• Record Label: Mute
  • Release Date: Aug 20, 2002

Generally favorable reviews - based on 14 Critics

Critic score distribution:
  1. Positive: 10 out of 14
  2. Negative: 0 out of 14
  1. Zoomer is a very, very good album, but one thing it makes clear is that the songwriting aspect of this sort of lap[pop] hybrid must continue to improve.
  2. Uncut
    The album's eight supple, textured tunes suggest Cornelius stripped of his art-jazz awkwardness, or even the molten sugar rush of My Bloody Valentine slowed to a beatific calm. [Nov 2002, p.128]
  3. Magnet
    It's as if Steve Miller and the Beach Boys got together, sacked the session players and sang over breakbeats and a thicket of digital clicks and clacks. [#56, p.105]
  4. Urb
    A wacky landmark in the electronic pop movement. [Nov 2002, p.98]
  5. One of the best young producers going in electronic music.
  6. The Wire
    May be the year's most surprising pure pop pleasure--precisely because it's nothing like you'd expect a pop album to be. [#224, p.61]
  7. Zoomer has a warmth and spirit that makes the work endearing as actual songs rather than chunks of carefully manipulated data.
  8. Mojo
    Another masterfully blended cocktail of restless electronic beats, analogue daubings and digitally blasted vocals. [Nov 2002, p.110]
  9. With harmonies that could have been stolen from Pet Sounds altered by Aphex Twin or Squarepusher, Zoomer is the perfect way to introduce pre-school tots to techno-pop pleasures.
  10. It's a much breezier affair, as if Air and Daft Punk have been cross-bred with The Notwist and Mouse On Mars.
  11. It can safely be said that Dresselhaus has nothing to learn about the instruments of technology, but a lot to learn about the ability to write a catchy tune.
  12. At times it's a bit like a post-techno Jesus and Mary Chain, burying tambourine rattle and two-chord bangers beneath an avalanche of clicks and static.
  13. There is certainly no doubt about Dresselhaus' knack for the keystroke. He takes pins and needles of sound and builds rather interesting fields. But it's the additional elements that he drags into each track that end up running him in circles.
  14. Q Magazine
    Half of Zoomer suggests Beck being produced by Aphex Twin, but elsewhere his flimsy songwriting is drowned out by percussive clatter. [Nov 2002, p.106]
User Score

No user score yet- Awaiting 3 more ratings

User score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. JackD
    Jun 19, 2004
    Pure genius. A little top heavy, but still worth at least an 85.