• Record Label: Atlantic
  • Release Date: Jan 22, 2013
Metascore
73

Generally favorable reviews - based on 32 Critic Reviews

Critic score distribution:
  1. Positive: 23 out of 32
  2. Negative: 0 out of 32
Buy Now
Buy on
  1. Overall, Wolf's Law largely oversteps the sophomore slump.
  2. Jan 25, 2013
    80
    Wolf's Law, the second studio album from The Joy Formidable, finds the Welsh trio building upon its already gargantuan sound with remarkable aplomb.
  3. Alternative Press
    Jan 9, 2013
    80
    Thanks to such marked songwriting growth, Wolf's Law cements the Joy Formidable as a ferocious rock act and as a band with plenty to say. [Feb 2013, p.89]
  4. Oct 4, 2013
    67
    Wolf's Law swings as hard as The Big Roar, the difference being the aim. Regardless, it's a blast to blow out your speakers with.
  5. Jan 18, 2013
    80
    It's this tightrope between bruised self-doubt and fun blasts of noise that gives Wolf's Law its emotional heft.
  6. Feb 14, 2013
    70
    You can’t help but admire their ambition, but their tendency to overreach is inhibiting them from becoming the band they want and deserve to be.
  7. Jan 22, 2013
    80
    With consistently strong songwriting and an intrepid grasp on its own talent, the Joy Formidable has in Wolf's Law a near-perfect follow-up record: it moves the band forward while staying true to what made it appealing and exciting in the first place.
  8. Feb 7, 2013
    70
    Ritzy Bryan’s choruses are as sturdy as they need to be and the songs are an improvement upon those on The Big Roar because they’re lither and punchier, packing more hairpin turns into shorter run times.
  9. Jan 17, 2013
    80
    Its clarity, confidence, and cohesion set it apart from their debut which had room for improvement on those fronts.
  10. Jan 22, 2013
    70
    Unlike their debut-which could sometimes have moments equivalent to loud machine-gun fire, occasionally hitting its intended target but blurring together and exhausting itself--the tracks on Wolf's Law are like laser-guided rocket blasts, tighter and more effective.
  11. Kerrang!
    Feb 11, 2013
    80
    In amongst their sleeker, poppier, but still hard-hitting grooves, they're not afraid to tackle big issues, either. [26 Jan 2013, p.55]
  12. Jan 24, 2013
    70
    Despite rarely achieving all of what it goes for, it's hard to deny the sheer pleasure of getting the enormous hooks and noise that are constantly on display here.
  13. Jan 24, 2013
    72
    The Joy Formidable might not have the most plausible ambitions for a 21st century rock band. But Wolf's Law offers enough thrills to suspend your disbelief.
  14. Jan 22, 2013
    70
    The Joy Formidable proves on Wolf's Law that it can create grandeur and awe by letting contrast and touch speak volumes more than overpowering brute force can.
  15. 67
    While Wolf’s Law has a few lulls, such as the syrupy, “The Turnaround,” and some of the prog moments like “The Leopard and the Lung,” run too long, the best moments shine.
  16. 80
    Wolf's Law doesn't expand on the Joy Formidable's sound so much as it cements their sound.
  17. Jan 22, 2013
    70
    At times, it feels like they're glue-gunning hot ideas rather than writing fully realized songs, but they've come up with some fine Frankensteins nonetheless.
  18. Jan 23, 2013
    70
    The songs that collapse under their own weight find the band struggling to feel epic, but Wolf's Law still soars when the band struggles instead with epic feelings.
  19. Jan 22, 2013
    91
    The songs on this album are echoing, but not distant; they connect on a personal level, and then pull the listener along in a mighty heave.
  20. Jan 9, 2013
    70
    The studio remains the band's fourth member and their wind-tunnel intensity is a constant. The compositions are more focused this time round, however, while quiet-loud dynamic shifts are more arresting.
  21. Jan 17, 2013
    80
    This is one for speakers, not headphones, a great dense whoosh of music that makes you feel like the bloke in the old Maxell tapes advert.
  22. 90
    This second album is less of a record than an experience. You truly get a sense of cosmic alignment here.
  23. Uncut
    Jan 9, 2013
    70
    The Joy Formidable continue to keep British rock sexily sturdy. [Feb 2013, p.74]
User Score
7.9

Generally favorable reviews- based on 22 Ratings

User score distribution:
  1. Positive: 20 out of 22
  2. Negative: 0 out of 22
  1. Mar 19, 2013
    10
    FINALLY After years of dull indie rock, we have an album that breaks free of all the genre trappings, does it's own thing and just sticksFINALLY After years of dull indie rock, we have an album that breaks free of all the genre trappings, does it's own thing and just sticks it's soul out there for everyone to see. I love this album.. in a sea of mediocrity it stands out as spectacular from the first note to the last. I hope The Joy Formidable are around for a long time because this album is sublime. Full Review »
  2. Jan 29, 2013
    4
    Poorly produced. The drums, strings, and keys all sound digitally done. Worst of all is the way they ruined her voice. She seems to havePoorly produced. The drums, strings, and keys all sound digitally done. Worst of all is the way they ruined her voice. She seems to have recorded a bunch of tracks for each vocal in different keys, but they are all mixed at the same level so you can't really hear how she actually sounds. A big step down from The Big Roar. This is what happens when bands self produce. Full Review »
  3. Jan 27, 2013
    7
    The Joy Formidable do only seem to operate within a very small circle of loud distortion, crashing drums and grinding bass guitar strumming,The Joy Formidable do only seem to operate within a very small circle of loud distortion, crashing drums and grinding bass guitar strumming, but it's a great circle that has helped them produce a more than solid album. Most songs seem to follow the structure of having loud verses and even louder choruses, and they very rarely deviate from this, but they show in flashes that they can write epic songs to close off albums, acoustic trimmings ('Silent Treatment') to work as the album's keystone and some mean riffs that echo some of Biffy Clyro's best work. Full Review »