- Summary: Chief Keef, Daft Punk, Frank Ocean, Kid Cudi, King L, Rick Rubin, RZA, and Justin Vernon are some of the producers and artists the rapper worked with on his sixth solo release influenced by such genres as industrial, new wave, and Chicago house music.
- Record Label: Def Jam
- Genre(s): Rap
- More Details and Credits »
|Bound to fall in love Bound to fall in love (Uh-huh, honey) All them other niggas lame, and you know it now When a real nigga hold you down, you...||See the rest of the song lyrics|
Jun 20, 2013With Yeezus clocking in at a short 40 minutes, Kanye achieves his goal of creating a stripped-down, minimalist project; there’s nothing extra or out of place here. More importantly, Kanye makes it abundantly clear that he’s still got a lot to say, and a lot of new ways to say it.
Aug 10, 2013Kanye shows so much passion in his music, you cannot help but to appreciate. And Kanye never settles for what people would enjoy. He makesKanye shows so much passion in his music, you cannot help but to appreciate. And Kanye never settles for what people would enjoy. He makes music HE'd enjoy and the result is an instant classic. Yeezy is probably the biggest egomaniac in the music industry, but he sure can back it up with great production and meaningful lyrics.… Expand
Jun 18, 2013West is unquestionably doing whatever he wants here. And whether or not we actually need these 10 mongrel pop songs, it’s thrilling to watchWest is unquestionably doing whatever he wants here. And whether or not we actually need these 10 mongrel pop songs, it’s thrilling to watch the man discover new ways to stick out his neck. “Soon as they like you, make ’em unlike you,” he growls on “I Am a God,” describing the rope-a-dope methodology that’s made him today’s most complex pop star. (Fittingly, it’s the winning line from a song about a perennial self-loather being on a first-name basis with Jesus Christ.)
“Yeezus” has already been branded as West’s ugliest album, but he’ll always be a populist at heart, incapable of releasing anything truly repulsive. For all of the charred melodies and serrated rhythms on “Yeezus,” this is still luscious electronic music sculpted into elegant shapes that only signal threat. French dance music duo Daft Punk and studio sage Rick Rubin were called on to collaborate, helping West evoke hip-hop’s icy, electro roots while echoing the sly, synthetic snarls of Depeche Mode and Nine Inch Nails.
There’s still plenty of ugliness scribbled on West’s lyric sheet. He plumbs the depths of his id like a knife scraping the bottom of the peanut butter jar. He turns civil-rights-era mantras into gross pillow talk that no human should ever utter in real life. He promises to get the club “shaking like Parkinson’s.”
“Black Skinhead” crams all of this attitude into one dystopian, Gary Glitter-ish jock jam that would be perfect for the stadium scene finale of “Akira,” the legendary Japanese anime film that West adores. “I keep it 300 like the Romans,” he spits during the refrain, a boast that blurs fantasy and reality, Hollywood retina candy and Chicago gang violence. (“300” is slang for Chicago’s Black Disciples street gang, as well as the title of a 2007 action flick in which ancient soldiers bathe one another in CGI blood.)
Despite a handful of arresting quirks and kinks, the lyrics on “Yeezus” are West’s least refined and probably his least compelling. But they don’t feel lazy so much as drunk on bitterness. After engineering something as magisterial as his 2010 opus “My Beautiful Dark Twisted Fantasy,” this is West at his most wasted, stumbling through rubble.
It’s all over in about 40 minutes, instantly provoking questions about legacy. The last time West took a risk this great, with “808s & Heartbreak,” he taught hip-hop about the potency of vulnerability and ended up paving a four-lane highway for Drake, Kid Cudi, the Weeknd and Future. Will “Yeezus” teach a rising generation of rap stars to melt poison from their frozen hearts?
And how will the auteur himself reconcile the unholy mess he’s been making? “Yeezus” might blow our collective hair back for the summer, but West has to live with these tunes for the rest of his life. His girlfriend, Kim Kardashian, delivered a daughter Saturday. How do cynicism and self-obsession jibe with being a dad?
In addition to keeping us thinking about him, West’s music always keeps us thinking about the future. He’s a visionary who’s managed to tweak the serial rhythms that dictate so much of our pop culture diet. He doesn’t do cliffhangers. He jumps off.… Expand
Jun 18, 2013If there's one thing you can expect from Kanye West, it's that you never know what to expect from Kanye West. Yeezus is darker and moreIf there's one thing you can expect from Kanye West, it's that you never know what to expect from Kanye West. Yeezus is darker and more twisted than his last fantasy that had us all screaming masterpiece, and after a few listens through this album, you'll be thinking the same thing.… Expand
Dec 8, 2014After the first listen, "Yeezus" may sound like just a group of jarring noises, all meant to piss you off and get you thinking to yourself,After the first listen, "Yeezus" may sound like just a group of jarring noises, all meant to piss you off and get you thinking to yourself, "how did anybody think this guy was good?" There lies your issue: repeated listens begin to really flesh out the gorgeous in what is Mr. West's darkest and craziest work to date. After his enormous success with the critically-lauded "My Beautiful Dark Twisted Fantasy," Kanye sought out to change his game yet again, repeatedly informing interviewers about him doing the complete opposite of what people wanted from him musically. Abrasive, pummeling, extreme, grinding, droney and industrial are all words I would use to describe the sound from this record, yet in the hands of a man with talent like Mr. West, the irritating noises soon begin to take shape, form, and end up becoming a masterpiece that the perfectionist is obsessively using to stay far, far ahead of the game. Remember when hip-hop was uncomfortable? When it was weird and unpleasant and jarring and crazy? That's exactly what this album is, constantly knocking you off of your feet, and as you stand up to brush the dust off, hits you yet again. Ye also stated that he wanted a minimalist design to the record, and it is very much so; clocking in at 40 minutes, there's no beat or noise or scream that isn't perfectly in place. Also treading on the minimalism line is Ye's screams: unexpected and primal, they pierce the song abruptly, with beat changes coming and going in a manner never heard before. Personally, the tracks that were the least expected were my favorite: "On Sight" as an introduction is the most confused I've ever been when starting to listen to an album (I thought something was wrong with my iPod when it began). "Hold My Liquor" sounds ridiculous at first, but the longer it goes, the prettier it gets. "Blood On The Leaves" is my absolute favorite, with six minutes of him rapping/singing/wailing over a girl that he got pregnant, all on top of a sample of "Strange Fruit," a song about lynching. This moment alone smacked me in the face and deftly declared that Mr. West sure had the guts, balls and genius to pull it off. It's bold, it's urgent, but it's most importantly, revolutionary.… Expand
Jul 11, 2014Got some real great Material this album, different and very interesting. Besides the minimalistic and ridiculous Album Cover which is stillGot some real great Material this album, different and very interesting. Besides the minimalistic and ridiculous Album Cover which is still kinda great but also **** up… Expand
Jun 23, 2013The experimental production makes this a positive in all for his career, but as an album it is extremely lacking. Unfortunately, it has anThe experimental production makes this a positive in all for his career, but as an album it is extremely lacking. Unfortunately, it has an enjoyable feel to it, that combined with Kanye's excellent musicianship, makes it easy to overlook the massive flaws. I can still listen to this album in the background of anything and enjoy the experience, but any kind of critical look leads to an extremely painful feeling.
The lyricism in this album is by far the worst Ye has ever put out. I find it extremely annoying when people praise his lyricism in this album, citing his focus on the racism of others or the racism of blacks towards blacks or any other such thing. Sure, he has a few conscious lines, but not a single one of them brings any new message from anything he's said before, and every time he's said it before, it was done better. Not a single line in this album strikes me as even somewhat stellar, and it's coupled with the extremely painful lines such as "I'd rather be a dick than a swallower". That line specifically also shows a weakness in Ye's lyricism in this album, where he is too lazy to think up lines that follow one another and just decides to repeat the same ones multiple times.
His egoism is something I will never look at negatively, as I think it is an incredible asset to his persona, and I normally love how he always proves himself right in so many ways. But for an album that contains a song titled 'I Am a God' (featuring God), he does not provide the backing.
I will however say that the production on this album is quite interesting, impressive at parts, surprising at others, and for that reason is why I say that this album is a good step for his career. As long as he decides to actually put some effort into his writing, and possibly take more time putting some of his storytelling talent into his next album, I think his next album could be legendary if he takes some of the experimental sounds on Yeezus and puts them to a better use.
General Cohesion: 3.5/10… Expand
Feb 14, 2016Très ambitieux et "novateur", cet album est à l'image de son chanteur: un mégalo prétentieux.
Beaucoup de bruit pour pas grand chose, YeezusTrès ambitieux et "novateur", cet album est à l'image de son chanteur: un mégalo prétentieux.
Beaucoup de bruit pour pas grand chose, Yeezus est loin de révolutionner la musique, bien au contraire.… Expand
Published: December 4, 2013Throughout the coming weeks, we'll be collecting year-end top 10 album lists from dozens of music critics, publications, record stores, and other sources. Find individual lists and this year's cumulative rankings inside.
Awards & Rankings
|Metal Box [Super Deluxe Edition] - Public Image Ltd.|
|The Early Years 1967-1972 [Box Set] - Pink Floyd|
|A Crow Looked at Me - Mount Eerie|
|Singles: The Definitive 45's Collection - Sun Ra|
|Live at the Whisky a Go Go: The Complete Recordings - Otis Redding|
|Box [Box Set] - Gas|
|The 1966 Live Recordings [Box Set] - Bob Dylan|
|You Want It Darker - Leonard Cohen|
|We Got It From Here...Thank You 4 Your Service - A Tribe Called Quest|
|Eternity, In Your Arms - Creeper|
|The Order of Time - Valerie June|
|A Seat at the Table - Solange|
|Fuzzy Logic [20th Anniversary Deluxe Edition] - Super Furry Animals|
|50 Song Memoir - Magnetic Fields|
|American Band - Drive-By Truckers|
|Obituary - Obituary|
|Black America Again - Common|
|Run the Jewels 3 - Run the Jewels|
|Kodama - Alcest|
|Forever - Code Orange|