Who Kill - tUnE-yArDs
Who Kill Image
Metascore

Universal acclaim - based on 34 Critics What's this?

User Score

Generally favorable reviews- based on 60 Ratings

  • Summary: Oakland experimental artist Merill Garbus returns with a second album of lo-fi sounds and eclectic noise-pop.
Score distribution:
  1. Positive: 34 out of 34
  2. Mixed: 0 out of 34
  3. Negative: 0 out of 34
  1. Apr 29, 2011
    100
    A tremendous leap forward from Tune-Yards' previous efforts, w h o k i l l proves that Garbus isn't just a brainy artiste with a killer voice, but an event, someone to take notice of, a new center of gravity in the musical underground.
  2. May 18, 2011
    80
    For all the sonic bricolage, nothing upstages Garbus's own force of personality: her vocal range thrillingly from demure cooing through sassy funk to lung-bursting holler. [May 2011, p.126]
  3. Jun 21, 2011
    80
    Genre-hopping in style with one-woman band Merrill Garbus. [July 2011, p. 114]
  4. 80
    This is heavy and intense music that I find difficult to call pop. She deserves better.

See all 34 Critic Reviews

Score distribution:
  1. Positive: 14 out of 14
  2. Mixed: 0 out of 14
  3. Negative: 0 out of 14
  1. Its an exploration of sound and atmosphere told confidently through percussion loops, an electric ukelele, a brass section and a voice so powerful it will knock your socks off. Merrill Garbus takes you on a personal journey that only she could tell the way she does. I fell in love with this record at first listen and seeing her live will make you fall in love with her style and talent. One of the top albums of 2011 and a staple of individuality and confidence in a music scene dominated by an obsessive environment of who can try the hardest to be most abstract. With influences ranging from hip hop, R&B, Hawaiian music and African sounds, this is an original and captivating work told through the distinctive voice of a beautiful soul. Expand
  2. WOW. This and bon iver are the most interesting albums of the year so far, diverse, wildly creative and energetic, a bit like a lovely brew of dirty projectors, talking heads and vampire weekend... a nice brew indeed... but still with loads of originality. Expand
  3. 10
    "Like an LCD Soundsystem with a more african-orientated style, or a Vampire Weekend with a greater urgency" - That is hilarious. This album is great.
  4. Prior to W H O K I L L, I was rather unfamiliar with tUnE-yArDs (That's a pain to write out), and became curious after seeing the music video for Bizness. Now, Bizness is the best part of the album, a phenomenal song, and the catchiest song I've heard in a long time. However, Bizness is the only part of the album that stuck out. Her vocals are interesting and vibrant, which helps, but a lot of the songs sounded the same. Not that there's a problem with that, when listening to the album as a whole, it's nice. But the tracks by themselves sound boring by themselves when played with the rest of my collection (Aside from the previously mentioned Bizness. Still, it's a good album, with nice lyrics and great vocals in the mix. Expand

See all 14 User Reviews

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