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Choosing from a wide variety of Waits' material, Hammond infuses these unusual tracks with a bluesman's spirit and a crackling energy that practically reinvents the songs, instilling them with an ominous, rhythmic swampy feel.
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Wicked Grin is a rousingly successful experiment. The album's best moments equal -- and often surpass -- anything in both artists' consistently creative careers.
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In Hammond, [Waits] has found a worthy collaborator, one who gets to the heart of what these strange lyrics are actually about and imbues their sharp angles, acute observations and nicotine-stained introspection with some real insight and understanding.
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The material is perfectly suited to Hammond's subtle syncopation and sauntering vocals. The warmth of the recording makes it seem all the more like listening to a master storyteller sharing tales that have been passed down through generations.
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Hammond's vocal, minus Waits's affected (and annoying) growl, puts the emphasis where it belongs--on the songs. The effect is to make peculiar vistas like "Jockey Full Of Bourbon" and "Murder In The Red Barn" even more vivid and the tunes truly sound like artifacts from another era.
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Wicked Grin is a bona fide revelation.... A rambunctious joy from beginning to end.
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His album of Waits' penned-and-produced songs may be the masterwork of Hammond's long career, as well as further testament to Waits' unique genius.
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The collaboration ultimately benefits both players, adding a touch of art house abandon to Hammond's at times studied formalism, and authenticity to Waits' Martian grease-monkey blues.
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A near-perfect mix of two sympathetic talents operating in top form.
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As expressive as Hammond's guitar work is on signature songs like "Heartattack and Vine," it still has a sweet sound, and that, too, is mostly a new context for Waits' songs. The horror and the hardness is less immediate, slightly more mannered.
Awards & Rankings
User score distribution:
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Positive: 6 out of 8
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Mixed: 1 out of 8
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Negative: 1 out of 8
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Jan 31, 2012
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KaceyE.Sep 17, 2002
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CarlM.Mar 11, 2002Damn Decent