Yeezus - Kanye West
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Generally favorable reviews- based on 991 Ratings

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  1. Jul 30, 2013
    Expect the unexpected. Open your mind. Free your mind of any prejudices. Be open and listen to the lyrics closely. Kanye is here to speak his mind in a very raw way. It's industrial in sound and very punchy in it's delivery. This isn't for the laid back listen. But it can be once you are used to it. It's different from his previous albums but there are familiar elements mixed in. Kanye West is still in top form here. The good far outweighs the bad. It's hardcore Kanye.....but spoken through....well....YEEZUS. Expand
  2. Jun 24, 2013
    Pretty not at all what I was hoping for. I like the experimental direction he took and maybe if he incorporated the right lyrics this could have been a great album, but with songs like "I'm a god" there is really no words to describe how egomaniac that is. I know it's part of his persona and it makes him who he is but that is just retarded. Also why does every other word have to be ni@@a? I mean really can't some one release a rap album where that word is actually used in context and not just filler? I want another rap album like Madvillany to come out. Guess I'll just have to keep waiting. Expand
  3. Jun 21, 2013
    This Kanye's most out there album to date, but that does not mean it's not up there with his best. At first listen it might seem that West has taken the easy way out, trading his signature production for hard beats and blips that sound more like a acid Nine Inch Nails, but after further evaluation the listener will grow to appreciate the album for simple masterpiece that it is.
  4. Jan 5, 2014
    If I had it my way, Kanye West would not be allowed to talk in public. Ever. When it comes to his albums I would say the reverse. Kanye typically has a good ear and great taste in big production rap albums that churn out anthems and original content alike. On Yeezus, Kanye is starting to push the good and bad elements of his music more radically. The results end up being much more raw and chaotic. On tracks like "Black Skinhead", "I Am A God", and "Send It Up", there's enough hook and form to keep the music and rhymes on track amidst some wobbly production and pitchy sound effects. But with cuts like "On Sight" and "Bound 2" the chaos and switheroos are too much and make it tough to endure a listen for more than a moment. "Bound 2" is especially annoying perhaps one of Kanye's worst to date, which is unfortunate given that the chorus is actually fine. It's the transitions marked with the "uh huh honey" that make my ears bleed a bit. By the time I got through the record I realized that Kanye's massive and annoying ego is beginning to affect his work. That is a travesty, because Kanye has some killer tracks and albums leading up to Yeezus an album that I'd rather only occasionally pick from on Spotify rather than spend even .99 on a track to contribute toward. Expand
  5. Jun 19, 2013
    There is no substance to this "album". I grew up listening to actual innovators of music....Kanye falls way short of this. This sound that he is trying to pass off as "revolutionary" is like cancer to your ears. The younger generation may love this CD, but that just proves how far music has fallen. Save your money, don't buy this 10 track travesty. The production is all bad, the lyrics feel forced and uninspired, and the man is claiming to be a god. The packaging of the album should tell you the story of what you are getting with your purchase, a lackluster attempt at trying to revolutionize music without trying. If he is still selling this well then the sheep that listen to this garbage are all brain washed by his antics. He's a pretty transparent person when you really step back and look at it. "I don't want to be famous" only holds so much weight while you are laughing all the way to the bank with the peoples money you just stole. If you really aren't doing this to be famous, donate that money to someone who needs it. Stop lying and calling yourself an artist. All of the real hip-hop heads have already seen through your skirt wearing facade. Expand
  6. Jun 20, 2013
    When it comes to the production, the mood and the overall sound, this album is notable for its uniqueness and creativity, though the rough and extreme nature of this album will be too much for many people.

    the lyrics however are simplistic and often off-point. this album's serious tone is marred by many corny lines. such as him wanting to pour sweet and sour sauce all over an asian
    woman's body. Expand
  7. Jun 24, 2013
    Kanye doing what he does: making great music. I find this album oddly both fun to listen to and annoying as hell The best moment is on "New Slaves" when Cher bursts into chorus. Yeezus isn't the most fun to listen of Kanye's albums, but it deserves to be considered among his best.
  8. Jul 21, 2013
    If there's one thing this proves, it's that he's learned from Watch The Throne. Kanye's joint effort with Jay-Z tried to be bigger than it was capable of at times, and while it was a solid effort, stripping it down for a more raw sound on Yeezus has paid off. This is as innovative as any rap album has ever been.
  9. Jun 18, 2013
    Step up from from Watch The Throne
    If you loved WTT and felt like Graduation lacked substance then this is the album for you.
    While tackling social issues Kanye manages to continue his exploration of the sound of the future with the first 3 tracks produced by Daft Punk.
    You can see similarities with its predecessor Dark fantasy which also mixed Social issue rant sex lies drugs,...
    but in a way only West can.
    The songs are so creatively structured that you dont know what to expect (dancehall, soul rap, rock, scream,..) until the last bit.
    He managed to be minimalistic while still mixing genres that we never thought were mixable like Justin Vernon and Some dancehall.
    Anyways this is nowhere near Dark fantasy but it is a great answer to it and a step forward from the 2 albums I mentionned at first.
    Have a nice ride Its not an album its a musical actually.
  10. Nov 11, 2013
    The transformation Kanye West has taken throughout his hip-hop career has all led to this 40 minute, sprawling descent into industry hell. Kanye sounds at his most angered, most torn down by the entertainment industry and previous love affairs, more so than on My Beautiful Dark Twisted Fantasy. The production ranges from grimy electro, to minimalists tribal drums, and fantastic samples. Kanye's lyrics are his most deranged on Yeezus, rhymes upon rhymes about how he feels as if he is a slave in in the entertainment industry and all the scum he encounters throughout his day to day life. Not to mention his view on previous relationships, something he's been singing about since 808's & Heartbreaks. If there's one complaint to be had about this record, it's that it loses replay value if you've listened to it at least 5 times, which is true for any album really, but more so if comparing it to other Kanye West records.

    All In All, Yeezus is about a black man on the brink of insanity, pushing through day to day demons that probably will never escape him, and also a fantastic, dark voyage of hip-hop music. A-
  11. Jun 18, 2013
    A very different type of Hip Hop album. One of the year best album. Kanye West returns with an excellent album Daft Punk and Kanye West makes a great team. This album is very short but every song is worth listening to.

    The album has a electronic sound to it. The highlight song on the album is "Bloood on the Leaves." "New Slaves" and "Black Skinned Head." Those are clearly the best
    tracks on the album. Lyrically Kanye did a very great job. Kanye West never been an outstanding lyricist but he also been an good lyricist.

    This isn't his best album...but it still an outstanding album and deserve Grammys buzz. I love how kanye didn't out out any singles for the album. Very brilliant album ....I must say this is the most interesting album he made. I'll always love his first two album more than his new album but I wouldn't be surprise if some people label this album as his best yet.

    The thing I disliked about the album is the features ....I never been a fan of albums with too many features but that just me... This album is worth listening to,,, it's better to listen to the album from track 1-10 with out skipping songs the first few times.
  12. Jun 18, 2013
    This album will define every hip-hop album after it. So So different, that u want to hate it at first, but after, its genius. HURRY UP WITH MY DAMN CROISSANTS!!!
  13. Jun 18, 2013
    Dark, cold, sometimes frightening. The generally polar opposite opinions this album is generating are not surprising. It's a masterpiece, and it's often not very accessible, which is what makes it a masterpiece to begin with. Some people don't like inaccessible, which is fine. It's a challenging record that will piss off a lot of people. Completely brilliant. What would Jeromey-romey-romey-rome think? Expand
  14. Oct 15, 2013
    Yet another example as to how West is the absolute epitome of talentless douchebag...but thankfully, the world smartened up and also made this album a commercial failure. The man needs to give up...he has yet to record anything critics continue to misdirect praise to this joke of an "artist" is beyond me. The man is all ego, ZERO substance. This album is, like all his albums, horrifyingly terrible. Expand
  15. Jun 18, 2013
    Kanye has gone out and changed his sound, as usual. This time, he's dabbling in industrial hip hip. Yeezus is more or less an expansion on the industrial genre, using it as a perfect vehicle for Kanye's social commentary and infinite egotism. Though it may not be as honed as something like Death Grips' The Money Store, Yeezus is aggressively schizophrenic, and there's not a weak track to be had. One of the best of 2013. Expand
  16. Jun 18, 2013
    Coming off the maximalist splendor of MBDTF, which captured many, including my own, opinions for best album of 2010, Kanye has scaled back the grandiosity of the music he makes, but has not lost any of the emotional impact. These ten songs bite and snarl like the dogs he samples "Black Skinhead" bringing to mind comparisons to aggressive hip hop groups such as Death Grips or Public Enemy. The sweeping varied orchestration of MBDTF and the profuse sampling of his earlier work is traded for hypnotic, pounding synths that evoke Suicide or Nine Inch Nails. The sounds are as aggressive as the lyrics that replace maudlin attempts at sincerity with blunt, violent sexual imagery and blatant egoism. Yet as disgusting and challenging this album can be, especially for those expecting MBDTF 2, it elicits a primal feeling in the listener and is much more rewarding on multiple listens then any of his previous works. It has just taken the place of my favorite album of the year so far, and itll be particularly hard to upset. Expand
  17. CPB
    Jun 18, 2013
    This album is nothing special. I don't why people are praising this album, the only two good songs are 'New Slaves' and 'Black skinhead'. Those are actually the only two songs with something to say, also. Everything else is just Kanye riding his own dick thinking he's a "genius" (even though Death Grips did a more grittier version of this album before with the 'Money Store'). Now this isn't a horrible album, but no where near great (like College Dropout, Graduation and My Beautiful Dark Twisted Fantasy; all of which were great albums). Expand
  18. Jun 19, 2013
    "How much do I not give a f*ck?" Mr. West asks in On Sight, the first track of Yeezus. The answer is clear. The question is quickly followed with a familiar College Dropout sample sounding tune that goes on to say "He'll give us what we need It may not be what we want." Which, is the perfect way to describe what this album is. Not something we want(old Kanye), but something we need(New Kanye).
  19. Jun 18, 2013
    Yeezus is captivating, exhilarating and mind blowing at the same time. Every song has it's own entity and it pushes new boundaries for hip hop and music as a whole. If Kanye would put out a single from the album, Blood on the leaves would be the perfect single coming from this diverse 10 track disc.
  20. Jun 18, 2013
    The epitome of the word "masterpiece". Kanye proves he doesn't have to make music targeted at mainstream society to produce a classic album! Don't expect Ye to ever sound the same again, he's entered a new plain of existence. One no other artist will venture any time soon.
  21. Jun 18, 2013
    Unbelieveable album. Top-notch album with amazing production, and as per usual, Ye's mixture of politics, religion and humour in his lyrics. Put it this way, he made Chief Keef sound good.. And we all know how bad he is!
  22. N10
    Jun 18, 2013
    I don't really have much too write about this album. Cause clearly people hate on Cole's beautiful and darker sophmore project just for the sake of Kanye West's Yeezus. Sad to see how people instantly throw words around before they even heared it. If so I would gladly listen to your opinions. In my opinion when it comes to the lyrics, Born Sinner is the winner of the two by far, on Yeezus it felt kinda lazy with it but he sure had his moments at times. Not Ye's best tough. Production wise Yeezus has more flavour to it, more harder bass and production. Either you love the production of Yeezus or you simply dislike it. I'm a huge Kanye fan but to me the lyrics didn't to me or the production really well. Yeezus is good, great in it's five first tracks. And Black Skinhead is so far one of the year's best with New Slaves. Born Sinner.. too me, is fantastic. He's rhymes are really well put-together and he's flow switches up good and dosen't get boring. 18th June is a great day in Hip Hop. Let's welcome "the newer" faces, if J. Cole's albums are at least as good as Born Sinner then he sure is going to do ous well in the future. And thank you Mr. West for keeping Hip Hop exciting. Ps. MBDTF is one of my fave. Expand
  23. Jun 18, 2013
    The first side of YEEZUS is bold and to the point. The production is great and Kanye delivers his lines with passion. "On Sight", "Black Skinhead" and "New Slaves" rank among the best tracks Kanye has delivered. On the second side of the album the pace slows down and some of the songs (notably "I'm In It") are forgettable with their stale synthesizer beats and autotune'd vocals. Had the album been a passionate percussion-heavy punk rap barrage all the way through, we'd be listening to a classic. Now it seems half-assed and hurried. Expand
  24. Jun 20, 2013
    Honestly, nothing impresssive. Very pretentious and try-hard from start to finish. This exaggerated praise will prove to do nothing but inflate his already over-blown ego.
  25. Jun 18, 2013
    As usual with a Kanye West album, the production is great just look at that list of collaborators. It's an interesting left-turn away from the maximalism of his previous releases into something raw and more dark. But it isn't 'genre-defining' or anything like that: if you like the bass-driven industrial tracks with the heavy production, check out Death Grips' The Money Store; if you like the trap-influenced tracks then listen to Hudson Mohawke's solo work or his TNGHT stuff. West has (successfully) found a more commercially-appealing middleground between the two. What's more, the lyrics sometimes go beyond the standard West obnoxiousness and into brash and over-aggressive raging. ("Hurry up with my damn croissants"). The album does grate a bit towards the end as a result. Nevertheless, it's fun to listen to overall. Expand
  26. Jun 21, 2013
    Great album, took me a few plays to appreciate it, but worth while. Lyrically I felt it lacked a touch which is why I wouldn't give it a full 10. xxxx
  27. Jul 15, 2014
    Yeezus sees Kanye West push himself like never before and he once again brings something new to the hip-hop party. The man is hard to like as a person but there is no doubt that he is an exceptional talent. He could have easily recycled what he's been doing for the last decade, released it and sold shedloads but instead he's launched a sonic attack on the music world. Musically, Yeezus is astonishing with West bringing all of his producer skills and musical talent to produce something truly creative. Unfortunately and perhaps surprisingly, the album is let down by West's lyrics, an area in which he often excels. Yeezus doesn't seem to have anything new to say and outside of "New Slaves", West could be freestyling about anything and too often the material tries to shock but ends up just being plain distasteful. Expand
  28. Jun 20, 2013
    Dark, visceral and intense. Kanye West's latest outing, though very self-indulgent and narcissistic and a little boring at times, is a hectic and engaging experience that is as bold as it is profane. Yeezus is a memorising and artistic album that, even though it isn't as good as My Beautiful Dark Twisted Fantasy, will probably divide his fans but it is at least a brave and powerful step for the artist. Expand
  29. Jun 29, 2013
    This is total rubbish... it's not music, it's just some moron rapping stupidity over boring repetitive drum beats. it's not even music, it just sounds like when you accidentally play a few youtube videos at once.
  30. Jul 22, 2013
    After the Picasso-art of My Beautiful Dark Twisted Fantasy, Kanye West reinvents itself again, with an album much more Hip-Hop and Minimal than MBDTF thet reminiscent in some ways Watch The Throne and 808s & Heartbreak. Songs like On Sight, Black Skinhead and Blood on the Leaves are examples of good and innovative production, that's right, the production that perhaps on this album is the most innovative of the year with Daft Punk, No.ID, 88 Keys and Kanye same in the height of the form. In conclusion, Yeezus of abstract-art is an album of pure genius that we have never heard. A classic to remember for many, many years. Expand
  31. gsc
    Jun 19, 2013
    This album with it's fearless egotistical lyrics, dark themes, and hard inventive beats is Kanye's best album yet. This is an album more complex and more complete than anything the artist has done before. All the songs flow into each other and all but one "bound 2" would feel out of place on any other Kanye album. This is an album that requires more than one listen to truly appreciate. The first time you listen to it you're left dumbfounded and do not know what to make of the strangeness you have just heard. But upon a second listen you realize this is the birth of a new darker Kanye. The egotism of this album would be unforgivable if this album was not as good as it is, but it is. Yeezus is the dark twisted masterpiece of a mad genius. Expand
  32. Jun 23, 2013
    Kanye West's 6th solo album is something of an initial 'Kid A' reception inspired industrial mess. As an artist West moves back and forth from the early 00's hip-hop that put him on the household map, but unlike its incredible predecessor Yeezus doesn't move far enough in a particular direction to warrant overwhelming acclaim nor deserve condemnation (a 0? Who are you kidding?) for its failings. Instead Yeezus is a fairly competent album that attempts to stitch together all of Kanye's styles up to this point and it doesn't always work. Blood on The Leaves samples Nina Simone's soulful 'Strange Fruit' in an off-shoot that could have been a B-Side on Late Registration whilst closer Bound 2 has more in common with The College Dropout than any of West's more recent material. These contrasts in quality are often found in style, and the albums first half is by far its strongest, yielding schizophrenic beats and idiosyncratic lyrics. Although I agree the production of Daft Punk (considering their potential) is perhaps wasted, tracks like 'Black Skinhead' and opener 'On Sight' are far and away the most interesting works here though far from entirely original. Other all Yeezus is still a succinct and more consistent listen than '808's' or 'Graduation', but the lyrical depth and egotistical ravings although perhaps designed to contrast the juvenile substances with the poetic are misjudged in crucial moments and apart from Frank Ocean his guest line-up squandered. Still, even if it does not match up to My Beautiful Dark Twisted Fantasy in scale or scope, it is far from unlistenable as others have stated, and fits in with the Kanye discography for now. Expand
  33. Jul 5, 2013
    This is the first time, I am reviewing a brand new album. I usually take some time to get used to an album but some albums are such that they stick with you even when you listen to them just once. After listening to this album nearly seven times now, I think I am in a position to review it properly. Basically its great!!

    Yes, he is back with his 6th album. By this time as a fan I knew
    that this album like all his other albums has to be different or break some trends and most likely set a few new trends. 3 years after creating arguably one of the greatest rap albums of all time. He is back again doing what he does best, defy the norms and he still refuses to make the rap albums that everybody else seems to make. Its only been 3 days since the album was released but I can say this with full conviction:

    I took notice of this genius when I heard his second album: Late Registration. Shortly, its my favourite rap album of all time.

    With this album, Kanye West de-constructs the rap/hip-hop conventions, chops them up and makes something that’s sonically akin to Massive Attack’s: “Mezzanine” than say, any of his other albums. He created his own genre twice before with “808s & Heartbreak” and “My Beautiful Dark Twisted Fantasy” and this one is inventive and different in the same vein as these two albums.
  34. Jun 18, 2013
    Wow As much as I love Kanye since the Roc a fella days, and reading some of these critic reviews, I cannot help but get the feeling that this album is the audio equivalent of watching a model at a fashion show with a steaming turd on her head and having the critics tell me its "high brow" and "innovative" fashion.

    Mr West has officially "jumped the shark"
  35. Jun 18, 2013
    A terrific piece of record. A dark, abrasive, industrial hip hop album, Yeezus is a breakthrough. You can feel the anti-pop vibes it sets off. The production is strikingly magnificent, the samples couldn't be more befitting and contents of the lyrics is an unorthodox yet innovative representation of various themes including (but not exclusively) Christianity and anti racism.

    it's not what you expect from Kanye, but still a masterpiece

    Essential tracks: Black Skinhead, New Slaves, Hold My Liquor, I am God
  36. Dec 10, 2013
    Kanye West shows once again, through Yeezus, that he is transcendent of most musical norms. It seems anymore as if Kanye West could release an album of nothing but talking about philosophy and himself, with absolutely no music, and we would see it as the next great thing in music. But it is so, because with every album Kanye is pushing what we as a society thought were his limits, to the point where many think the man is limitless. The obvious sell for this album is its originality, but it is original because it blends old Kanye with newer Kanye, with a fusion of something we haven't seen from him before. While not his best work, it certainly ranks near the top, clumped in a group with The College Dropout and Late Registration, just not quite as good as My Beautiful Dark Twisted Fantasy. As we take in Yeezus for what it is, we also are steadily preparing for Kanye's next album, which figures to be another step into musical history. Best album of 2013. Expand
  37. Jun 18, 2013
    This album is pretty disappointing. Nothing bold or creative about it. It drones on for the first half of the album, has a couple of average songs, then sputters against towards the end. I think he has too much going on in his life to put out a great album atm. Hopefully future efforts will be better, because this was disappointing.
  38. Jun 18, 2013
    Can't say I like this guy personality or anything associated to him outside of music. Howvere, gotta admit, this is a good album. Quite a departure from past Kanye albums as has always been the case. His lyrics are not the tightest in comparision, but I love how this album pushes hip hop in another direction. A bit electronica at time but stripped down at other times. I don't like all the tracks but as usual, Kanye is polarizing. Expand
  39. Oct 1, 2013
    I'll admit that I've only recently gotten into this guy's work around the time this album came out & I was pretty much blown away. However there seems to be an inverse pattern of Kanye's production getting better & more experimental while the lyrical content gets increasingly worse. And with Yeezus that pattern continues.

    Admittedly about 90% of the good thing I have to say are in the
    production & instrumentation. If you're reading this, chances are you've already heard about the bizarre change in direction here to something less accessible & more raw, and that'd be a great way of describing it in a nutshell. It's dark, minimalist, straightforward & aggressive in the best ways possible. The lush, drawn-out & practically orchestrated sound of MBDTF was great to hear but this is an extremely rewarding change of pace. That's not to say this album is without its subtle catchiness, since even in his earliest albums Kanye's had a talent for creating great hooks, not just in some pop chorus but in the instrumentals too. The synths might be buzzing & droning but there's still a keen sense of melody in how they're arranged that makes them stick out in a unique way. Same can be said for the samples, which are generally well-incorporated. The 2 tracks that stand out musically for me the most though are lead single “Black Skinhead” & closing track “Bound 2”. The former is just awesome, combining pulsating tribal drum beats, primal screams in the background & quiet synths in the chorus that builds expertly with the drums back into the verse. The latter is my, and what I imagine a lot of people's, favorite song on this album. This is mainly due to the soul sample-looping back-to-basics approach that was all over Kanye's first few albums, aka the “college trilogy”, helped by the comparatively more genuine lyrics. There's also “New Slaves”, probably the strongest track lyrically, which gives some insightful jabs at the materialism that brainwashes the upper class, as well as overly intrusive “journalists” that constantly hassle him & other celebrities for no good reason.

    However, no matter how great this album may be musically & occasionally lyrically, those lyrical moments are few & far between. For the most part in this department, Yeezus is obnoxious, egomaniacal, hypocritical & at times outright cringeworthy. I think the main problem isn't so much that he's not self-aware about the public's perception about him, but for that he's not self-aware about how poorly he expresses his self-awareness about the public's perception about him. He's so hot-headed & over-the-top about the topic that it can only add to his already bad media persona. Say what you want about the braggadocios tracks on MBDTF or the 2011 Jay-Z collab album Watch the Throne, but at least there he sounded like he was having some level of fun with it in a way that was at times pretty enjoyable in its ridiculousness. But here the way he brushes off detractors & brags about how much sex he has is just forced & uncomfortable. And sometimes this can ruin an otherwise good track, particularly “I'm in It”, which pairs a nice slow groove & a soulful chorus from Bon Iver's Justin Vernon with poetry like “Eatin' Asian all I need is sweet & sour sauce”. And even one of my favorites “Black Skinhead” has its bad lyrical traits, but in a different way. The main thing is that in a song where he's talking about racially inequality & stereotypes, he acts angry and irrational, brags about his possessions & says lines like “300 where the Trojans”. There's a clever line here & there but I find it hard to get past that. Surprisingly one of the more positively notable tracks is “I Am A God”, which despite its obvious pretentious delusions is more of an exaggerated declaration of confidence than anything else, and brings back the enjoyable ego-projecting of the last couple albums.

    With even that big ol rant out of the way, I still can't recommend checking this album out enough. Yes, it's as a whole Kanye's weakest effort to date lyrically & very front-loaded, but it's just so interesting & engaging musically that it's worth a listen even despite its big flaws. I still like his older stuff more though.

    Top 5 tracks: Bound 2, New Slaves, Black Skinhead, I Am a God, Hold My Liquor
    Score: 66/100
  40. Jun 18, 2013
    check my full, in depth review of Yeezus on Music Medication:, where i also give links to some of my favorite tracks!
  41. Jun 18, 2013
    The energy in this album is unbelieveable, the beats and the lyrics are fresh and relentless. Though not perfect, this album truly is great. 9.25/10
  42. Jun 18, 2013
    I'm a big Kanye fan and Kanye certainly delivered here. This is not a hip hop album, but rather a musical exercise where Kanye experiments with anything and everything at his disposal. Despite this mish mash of sounds, the album is extremely successful and in my mind, it's a modern day classic, much like My Beautiful Dark Twisted Fantasy was. It will be interesting to see what kind of influence this album has on future hip hop artists as it will undoubtedly impact the genre for a long time. Expand
  43. Dec 27, 2013
    Kanye West has yet again stepped outside of the box and he's delivered another innovative piece of work burning with purpose. That being said, his lyrics have never been so lifeless. Case and point: "hurry up with my damn croissants!", or "eating asian all I needed was sweet and sour sauce". There's no underlying meaning to bars like this, as much as I'd like there to be. The positives do outweigh the negatives though, as Kanye is just being Kanye and gives us yet another piece of art. Sounds like this have never made it to the mainstream, albums have never sold 300,000+ first week without promotion, albums like this have never hit such a broad audience, and no artist has ever had the guts to accomplish any of those goals. At this point, we can't even pat Kanye on the back anymore. This is just what we've come to expect. Expand
  44. Jun 18, 2013
    Surprisingly great album. I loved My Beautiful Dark Twisted Fantasy however felt Watch the Throne was just okay. This album is different, however it grows on you. Love him or hate him, Kanye West is an amazing musician and proves it with Yeezus.
  45. Jun 18, 2013
    How can you adequately follow up to the greatest hip hop album in music history? Well, you can’t. Kanye West got subsequently worse after My Beautiful Dark Twisted Fantasy, with his Jay-Z collaboration Watch The Throne being more back to the roots, yet still awesome and his record’s group album Cruel Summer being not much more than well-made fun for the summer with tons of prominent guests on it. His newest release Yeezus is anything but spectacular just look at its cover. And if West’s Saturday Night Live performance of ‘New Slaves’ and ‘Black Skinhead’ induced you to think that his much anticipated 6th studio album is completely different to his former releases, it’s not either. He was clearly experimenting with beats when he made the album and some Daft Punk productions are quite unique in hip hop, admittedly; but his rap style, which is the topmost in a hip hop album, has stayed very similar to earlier releases. What is it then that still makes it a great album? It’s actually the fact that it isn’t anything new. The Chicago rapper mixes every single one of styles he had in his rap career into this album, meaning The College Dropout’s and Late Registration’s pun- and wordplay-laden lyrics, 808’s & Heartbreak whining, poetic lyrics and Autotune effects, and MBDTF’s epic atmosphere. And seriously, there isn’t anything bad with that because there’s something for everyone included in Yeezus: However, a bit more uniqueness wouldn’t have derogated the record, that’s for sure. Basically, the album may be disappointing just because it isn’t as colossal as ‘Ye’s former albums, but doesn’t lack anything that would make it a great hip hop record. It should seamlessly fit in in your Yeezy CD collection at home and even if it may take some listens to get accustomed to it, you will like it eventually. Yeezus is an original, unconventional, and adventurous hip hop album like you’ve never seen one before. He tries a lot of new things with his music and although he doesn’t succeed every time, it’s great fun to listen to his musical mixture of feelings. Just think of the majestic beats and Justin Vernon’s grand guest parts how can you not love that? Expand
  46. Jun 18, 2013
    Every song on this album is worth tons of listens. Imagine taking Kanye West's entire discography, weeding out all of the bad parts (excluding lyrics), then mashing them together in a rapid-fire listening experience. Teamed up with Daft Punk, the same people who made his megahit "Stronger" work, Kanye once again uses their abstract electronic production to great use on four-five tracks.

    On Sight is quite possibly the greatest opener for an album ever. The beat and flow just immediately catch your attention and drag you in. Not to mention there's a cool interpolation of "Stronger" at the end.
    Black Skinhead is the most obvious representation of angry Kanye. The instrumental is astounding and the lyrics are among Ye's best. Same thing with New Slaves.
    I Am a God is boastful and obnoxious (HURRY UP WITH MY DAMN CROISSANTS!) but at the same time mesmerizing.
    Only Kanye West can make a Chief Keef and Juston Vernon collaboration work. Hold My Liquor is that uber-catchy dark collaboration with three completely different hooks.
    I'm In It is twisted porn in music. The hook's singer is hysterical, and his verse is the fastest on the album but also hardest to understand with the accent. Kanye raps about eating Asian with sweet and sour sauce, too, so that's relatively funny.
    Blood on the Leaves is everything good about 808s and Heartbreak, with Guilt Trip as its little cousin of a song.
    Send it Up is loud. Not in the instrumental or the rapping, but Mr. Rick Rubin did quite a lot to the hook's volume. Why? Makes no sense if you listen to the song, but OK. Song is catchy but weak.
    Bound 2 is retro Kanye. He ends this album where he began but also provides a conclusion. The production samples a soul song just as Kanye did in his yesteryears. The amazing thing about this track, though, is that Kanye West's instrumental says that he's "bound to fall in love!" and his lyrics detail his struggle throughout the years relating to his relationship with Kim Kardashian. This track shows the journey Kanye has taken and where he has ended up over the years.

    Beyond the bragging, beyond the ego, beyond the award-show thief, you have Kanye West: a jazz/soul loving, heartbroken man who has finally found love.
  47. Jun 21, 2013
    2nd worst album from Kanye IMO. Not sure wat else to say about this polarizing album that only Kanye could pull off. I hope he rebounds with a much better effort next time bc this ain't the one.
  48. Jun 22, 2013
    I think it is a very boring album, with nothing new to offer. All the hype is for nothing. People like this music because they are told it is good through different medias, but it is nothing more just pop music, in a fancy packaging, which want you to believe it is unique.
  49. Jun 19, 2013
    To me this record has split personality disorder, possibly like Ye himself.

    The first 6 songs seem pseudo-angry and pretentious. He talks about how rich he is, "stacking millions", being able to buy someones life he is so wealthy, comparing picking his own shirt to "picking cotton" in the fields.
    The anger and frustration seems so put on and acted especially coming from someone who is
    with a Kardashian and buys Ferraris as birthday presents.

    The last 4 songs seem more real and are actually really good songs. But on those Ye complains about the downsides of being a celebrity and showing some true emotions.

    I've been a Kanye fan since the beginning but his underdog complex just doesn't hold true anymore and he needs to keep about it. Especially lyrically this is one of his worst efforts. His rhymes are not only weak but full of pretentious pseudo-anger.

    808s was so raw and real and full of powerful emotions and to me this record is the exact opposite. It seems Kanye has no real inspiration anymore other than feeding on all the rumors and from the tabloids so he just goes with that. If that's your gig ...ENJOY!!
  50. Jun 18, 2013
    YEEZUS, is the album's name. Kanye feels like a God, and can do whatever the hell he wants, even if it's sacrificing some great lyricism heard on MBDTF for a lot of braggadocios, dick in your mouth, stupid punch lines. We've heard Kanye spit those kind of lines before, recently on Watch The Throne and Cruel Summer, so to me lyrically, this album feels like a recovery from the top 40 pop/rap sound he's been putting out.
    So if you're looking for that MBDTF Kanye, or even College Dropout/Late Registration Kanye, just listen to Black Skinheads, New Slaves, and Bound2.
    BUT, if you don't mind hearing some really ambitious, dark, hard-hitting production bang on your whip, drowning the lazy lyricism and hooks, well you're in for a ride.


    . Kanye's most ambitious production to date, brings industrial music out to the open. Some really dark sounds. Saving grace.
    . Kanye's aggressiveness comes even harder on this album.


    . Lazy lyricism. 2Chainz inspired punclines, dick inspired hooks haha.

    Recommended Tracks: Black Skinheads, I Am A God, New Slaves, I'm In It, Guilt Trip, Bound2
  51. Aug 30, 2013
    Talk about a year Kanye's had, performing at the VMA's (Video Music Awards), having a baby with an odd name (North West? Sounds like an insurance company) and even banging his head on a sign then fighting with the cameraman. Even with all that, we still have to remember that Kanye still does music, and he changes things up with his new album "Yeezus" (which sounds like Jesus sneezing) Now Yeezus has divided up people, critics obviously love, but listeners don't know whether to love it or hate it. For me I liked it. Yeezus isn't Kanye's most memorable album and no everyone will like it, but it doesn't know what it's trying to say, and I recommend it to any Kanye West fans. The opening song "On sight" sounds like something made in a garage (actually this whole album feels like it was made in a garage) but I like that Kanye changed up his style but managed to keep things fresh. The best song on this album is "Black Skinhead", which has a great beat, some amazing sounds, and an interesting take on Kanye West's view of life. Another standout includes "Blood on Leaves" which again shows everyone that West's songs have social commentary and will make you think. Some problems with this album is there's less to think about on the songs, which I blame the pacing at less than 50 minutes it's one of West's more shorter albums. Also no of the songs really stick out expect for "Black Skinhead" and "Blood on Leaves" everything else is more filler than fun. But still Kanye West still manages to impress with his latest release, as I did listen to the album on repeat a few times, and at some points, "Yeezus" is kinda brilliant. If you're a fan of Kanye West, Yeezus is definitely worth listening to. Expand
  52. Jun 21, 2013
    When compared with the dedication and vision of 'My Beautiful Dark Twisted Fantasy', 'Yeezus' feels rushed and underdeveloped. Kanye West is not a subtle producer, nor is he a brilliant lyricist. He is a fantastic surveyor of pop culture and virtuosically distills it into bombastically produced and arranged albums that combine much of what is current and relevant into something that feels new. In similar ways that Quentin Tarantino approaches film making, Kayne is able to capture the evolution of producing and challenge others in the field to pay more attention to their own efforts. For these reasons I hold him to a higher standard and 'Yeezus' in its entirety feels lacklustre. Perhaps with more time it could have developed into something spectacular but unfortunately as it stands one is left with the feeling that they are hearing a rough draft. I have no doubt we'll hear more from Kanye and look forward to him taking the time as he did with MBDTF, however, this is a mediocre stepping stone by his own standards. Expand
  53. Jun 19, 2013
    I wouldn't say its better than Yeezy's last solo effort, but it comes pretty damn close. Yeezy tries something new with the dub-step beat behind On Sight. Excellent start. Hold My Liquor is halfway through the album's disappointing 10 tracks, and its straight amazing. The album ends with Bound 42 which everybody drooled over because it was sort of a throwback to College Dropout. This isn't hip-hop, nor is this a rap album. Kanye changed up his style again and was very successful.... again. Of course people aren't going to like this album because its not stupid trap beats & raps. Its straight up MUSIC. NO GENRE. JUST ART IN ONE ALBUM. You hate this album? Get out of here. Your opinion is stupid. You're entitled to it, but its stupid because you're writing Kanye off because he's not hip-hop. Expand
  54. Jun 19, 2013
    I can see why people don't like this album...its very different. But Kanye is Kanye and he always does something different..I think this album will grow much more on the people who don't like it if they just take it for what it is. Great album imo.
  55. Feb 9, 2014
    Honestly, this album works better as an instrumental. There are some songs that DP worked on, which pisses me off since R.A.M. was poorly executed and the instrumentals are amazing here. Otherwise, this album is just rubbish put together that ends up just being all over the place. No structure, just an inflated ego. I don't care for it.
  56. Jul 21, 2013
    Kanye does it again. Yeezus is a triumph of unparalleled musical imagination, created by the ultimate music nerd who thinks nothing of genres and styles and gleefuly mashes everything he wants like a mad alchemist, creating an unholy concoction that works even though it really shouldn't. Who else would even dare to have Bon Iver's Justin Vernon and Chicago drill poster boy Chief Keef sing on the same track? Who would imagine that you could mix TNGHT and Nina Simone? Who would slap a hefty chunk of a track by a 1970s Hungarian prog rock band at the end of his own composition and then sing all over it? Only Yeezus. Expand
  57. Apr 8, 2014
    Are you a believer of Yeezianity???? Well you should be. Yeezus is undoubtedly his most abrasive album to date. He is as aggressive and egoistical as ever before on this project. When you're a GOD you make the rules hence giving a single F***k on his lazy braggadocios lyrics used where it could be seen a major flaw but when its as organic as 'Ye makes it out to be we cannot be disappointed. For every stan out there who loved My Beautiful Dark Twisted Fantasy, it could turn out to be a surprise or a disaster for some however it thrives on excitement. He made it clear he's here to be the next Steve Jobs, Andy Warhol e.t.c. but seriously with a discography as compelling to most current artists today giving him the benefit of the doubt is an understatement. Daft Punk did brilliantly on constructing the acid-house influenced track "On Sight" and its Punk influenced "Black skinhead". I cannot say its his best album to date due to its craft work as times sounds underwhelming however Kanye West has once again set his ego bar at an all time high, as for things goes its simply a breath of fresh air. 9/10 Expand
  58. Jun 18, 2013
    Kanye tries to do something different with each of his albums. His last solo album, My Beautiful Dark Twisted Fantasy, is a masterpiece. I don't think he'd be able to create an album just as good as MBDTF just yet. However, Yeezus is definitely welcomed and a fresh listen. It's different, experimental, and wild. The production is phenomenal and the lyrics always have those hidden meanings you gotta search for, just like any other Kanye album. The album starts off strong with colab productions between Kanye and Daft Punk. The final track, Bound 2, is an ode to his old style (College Dropout/Late Registration) with some new spice, and is a great ending to the total 40 minutes this album will give you.

    Of course, this album isn't for everyone. It's darker than anything he's put out before. My first listen, I didn't feel the album. But now, after listening to it much more, I can definitely saw this album is worthy of a 9. People who don't like this album are just scared of experimentation and change.
  59. Jul 5, 2013
    People are comparing this album to My Beautiful Dark Twisted Fantasy, and I think that's the wrong approach because both albums are vastly different, and excellent in their own ways. This album helps Kanye's producer credit more than his lyrical credit, but I've still got it in heavy rotation on my phone. Black Skinhead is probably the best track. This a really high quality album, despite the barely-there artwork. My only gripe is that there are only 10 tracks. Perhaps he will release volume II in the future. Expand
  60. Jun 19, 2013
    Another classic from Kanye West. It's natural that some people don't like it; he's pushing the boundaries of hip-hop. You'll thank him in 10 years. An excellent album.
  61. Jun 25, 2013
    This review contains spoilers, click expand to view. I seriously have an issue with all the positive critics this album is receiving; I still can't understand it.

    This album supposedly had all the elements to success with the rooster of producers on the track, I was expecting a great Daft Punk Yeezy collaboration, totally waiting for it... but it turned out ridiculously.

    I can understand the concept of changing the style, moving to industrial music, mixing it with Hip-Hop and Acid house, creating a new fusion genre (sort-of)... but this absolutely ridiculous. On "Guilt Trip" he even went further to introduce 8-bit bass synthesizer. The samples are horrible too, sampling screwed up a potentially nice track like "Bound 2".

    Kanye West's lyrics are the most narcissist, and it's sad because other than "New Slaves", the whole album revolves around "Screw your music, I go home to bang Kim Kardashian every night" ("I am a God" is a proof)

    Still I find the track "Blood on The Leaves" to be a cool track, the Nina Simone sample created a great amp along the dirty-brass and piano melodies. "Send it Up" might be rocking clubs within a few months probably the drum-line in "Black Skinhead" is nice. And that's that for the album.

    Yeezus is totally overrated and underwhelming in my opinion, an experimental album that totally "went Chernobyl", specially on a production-level; hopefully we can move along that as soon as possible.
  62. Jan 5, 2014
    I don't recall listening to a worst album than this one. It is unbelievable how most critics can't tell a rubbish record from revolutionary one. So disappointing. There is no highlight in this album. The lyrics are terrible, so is the production and the music in general. I cannot believe RS ranked it on the second position of 2013's best albums. This magazine and these new audiences are destroying what once we knew as great, enjoyable music. Expand
  63. Nov 5, 2013
    [7.9] Although Kanye may have intended to land himself among the hipsterisms of rap, what he makes is a thoroughly enjoyable, albeit slightly too uniform hard rap album. He certainly doesn't lose his alternative appeal, and while his lyrics might not be as sharp as an artist like Kendrick Lamar, his beats are solid, and his brute swagger is stronger than ever, which is really all that matters in a Kanye album. Expand
  64. Oct 15, 2013
    Another great album by Kanye. Sadly, the lyrics don't live up to the music on this album. They are quite forgettable and not well thought out. Musically is a new direction for Kanye. The sound is very reminiscent of Death Grips (industrial/glitchy hip hop) however, he is able to deliver is own take on this style.
  65. Jun 18, 2013
    great production but it sounds like an instrumental album

    extremely bad rapping and extremely bad lyrics.
    Kanye definitely needs to step his game up
  66. Jun 18, 2013
    I don't like it not even a little. Kanye placed the goal of innovation over the goal of making good music. The production has its moments, but slips too often into a rumbling synths, bassy buzzsaws, high-pitched metallic shrieks that overshadow what little lyrical element exists but that's preferable to the hamfisted lyrics.

    Kanye may have abandoned catchy production and mass appeal,
    but his lyrics burned the bridge. Kanye has always been a juxtaposition, mixing the fragility and transparency of a glass champagne flute with the narcissism and braggadocio that is typical of hip hop. Kanye has fallen (or jumped) from this tight-wire balance, landing deep within the infinite void of his own ego. The lyrics are self-exalting, self-congratulatory and self-centered. On more than a few tracks, Kanye is battling old shadows with incendiary lyrics, responding to echos with a rebuttal to the choir no one is arguing the point anymore, but Kanye continues to tantrum on; not with the witty lyrics of his past albums, but with brutish blusters, caterwaul screams, and childish yowls laced with production cuts and reverb. And, when the time comes, Kanye delves into closet of hiphop's past and drags out the autotune to compliment his tired arguments.

    Kanye's flow ebbs due to a conscious decision to adopt the slow-paced percussive style of southern rappers that bounce over club bangers. Kanye's wavering confident self-aware delivery of the past that made his previous records so great is nowhere to be found, but is certainly missed.

    The media will, of course, gush over the emperor's new clothing, with words like 'brave' and 'genius', but it will only be lip service and mouthed praise. Deep down this isn't about His music, this is about Him as a concept, and idea, a brand. the media's love affair with Kanye was built on the foundation of quality music, but in the wake of countless spectacles of egotism, and displays of self-unawareness, supported by unearned comparisons have laid the brickwork to this taj mahall, Kanye mutters to a reporter, "I am the best ever" and those words migrate to the front of music magazines and the world begins to echo back kanye's own praise, first framed as a question, but like all echos, the end trails off and the statement, "Kanye is the best" becomes a statement. And he has been the best, he has been really really good, but not this time, and no one will have the guts to tell the self-crowned emperor that he is naked.

    I applaud Kanye's vision and ambition to continually grow and change as an artist, but new isn't always better, and sometimes it's terrible. Kanye's music is lacking the soulful sweetness and depth that counteracts his acerbic ostentatiousness. I won't be buying this album, and I will certainly be more skeptical of any subsequent releases.
  67. Jun 20, 2013
    Kanye has succeeded in creating a sonically engaging album that stands out from all his previous efforts. The lyrics could have been better in some spots, for sure, but I think in terms of production this is excellent. It's totally different from anything he's ever done, but still feels very much like Kanye. Got a slight Death Grips vibe from it, but that might just be me. Paranoia and darkness are some of the more obvious themes. Not as good overall as MBDTF, for sure, but it's pretty damn good. Can't wait to see what comes next from the self-proclaimed god of hip-hop, Yeezus.

    FAVE TRACKS: Black Skinhead, New Slaves, Blood On the Leaves
    LEAST FAVE: Guilt Trip
  68. Jun 19, 2013
    MBDTF is one of my favorite albums of all time, so when I heard that this was coming out I was really excited. This album turned out to be not bad, but a huge disappointment. Kanye threw all meaning and lyrical genius out the window for this album. Most of his rhymes are incredibly simple. The production was great on tracks like "New Slaves", "I Am A God", and "Black Skinhead" but I feel like the production got worse and worse as it went on. I didn't really like this album, but I can understand the appeal. Expand
  69. Jun 18, 2013
    Greatest Kanye album of all time... OF ALL TIME. I mean no homo bruh bruh but I luh dis so much Imma play it at my wedding NO HOMO but for my ladies that's some real HEHE
  70. Jun 18, 2013
    The lyrics are lazy and the production is not interesting enough to warrant wasting space on my ipod. Nothing and I mean nothing on this album is worthy of a 10.
  71. Jul 27, 2013
    Yes, i'm a Kanye West fan but I had my doubts about this at first. I felt it was too derivative from Death Grips and Clipping.'s sound and that it was a bandwagoning attempt but I was half-wrong. Yes, he was attempting the sound but at the same time, he did something a bit difficult. He gave it a mainstream appeal! That's what I love about this album (or mixtape, since its short and is structured like a mixtape). It's certainly no MBDTF or even Late Registration but this is up there with them Expand
  72. Feb 23, 2014
    Well there are 2 kind of people in the matter of Yeezus .... the sane and insane people and of course people who think Yeezus is a masterpiece are sane ...... This album is beyond description and until now it's the best album in the new millennium!
  73. Jul 17, 2013
    If you like electronic music and rap, look no further. I happen to have grown up on Daft Punk, and though this makes me an outlier, I didn't love Kanye until 808s. Some people find this album abrasive, but I'm used to these kinds of sounds from electronic music. I really enjoy the beats. The one thing holding it back for me is that some of the lyrics are superficial, but that's Kanye a lot of the time. I wouldn't say all of the lyrics are bad though, especially in New Slaves and Blood on the Leaves. Expand
  74. Jun 18, 2013
    Kanye's infamous transformation from a former genius and groundbreaking artist to an obscene, average-talented rapper and producer started with whatever "Cruel Summer" was supposed to be and eventually peaked in "Yeezus". He has somehow managed to be on a level with Kendrick Lamar and that's not a compliment at all.
  75. Aug 31, 2013
    This album is really an album that you need to let sit. When I first played this, I didn't know what to think, their was definite disappointment but I knew I was missing something with this project. It wasn't till I had played this album, probably a good 10 times that it really all sank in. As a person that loves music, I always tell people to judge music based on what it's suppose to be NOT what you want it to be, with that being said this is not an awful project. Kanye brought "Industrial Hip-Hop" to a new limelight with this album. I want to start off by saying NOTHING Kanye did on this album, hasn't be done before and that's really the biggest misconception with this album. Artists like El-P and groups like Death Grips have all been making music like this for some time now so Kanye is not the first person to make music like this. Now that, that's cleared let me get into the album.

    The production is well done for the most part. If the majority of music you listen to is strictly Hip-Hop I advise you to not let this type of production throw you off on your first or even 2nd or 3rd listen. The sounds are abstract and even weird but they work in perspective of what Kanye is attempting to do (or at least for the most part). Songs like I'm In It, Send It Up or even Blood On The Leaves which have very hard hitting bases with abstract horns and sirens, it's really a lot to soak in at first put like I said in my opening paragraph, you have to let this album sit. Now while Kanye's production did work in a lot of ways, it also failed in some ways as well. Songs like I Am God where I feel like I'm hearing this hard hitting bass with some toned down horns that really don't go together at all. Or a song like Hold My Liquor which unlike the rest of the album has a very clam and soothing beat, that's until the annoying horn that comes in every other bar in the verses. Overall I understand the direction sound wise Kanye was going with this and while some aspects of it could of been done better for the most part it's solid.

    Now on to the weakest link of the whole album, the writing. Let me start off by saying while everyone praises Kanye for being an incredible writer/poet the writing on Yeezus is far from great. It's very questionable at some points especially in songs like I'm In It where he has quotable like "eating Asian all I need is sweet and sour sauce" or "Black girl sippin white whine, I put my fist in her like the civil rights sign". Bars like these are kind of tossed throughout the album and does raise awareness when I do generally believe Kanye is a good writer and is very capable of writing better than this. The lyrics don't derail the album to much but it does go to show that this album is far from perfect.

    Overall, I praise Kanye for going in this direction, for bringing this type of hip hop to the mainstream level. It was a risk and I'm sure he was aware of the mixed reviews he would receive for doing so. This project was a decent attempt for going for a Industrial Hip-Hop sounding album, point being that their are artists out there that have made music like this but of much higher quality. I feel like critics pay attention to much to how the album was made rather than the music itself. On the other hand I feel like Hip-Hop listeners are so caught up in the fact that it sounds different that they don't even give it a chance. Like I said decent effort from Kanye, They're artists out there that have done this much better before, giving this a 6/10.
  76. Jun 18, 2013
    Yeezus fails at what My Beautiful Dark Twisted Fantasy was fantastic. It hasn't a concrete atmosphere and it lacks innovation (as a hip-hop album). Punchlines are there but they are not really concentrated and cohesive. But I think this is maybe the most important thing when you are listening to this new Kanye's album. It is empty, unsettling, dark, aggressive and still mind-blowing. And it gets better with every listen. Yeezus just rose again. Expand
  77. Jun 18, 2013
    This album is way more than I was expecting! With Ye's most experimental release yet we see a hard defined Ye that would please most of his new and old fans. It sound like if Kanye got MBDTF and pushed it a little bit further. He also speaks out more against the Illuminati which unfortunately is the only way to convince people you're not a devil worshiper. My disappointments on this were, first that he didn't produce this all himself, but the help benefits Ye like on the TNGHT produced track "Blood on the Leaves" Also I didn't care much for the features on this. Overall this is an outstanding album. Expand
  78. Jun 22, 2013
    Kane produces Yeezus enough to make it worth listening to for a bit, but also throws his questionable ego, lazy lyricism and horrible guest acts in the mix.
  79. Jun 22, 2013
    I've been listening to music from different generation 60's 70's 80's 90's and this generation no album made me this speechless this i by far the best album this year and one of my favorite albums of all time This album is not for everybody but you should give it a listen to see if it's for you
  80. Feb 3, 2014
    Put simply if you don't like this album, you're a hater. The production is truly legendary, and anyone who says the album doesn't have meaning or is narcissistic didn't listen well. Yeezus is a true work of art and will go down as a revolutionary album in the increasingly electronic music world.
  81. Aug 1, 2013
    This review contains spoilers, click expand to view. It's pretty damn sad... when a person cannot make it through a "musical" album. f*cking suck...even at naming f*cking suck. I wonder if you were on meth when you were making this album... Expand
  82. Jul 5, 2013
    "Yeezus" is one of the most innovative albums of all-time. It cannot even be classified as just "rap". Kanye West can now be considered as his own very genre. Songs like "Hold My Liquor" and "Blood On The Leaves" make you realize there's still hope for modern music yet. Not quite to the diversified level of his last solo album, "My Beautiful Dark Twisted Fantasy", but an amazing album it's own right. Expand
  83. Jul 10, 2013
    It starts off with a raw electronic sound, that sonically is different to Kanye’s Work, and this sound has been created with the help of Daft Punk. I have never been a fan of rap, or Kanye West other than “Runaways” from My Beautiful Dark Twisted Fantasy. So the fact that I can listen to this from beginning to end is a feat in itself, but it is still poor. I like the raw electronic sound on the beginning of the album, the industrial feel, and the good use of samples to break up and add to the songs, but the lyrics are poor. They are boring and predictable, Saying that the first two songs are better than the rest of the album until the end. “On Site” and “Blackhead” are good, I can listen to them and they don’t have any of the incessant auto-tune that features later on in the album.

    “New Slaves” maybe could be the most dance floor friendly seeing as it is bass heavy, and it’s one of the few songs where the lyrics mean something, even if Kanye goes about it in a brash way, not exactly using the most sophisticated language.

    From there on, the album becomes a mess, until “Bound 2″ with the seductive sample of Brenda Lee going “Uh huh Honey”, along with a bridge featuring Charlie Wilson that really breaks the song up, and I like that it came as a surprise, it was refreshing. Sure the lyrics may again be poor, “I want to you hard in the sink”, but it’s enjoyable, and for one song, I can look past the flaws.

    Overall, musically the album is decent, I like it here and there, Kanye has some good ideas that he ruins with his rap and the autotune, I really have no strong likes or dislikes to this album, just disappointment with what could have been, and the score is maybe just out of kindness.
  84. Jun 27, 2013
    Initially this album sounds amazing. The minimal production, the intensity it's a giant middle finger.
    I loved Black Skinheads and New Slaves. However, aside from those tunes you're mostly going to find lyrics about Kanye's dick and how he likes to put it places.
    The lyrical content is severely lacking. This is a nasty record that could use some more soul, or at least something to say.
  85. Jun 24, 2013
    The songs are generic and very un-inspired, West has fallen off, every single song sounds like a filler, it seems as if he was just bored and decided to get in the studio. There isn't any melodies, drum patterns. This is not music at all. I do not recommend this album, Buy it at your own risk.
  86. Aug 23, 2013
    Yeezus is the sixth solo studio album from Chicago hip-hop artist Kanye West. He has had his fair share of up's, (My Beautiful Dark Twisted Fantasy, Late Registration), and down's, (808's and Heartbreak, Cruel Summer). Yeezus has to fall into the second category with the downs.

    When I first saw the track listing, I thought it was a joke. There were few features and none of them looked
    good on paper. Specifically I'm talking about the Chief Keef and King L features. Why on Earth did Kanye get these artists on his album, when he can obtain any feature he wants? Now I know a lot of people will argue that it's because they originated in Chicago like Kanye. Well then why didn't he get Lupe Fiasco, Common, or even Chance the Rapper? Was it because "Touch the Sky" and "Don't Stop", which both feature Fiasco were horrible, (that was complete sarcasm). I mean Kanye has already done a song with Chief Keef, and made Keef's song way more popular than it was. Chief Keef then goes on to say that Kanye didn't help him get popular at all. So pretty much Chief Keef says screw you and you decide to work with him. Brilliant.

    As I was saying the features don't add anything at all. I didn't even know that Frank Ocean was on "New Slaves". Chief Keef's feature is horrendous and full of auto-tune which sounds horrible. Kid Cudi does better than he normally does, but that isn't saying much. King Louie is one of the best features on the album, and if that isn't an indication that the features are weak, I don't know what is. Justin Vernon is alright, but he doesn't have the same presence that he did on MBDTF.

    The beats are different and very electronic. I don't hate them, they are kind of enjoyable. Once again though, I prefer more soulful production that Kanye has done. That probably explains why I love the last track on this album "Bound 2". Black Skinhead's beat is fantastic and makes me want to punch a wall. All of the beats provided from Daft Punk are fantastic except for parts on "On Sight". The beat for his verses are too annoying and repetitive. The hook was pretty good though. I didn't like two beats in particular though. The beat for "Guilt Trip" just sounds very generic, and the beat on "Send It Up" gets annoying after awhile. "Guilt Trip" samples "Blocka" by Pusha T, and is a horrible song to sample. It didn't even come close to giving me the same thrill that a song like "Power" did, which sampled King Crimson.

    Lyrics are just irrelevant here for the most part. Lines like "Black dick all in your spouse again", "But I gotta put my dick in her mouth", and "eating Asian p*ssy all I need was sweet and sour sauce" all sound like Lil Wayne lyrics and a line like "get this b*tch shaking like Parkinson's" sounds like a Tyler the Creator punch line used for shock value. Why Kanye steps down to this level of lyricism is beyond me. A song which I love "Blood on the Leaves" still gets complaints from me. It has auto-tune in the beginning which sounds horrible. While using auto-tune he is rapping about Molly. Okay Trinidad West. I have read that Kanye had to rush and write two songs in a day or two and it clearly shows with sloppy lyrics. I bet that the lyrics on "I Am A God" was one of those songs. "I just talked to Jesus. He said what up Yeezus." How weak is that? A song like "I'm in it" is just filled with sexual imagery. Typically I would have a problem with this, but Kanye has proven he can make a song like this with "Hell of a Life". Unfortunately, "I'm in It" just sounds like a generic rap song that will be forgotten about, if it is even remembered in the first place.

    It's safe to say that I am a huge Kanye fan. He is one of my favorite hip-hop artists ever, but when he puts out a weak product I have to call him out for the weak effort. "Cruel Summer" and "Yeezus" are two of the weakest projects that Kanye has worked on. Kim Kardashian needs to stop consuming Kanye's life. Maybe Kanye should go back to dating Amber Rose, (sorry Wiz).
  87. Jun 20, 2013
    It's really bad.

    The techno, daft punk continuation and at this point....he really has nothing to say. Like most rap artists, lyrically they don't have much to say once they reach the top and have the money. West is unable to transition as very few have and goes off into the realm of bragging.

    Is he a still great as a producer and making beats? Absolutely but his prowess on the
    mic is dwindling fast. Expand
  88. Jun 18, 2013
    Sonically, this is a great departure for West, and it's pretty exciting. But thematically, this is absolutely nothing new, for him or hip-hop/rap. But you can't just have a good album with just music alone, and unfortunately his lyricism and tone just completely destroy this album could have had. Maybe I am being harsh with a zero, but I guess hyped destroyed it as well. I was expecting something great with all the raving from everybody, but with the expectations set before me this album was pretty underwhelming. I agree with a user who said this earlier. A lot of the praise for Kanye simply comes from him being Kanye, not that he actually does anything good or not. And sadly, this time he did not. Expand
  89. Jun 19, 2013
    "I just talked to Jesus, he said what up Yeezus"."I said, s**t I'm chilling". This line of the third track "I Am God" gives you an idea what to expect for the rest of the album. This is probably Kanye's most intense album represented in tracks like "Black Skinhead" and "New Slaves" which are some of the records better songs. It feels like he sampled a little bit of his past works and sprinkled it all over something different. On "Blood On The Leaves" and more so "Guilt Trip"it could have been strait off 808 and Heatbreak. But in strange way it still felt original and stayed true to the tone of the album. The last track "Bound 2" had the production of something similar to of what you would have seen on The College Dropout. It's the albums best song in my opinion because has its "old school" beat just to be changed to a synthesized sound in the middle of the track. As a whole project it felt a little incoherent, like he didn't know how he wanted his album to sound as a whole. It's also it's possible that was done on purpose just too have that distinctive sound that the album achieves. Theirs not any songs that I don't like, that's not to say that there aren't weaker songs. Tracks like "On Sight" and "Guilt Trip" come up a little short in comparison to the other ones. This is a nice addition to Kanye's discography, not as good as say MBDTF but its still a solid project. I find it strange that he only kept it to 10 tracks, reasons aside go ahead and buy the album. If you didn't like 808 and heartbreak you'll probably find some songs hard to listen to. Regardless Kanye did a good job on this one.

  90. Jul 18, 2013
    This album is incredible. Kanye will never top it. He's one of the biggest artists in the world and has made an album that could have been made on some indie Chicago label. In saying that, the production quality on the album is phenomenal. Kanye has managed to make a record that is unmistakably his own despite being outnumbered hugely by collaborators. I honestly cannot think of another album I've devoted more time to, and that's its defining quality.

    It has to be noted that this is the record that most effectively parodies the #madrichalert culture that has produced so much appalling radio friendly hip-hop. He may or may not be slightly serious in thinking that he's a god, but he's got the greatest claim to be and he seems to be the only rapper around that doesn't care despite that. This has to be the perfect record to define everything that's good about music right now because of that.
  91. Jun 18, 2013
    This album is very different and this adds to the fact that Kanye West has brilliant originality. The beats were absolutely brilliant but the lyrics were below par. This is an exciting project but is definitely not Kanye's best album. I thought he was too experimental and just over thought on this album.
  92. Jun 18, 2013
    This album is crap, how is this better than j cole's. You can't even understand the lyrics, it's just a bunch of loud screaming. I laugh at the people who say this is innovation, this cannot even be called music
  93. Jun 18, 2013
    If there's one thing you can expect from Kanye West, it's that you never know what to expect from Kanye West. Yeezus is darker and more twisted than his last fantasy that had us all screaming masterpiece, and after a few listens through this album, you'll be thinking the same thing.
  94. Jun 18, 2013
    An average attempt at best, Yeezus fails to reach the heights of which Mr West is capable. Strengthening his reputation as Hip-Hops biggest shock jock seems more of a priority, the album descending into angry offensive and shallow lyrics, self-congratulatory lyrical hubris and some token synthesized whining we've become all too familiar with. Many critics seem unwilling to criticise Kanye, for fear of being labelled as 'out of touch' and 'not getting his genius' but honestly there is very little god-like about this album. The album isn't terrible, 'New Slaves' and 'Black Skinhead' prove he still has it, and the production is solid throughout. Kanye has the potential to be hailed as a legend, however this album will only serve to weaken his catalogue and as a result his claim to that throne Expand
  95. Jun 18, 2013
    This is truly a work of art that needs multiple listens to fully appreciate it for what it is. Yeezus is a huge creative chance and the only guy who could pull it off with such perfection is Kanye West. Yeezus isn't the Hip-Hop album out on June 18th, but it is the best album.
  96. Jun 18, 2013
    Incredible. Daft Punk, Rick Rubin, Mike Dean, Travis Scott and Bon Iver. Its revolutionary.

    BUY IT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
  97. Jun 18, 2013
    Garbage! pure, unfiltered garbage. Praise Jesus if you can make it through the first song without feeling nauseous. I have been a Ye fan since Freshman Adjustment and this is by far his worst work. Nothing inspiring, nothing worth mentioning even (other then the lines we all know..'crossiants'). What a let down top 10 of the worst rap albums I've listened to
  98. Jun 18, 2013
    Yet another fantastic album from Yeezy. As always, he keeps it new and exciting and you never quite now what to expect from him. Yeezus, like MBDTF, pushes the boundaries of what a hip hop album can be, sonically and thematically. There's no other musician who can put Justin Vernon and Chief Keef together on a track about heartbreak and emptiness (Hold My Liquor) and make it work so amazingly.
  99. Jun 18, 2013
    took time to get used too for sure I was disgusted by the album first listen. But now I can't get enough. I love every song except on sight. Definitely has to grow on you. And you have to get past that this is not a "soul sample" album even though it does use some samples extremely beautifully.
  100. Jun 18, 2013
    An incredible experimental rap album. Kanye West is the most innovative rapper around and never fails to deliver quality music while changing the genre for the better. Some people dislike West because of his so-called "arrogant" personality, but he really isn't. West speaks his mind and says what he feels is right. Furthermore, an artist's personality should not affect your opinion of music, which has always been top notch. Expand

Universal acclaim - based on 46 Critics

Critic score distribution:
  1. Positive: 43 out of 46
  2. Negative: 1 out of 46
  1. Dec 10, 2013
    His concerns are serious--consumerism, race, fame, relationships--but he rarely addresses them with the craft or focus they deserve. [Sep 2013, p.66]
  2. Aug 20, 2013
    Contradiction incarnate, Yeezus is Kanye's most Kanyeish LP yet. [Sep 2013, p.103]
  3. Aug 13, 2013
    Nasty, brutish, short, and wholly compelling, Yeezus begs only one question: where next? [Sep 2013, p.89]