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80White Pepper lacks the cohesiveness of earlier works, but it also demonstrates how a band can undergo some serious genre-bending, while still retaining a sound that is uniquely theirs.
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80Top-notch whiteboy radio rock with an eerie inner glow of Manson family sunshine...
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80Ween are still perved to the core.
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Once again defiantly demonstrates Ween's talent and versatility.
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70The beauty of the record is that even though listeners expect Ween to be peculiar, the band's versatility and strength of songwriting keeps "White Pepper" intriguing through dozens of spins.
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70Ween is so satisfying because they're making something that's at once smarter and grosser than the competition.
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White Pepper may make listeners put off by Ween's crudeness give them another chance.
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60They've previously assaulted all genres from country to reggae but on White Pepper return to their favourite stomping ground of '70s AOR. [July 2000, p.102]
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Their most accessible album to date, lacking the flights of fancy and exuberant bizarreness that have marked each of their albums.
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60A wildly inventive, often sprawling opus, comprising a multitude of styles from boisterous guitar rock to psychedelic nonsense.
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White Pepper, their seventh studio album, could be Ween's most accessible release yet.
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It's frustrating to see them pissing around like South Park's Matt and Trey, when they can produce something as genuinely affecting and pure pop as 'Stay Forever'.
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40Ween are at their best when they either dive headlong into ridiculousness or play it totally straight (admittedly, they don't do the latter very often). Here, however, they walk a rickety platform between those extremes and frequently fall into the ironizer's pit.
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