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Outstanding
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Booklist Donna Seaman
Elegiac, funny, and life affirming. [1 Sep 2005, p.63]
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Outstanding
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New York Observer Regina Marler
Although an exhausting read, Veronica is true in ways that few American novels are willing to be true. [24 Oct 2005, p. 19]
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Outstanding
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PopMatters John Davidson
Veronica is an intensely lyrical and poetic work, full of rich turns of phrase and brilliant, vivid metaphor.
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Outstanding
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Publishers Weekly Heidi Julavits
Gaitskill's style is gorgeously caustic and penetrating with a homing instinct toward the harrowing.
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Outstanding
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Kirkus Reviews
A gorgeous, articulate novel that is at once an unflinching meditation on degradation and a paean to deliverance.
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Outstanding
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The New York Times Janet Maslin
Ms. Gaitskill writes so radiantly about violent self-loathing that the very incongruousness of her language has shocking power.
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Outstanding
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The New York Times Book Review Meghan O'Rourke
Gaitskill's brand of brainy lyricism, of acid shot through with grace, is unlike anyone else's. And it constitutes some of the most incisive fiction writing around.
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Outstanding
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Village Voice Benjamin Strong
Veronica bleeds from [Gaitskill's] lacerating intelligence, the rueful wisdom of an author who has aged with her tremendous novel.
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Outstanding
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Washington Post David Jays
Gaitskill's implacable refusal of sentimentality is her great strength--no group hugs here, just baleful understanding.
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Outstanding
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Library Journal Eleanor J. Bader
Beautifully and sensitively crafted. [15 Oct 2005, p. 45]
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Outstanding
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New York Review Of Books Lorin Stein
[Gaitskill] has been at work on Veronica for more than a decade. It is the best thing she has yet written. At a moment when many of our best novels seem to have been written in a borrowed or restored language, Veronica has the sound of original speech.
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Outstanding
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USA Today Carol Memmott
While the images Gaitskill conjures are ugly and often pessimistic, the writing is exquisite.
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Favorable
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The Onion A.V. Club Scott Tobias
Veronica reads like the kind of novel only an austere, awards-giving body could love, with a prose-poetic style that's as undeniably sophisticated as it is hard to crack.
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Favorable
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Houston Chronicle Barbara Liss
Redemption is a concept foreign to Gaitskill's books, yet she decides it's been earned in this one. Maybe not. Still, the allure of Veronica lies not in its hopeful possibilities but in its suffering.
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Favorable
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San Francisco Chronicle Jennie Yabroff
Gaitskill writes from the gut... [Her] characters bleed, sweat, cry, and they experience sadness, anger and love as much as a physical sensation as an emotion.
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Favorable
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The Globe And Mail [Toronto] Catherine Bush
Gaitskill's consummate art lies in her continual complication of emotion--within a scene, within almost every character. This complication is the deep motion of the novel, its rigorous, exhilarating (realistic?) heart. [15 Oct 2005]
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Favorable
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Chicago Tribune Carol Anshaw
This is a nervy, unsettling book. [30 Oct 2005]
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Favorable
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Entertainment Weekly Jennifer Reese
Sensuous and precise ... Veronica captures the nexus between the erotic glamour [of the 1980's] and its epic heartlessness.
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Favorable
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Flak Stephen Bracco
Only slightly less obsessed with psychological and sexual trauma as her earlier writing, Gaitskill's also turned spiritual, and even hopeful in her latest work.
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Mixed
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Boston Globe Don Lee
Compared with the vibrant sections in the first half, the second half peters out disappointingly.
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Mixed
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The New Yorker
When this ambitious approach succeeds, it yields startling revelations; when it doesn't quite come off, the result is a pleasant muddle.
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Mixed
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Los Angeles Times Richard Eder
Gaitskill is at her best writing short stories that stun and disconcert like flashes of lightning. Yet, in this longer form, the flashes seem to come from several different directions at once. They dramatically illuminate; at the same time, they often confuse. [23 Oct 2005, p. R5]
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