Metacritic Film

21

Starring Jim Sturgess, Kate Bosworth, Laurence Fishburne, Kevin Spacey, Liza Lapira, Josh Gad, Aaron Yoo, and Sam Golzari

MPAA RATING: PG-13 for some violence, and sexual content including partial nudity

Columbia Pictures (Sony)
Drama
123 minutes | Color
USA
Released In Theaters March 28, 2008

Ben Campbell is a shy, brilliant MIT student who, needing to pay school tuition, finds the answers in the cards. He is recruited to join a group of the school's most gifted students that heads to Vegas every weekend armed with fake identities and the know-how to turn the odds at blackjack in their favor. With unorthodox math professor and stats genius Micky Rosa leading the way, they crack the code. By counting cards and employing an intricate system of signals, the team can beat the casinos big-time. Seduced by the money, the Vegas lifestyle, and his smart and sexy teammate, Jill Taylor (Kate Bosworth), Ben begins to push the limits. Though counting cards isn't illegal, the stakes are high, and the challenge becomes not only keeping the numbers straight, but staying one step ahead of the casinos' menacing enforcer, Cole Williams. (Columbia Pictures)

WRITTEN BY
Ben Mezrich (book "Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions")
Allan Loeb
Peter Steinfeld

DIRECTED BY
Robert Luketic

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

48 / 100

Critic Reviews

75 Rolling Stone Peter Travers
21 drags itself to a climax that puts credulity in splints. So what? In a multiplex of dumb-luck hits, it's a kick to watch Spacey and a gifted young cast use smarts to deal audiences a winning hand.
75 Entertainment Weekly Owen Gleiberman
The fun of 21 is the way that this sharp, hyperaware star in the making, his face as readable as a mood ring, pours us into an adrenalized cocktail of fear, desire, and mental buzz.
75 Philadelphia Inquirer Steven Rea
21 makes for some slick escapist fantasy. Even if, and because, the fantasy has its roots in something real.
70 The Hollywood Reporter John DeFore
Escapist moviegoers happy to live out a flashy fantasy get a brief comeuppance and still walk away from the table with a little something in their pockets.
70 Variety Joe Leydon
Picture shrewdly shuffles together attractive young leads, cagey screen vets and a fantasy-fulfillment scenario in a slickly polished package that should appeal to anyone who's ever dreamed of beating the odds.
63 TV Guide Maitland McDonagh
A predictable moral tale enacted by blandly pretty young things who bear little resemblance to the average brainiac.
60 Salon.com Andrew O'Hehir
Spacey's engaging for a while in one of his patented double-edged, sharky roles.
60 Empire Olly Richards
The Ocean’s Eleven: The College Years mood makes for a breezy good time, even if there is, like Vegas, precious little substance beneath the glitz.
58 Portland Oregonian Shawn Levy
21 isn't insultingly stupid. But there's a gap between what we're told about its characters and what we can see for ourselves, a gap that gets larger and more frustrating as the film goes on.
50 San Francisco Chronicle Mick LaSalle
A movie with an irresistible premise that ultimately collapses around the whole issue of motivation. Until it does, this is a thoroughly entertaining picture.
50 Christian Science Monitor Peter Rainer
The more moralistic 21 gets, the less enjoyable it is.
50 Los Angeles Times Kevin Crust
What might have been a complex story dealing with greed and high-stakes betrayal among the young intellectual elite in America's gaming playground is instead treated as a slick, glossy romp.
50 Miami Herald Connie Ogle
Except for Spacey's talent, elements don't add up.
50 Premiere Ryan Stewart
There are moments where Spacey and Bosworth have their fun in spite of the film -- they both adopt Southern "characters" as disguises at one point, which is a hoot -- but overall, 21 is a busted hand.
50 Chicago Reader J.R. Jones
No movie with Kevin Spacey as a heartless prick can be all bad, but this gambling thriller, based on Ben Mezrich's nonfiction book "Bringing Down the House," hasn't got much else going for it.
50 ReelViews James Berardinelli
21 doesn't spin a good enough yarn.
50 Chicago Tribune Michael Phillips
21 isn’t pretentious, exactly, but it’s damn close, and in trying to whip up a melodramatic morality tale the film becomes an increasingly flabby slog.
50 Seattle Post-Intelligencer Sean Axmaker
A thoroughly ordinary drama of temptation, dubious redemption and easy revenge.
50 The Globe and Mail (Toronto) Rick Groen
What a big cheat of a movie. Wanting to be everything to everybody – a tough gambling picture, a revenge-of-the-nerds fantasy, a Vegas caper flick, a sweet little romance, a simple morality tale – 21 is just a bet-hedger dealing from multiple decks, designed to leave you with an occasional tidbit to like but nothing at all to love.
50 USA Today Claudia Puig
While not exactly a zero, 21 lags and fails to measure up dramatically.
50 Wall Street Journal Joanne Kaufman
Very little adds up in 21.
50 New York Daily News Elizabeth Weitzman
The early scenes are flashy fun, and Sturgess (handsome Jude in "Across the Universe") makes a convincing math geek. But the requisite romance and Hollywood-style ending feel as fake as the air allegedly pumped into casinos to revive flagging players
50 New York Post Lou Lumenick
A slick, shallow and thoroughly generic caper flick.
42 The Onion (A.V. Club) Scott Tobias
Short of counting the cards out loud, these geniuses seem to do everything they can to get caught.
40 Washington Post Desson Thomson
The story may be based on real events, but most of it feels patently false.
40 The New York Times Manohla Dargis
Greed is good and comes without a hint of conscience in 21, a feature-length bore about some smarty-pants who take Vegas for a ride.
40 Austin Chronicle Marjorie Baumgarten
Spacey, whose Trigger Street Productions is one of the film's producers, digs into his role as the story's snarky mastermind and lure, yet it's all the kind of stuff we've seen him deliver in so many movies before.
38 Boston Globe Ty Burr
The movie's chief audience, consequently, will probably be gullible and young, responding to the cliches only because they haven't seen them before. They have a word in Vegas for these people: Suckers.
30 Village Voice Robert Wilonsky
A movie that wastes a lot of time and money and really, REALLY shoulda stayed in Vegas.

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