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Outstanding
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Chicago Tribune Alan Cheuse
Just peace and war, with the story such as it is told in a beautiful lyrical style and with deep insight into the way others live in other times...One of the most engrossing novels I've read all year.
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Outstanding
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Christian Science Monitor Ron Charles
So much is remarkable about this novel, from the heft of its history to the power of its legends.
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Outstanding
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Los Angeles Times Peter Green
A quite astonishing, and compulsively readable, tour de force. De Bernières has caught to perfection the slow-paced, richly descriptive, discursive, proverb-laden narrative style characteristic of Balkan and Anatolian storytellers.
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Outstanding
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The Globe And Mail [Toronto] Camilla Gibb
Do read it before you die. It would be a terrible thing to have missed a work of such importance, beauty and compassion.
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Favorable
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Washington Post Nicholas Gage
A fascinating, evocative work written on a grand scale not much seen today. Despite its flaws, it is as rich and compelling as any novel written about the Anatolian upheaval.
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Favorable
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The Independent Amanda Craig
De Bernières's narrative voice is captivating and compelling... In his account of small-town life, with its frictions, lies, meanness and acts of charity, and in his descriptions of the horror and humour of war, de Bernières has written a masterpiece.
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Favorable
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The Economist
An absorbing read about a remote but captivating time. The Ottoman world's break-up is a rich, poignant story, and Mr de Bernières is a good storyteller. At times he is nearly as good as Dido Sotiriou.
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Mixed
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London Review Of Books Christopher Tayler
Then there's the question of the writing style, which must be one of the strangest ever used by someone who's found himself computing his sales by the million.
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Mixed
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San Francisco Chronicle Charles Solomon
If there's an obscure, multi-syllable adjective that can replace a simple, familiar one, he invariably chooses the former. He delights in including words and phrases in Turkish and Greek, but rarely bothers to translate them.
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Mixed
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The Independent Robert Hanks
The book is monstrously baggy and repetitive, and the writing often atrocious - the dialogue, which is presumably intended to be taken as colloquial Turkish, sometimes includes bizarre archaisms (fitchew?), while the prose unselfconsciously mixes cliches with obscurities (immanitous?).
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Mixed
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The New York Times Book Review Amy Kroin
Bernières's overstuffed new novel is an absorbing epic about the waning years of the Ottoman Empire -- but you may need to develop your own mental filing system to keep up with all its characters and incident.
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Mixed
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The Spectator Philip Hensher
This is a big, rage-filled, steaming narrative which blunders and exhilarates with equal conviction; let's leave it, roughly, at that.
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Mixed
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The Guardian James Buchan
De Bernières finds it agony to stop. The reader closes the book with a satisfied thud only to hear the yelping of two trapped epilogues and a crushed postscript.
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Unfavorable
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The New Yorker
Despite many affecting moments, both the big picture and the small stories are lost in an overwhelming sprawl.
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Unfavorable
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Daily Telegraph Lewis Jones
Shakespeare managed the basic exposition of "Antony and Cleopatra" in its first sentence. In this novel, de Bernières provides, among much other historical apparatus, 22 chapters, randomly scattered, on the career of Mustafa Kemal (later Ataturk), which in no sense read like fiction and are for the most part irrelevant to the story.
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Unfavorable
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Daily Telegraph David Robson
There is not the grand narrative sweep of the original "War and Peace." The book feels as if it has been assembled from bits and pieces, like an IKEA pack.
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