User Score
8.0

Generally favorable reviews- based on 6 Ratings

User score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Aug 10, 2011
    6
    The album starts out with Rush Hour. It has a tight 80's/early 90's beat filled with clingy vocal breaks. The chorus has a new age style mixedThe album starts out with Rush Hour. It has a tight 80's/early 90's beat filled with clingy vocal breaks. The chorus has a new age style mixed with a sound unique to The Cool Kids. The production from Chuck Inglish stays on the fine line between gritty and minimal. Some tracks such as Boomin' and Bundle Up have the outcome of being minimal, with a repetitive drum loop that may make you want to turn the song. The album at times has the potential to become a influential hip hop staple, but ends up falling short. It fall short in depth and connection. The duo still provides solid tracks have commercial and feel good beats like Rush Hour, Swimsuits, and Summer Jam. With guests of Pharrell Williams of the Neptunes, and Travis Barker, along with appearances from Bun B, Ghostface Killah, Travis Barker, and Asher Roth the album has added appeal and added volume. The highlight is the outro song Summer Jam, partly because of The Neptuneâ Full Review »