Metacritic Film

Bobby G. Can't Swim

Starring John-Luke Montias, Susan Mitchell, Vincent Vega, Norman Milton, Gilbert Brown, and Paul Maged

MPAA RATING: R for language and drug content, some sexuality and violence

Gabriel Film Group Inc.
Drama
85 minutes | Color
USA
Released In Theaters June 21, 2002

A raw New York street drama about a small-time coke dealer in Hell's Kitchen.

WRITTEN BY
John-Luke Montias

DIRECTED BY
John-Luke Montias

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

46 / 100

Critic Reviews

80 Variety Lael Loewenstein
Gutsy, unconventional, bursting with raw urban energy, this surprisingly suspenseful drama portrays New York Hell's Kitchen residents whose lives are governed by the immutable circumstances of their tawdry existence.
63 New York Post Megan Lehmann
Lacking quite the zip and zing of "Run Lola Run," this lively indie tale of a drug deal gone awry could be alternately titled "Walk Fast Bobby Walk Fast."
60 Village Voice Leslie Camhi
Montias's script lacks surprises -- Still, the minor figures surrounding him (Bobby) -- from teenage Puerto Rican beauties to a mobster's middle-aged groupie -- form a gritty urban mosaic, and Bobby's wanton energy is utterly convincing.
50 The New York Times A.O. Scott
Whenever the picture tries to be about something bigger, it turns predictable or maudlin or, in a few sad instances, both simultaneously.
50 New York Daily News Staff (Not credited)
Manages to distinguish itself with a strong central performance and a mostly low-key approach to the subject matter.
50 Los Angeles Times Kevin Thomas
Decidedly a minor item that's been on the shelf for a while but is nonetheless an effective calling card for its writer-director-star.
40 TV Guide Maitland McDonagh
As a debut it holds out the promise that Montias might do something more interesting in his next film.
30 LA Weekly Scott Foundas
The movie rarely overcomes its terminal Scorsese- and Ferrara-isms, or fulfills the promise, evident in the film's early passages, that Montias might be a fine observer of local color with his own unique stories to tell.

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