| 80 |
Los Angeles Times
Kevin Thomas
Brave and admirable for the trust that it puts in a viewer's intuition and willingness in going along with it right through to its rewarding finish.
|
| 78 |
Austin Chronicle
Marc Savlov
One glance at the cast should be enough of a recommendation for any film lover -- it's Winger's first time on the screen in seven years, and Howard deserves a nod or two if only for getting his wife back in front of the camera where she so clearly belongs.
|
| 75 |
Philadelphia Inquirer
Steven Rea
Too long (and it sure ain't taut), but it brims with passion.
|
| 75 |
Boston Globe
Staff (Not credited)
It's messy, but in the end satisfying, a film worth making, a journey worth taking.
|
| 75 |
Chicago Tribune
Michael Wilmington
There's a sass and bite to Winger's acting, a grinning intelligence, unabashed sexiness and total immersion that make her one of the movies' few hipster female stars.
|
| 75 |
Christian Science Monitor
David Sterritt
It's an impressive movie, pointing to Howard as a promising new director.
|
| 70 |
Salon.com
Stephanie Zacharek
It's made with an accurate and loving, but also wary and squinty-eyed, view of the South. If only the movie hung together better overall.
|
| 70 |
New Times (L.A.)
Bill Gallo
Constantly touching, surprisingly funny, semi-surrealist exploration of the creative act.
|
| 67 |
Portland Oregonian
Kim Morgan
It's frustrating and still oddly likable.
|
| 60 |
Variety
David Rooney
A flawed and overlong but ultimately affecting account of one man's struggle to regain control of his life.
|
| 60 |
LA Weekly
Manohla Dargis
Held together by the blues -- Brown's prose and Howard's performance, Big Bad Love is a mess, but it's a sincere mess, beautifully shot by Paul Ryan and faithfully adapted by screenwriter James Howard.
|
| 58 |
Entertainment Weekly
Lisa Schwarzbaum
Howard luxuriates in writerly misery as Barlow, and the participation of the filmmaker's real-life wife, Debra Winger, as Barlow's ex gives the scenes between the two of them an unfakeable erotic charge.
|
| 50 |
The New York Times
Dana Stevens
Beneath its stylistic and structural quirks, Big Bad Love -- is a self-indulgent celebration of self-indulgence.
|
| 50 |
San Francisco Chronicle
Carla Meyer
Brown, is a good enough actor and director to keep the film afloat for long stretches.
|
| 50 |
New York Post
Lou Lumenick
Has a secret weapon in Winger, whose part is small but crucial. Looking a bit older and with redder hair than previously, she brings an earthiness to a movie that could use a lot more of that quality.
|
| 50 |
TV Guide
Ken Fox
The film's few saving graces include Dickinson's sardonic southern belle; Winger's welcome return to the screen after a five-year absence; and Howard's voice-over readings of Brown's powerful prose, which ultimately saves the film from itself.
|
| 50 |
The Globe and Mail (Toronto)
Liam Lacey
The cast is so oddly interesting you wish you could see them doing something less wasteful
|
| 50 |
Chicago Sun-Times
Roger Ebert
It all comes down to whether you can tolerate Leon Barlow. I can't. Big Bad Love can, and is filled with characters who love and accept him, even though he is a full-time, gold-plated pain in the can.
|
| 40 |
Slate
David Edelstein
I don't know if Howard had fun directing, writing, and starring in this thing; but he had to have gotten more masochistic pleasure out of it than the audience does.
|
| 40 |
Chicago Reader
Jonathan Rosenbaum
Howard lacks the sense of film rhythm --required to make such an exercise work. Just about the only clear triumph here is an underplayed performance by Angie Dickinson, though Winger and Rosanna Arquette also provide welcome relief from Howard and Le Mat's self-indulgent carousing.
|
| 30 |
The Onion (A.V. Club)
Keith Phipps
The junk-shop surrealism ultimately gets the better of everyone's good intentions.
|
| 30 |
Village Voice
Michael Atkinson
Brown's saga, like many before his, makes for snappy prose but a stumblebum of a movie.
|
| 30 |
New York Magazine
Peter Rainer
The only reason to check out Big Bad Love is Debra Winger, last seen onscreen in 1995.
|
| 25 |
New York Daily News
Jack Mathews
If the point of this umpteenth posttraumatic stress drama is that war is hell, even years after it's over and you're sitting in a movie theater, Big Bad Love makes it.
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