Metacritic Film

Broadway: The Golden Age

Starring Rick McKay, Beatrice Arthur, Hal Linden, Robert Goulet, Shirley MacLaine, Edie Adams, Alec Baldwin, and Kaye Ballard

MPAA RATING: Not Rated

Dada Films
Documentary  |  Musical
111 minutes | Color
USA
Released In Theaters June 11, 2004

The most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form, Broadway tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. (Second Act Productions)

WRITTEN BY
Rick McKay

DIRECTED BY
Rick McKay

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

72 / 100

Critic Reviews

90 Los Angeles Times Kevin Thomas
Moving and invaluable.
90 Dallas Observer Jean Oppenheimer
Pure joy to watch -- and an invaluable documentary record of a bygone era.
88 Rolling Stone Peter Travers
It's one for the time capsule.
88 New York Daily News Jack Mathews
The strength of McKay's film is not in identifying a cultural period, but in giving voice to so many great theater people. Their passion is infectious, their stories are priceless and their humor is boundless.
83 Seattle Post-Intelligencer William Arnold
This free-flowing film certainly hits the high points as it flips around its talking-head celebrity sound bites at warp speed.
83 Portland Oregonian Shawn Levy
It's the sort of history you could nibble on for hours.
80 Variety Scott Foundas
Rick McKay's exceptional new documentary Broadway: The Golden Age presents a veritable avalanche of interviews with some of the biggest names in the history of the American theater, preserving for posterity their wise words and disarming anecdotes.
80 Washington Post Desson Thomson
This is cinema as oral tradition. And one heck of a cheap-seat deal.
78 Austin Chronicle Rachel Proctor May
Consisting of five years' worth of interviews illustrated by a mountain of archival footage, the film sails on the actors' consistent ability to spin a good yarn.
75 San Francisco Chronicle Ruthe Stein
An intriguing exploration of New York theater at the height of its glory.
75 Boston Globe Wesley Morris
It's the videotaped equivalent of a primary research data dump. But to quote Bette Davis by way of Edward Albee: What a dump.
75 New York Post Lou Lumenick
A delightful "That's Entertainment" for the theater.
70 The Hollywood Reporter Frank Scheck
The film will eventually be a must-own video item for theater buffs.
70 The New York Times Stephen Holden
Anyone who attended Broadway shows in the days when ticket prices were reasonable and the actors and singers performed without amplification will feel a rush of nostalgia as these troupers offer what amounts to a breezy compilation of after-dinner remarks.
70 Washington Post Stephen Hunter
If you love the theater, you've got to see the film.
70 The Onion (A.V. Club) Keith Phipps
In one of the film's most persuasive bits, Farley Granger talks about chucking a lucrative film career in order to tread the boards in New York. Maybe it's that kind of magnetic draw that makes an age golden.
70 LA Weekly Ron Stringer
Performance after performance -- by Kim Stanley, Marlon Brando, Laurette Taylor . . . Never heard of her? That’s reason enough not to miss this movie.
63 The Globe and Mail (Toronto) Kamal Al-Solaylee
It takes more than a fan to analyze the legacy of a period. But a fan is just what it takes to indulge in that legacy, which is exactly what Broadway: The Golden Age is all about.
60 Village Voice Charles McNulty
More buff than historian, McKay chats with anyone who can tell him about the good old days, a vaguely defined period that sprawls from the mid '40s to the late '60s.
60 TV Guide Maitland McDonagh
What could easily have been a sentimental, fannish exercise in musty nostalgia is in fact a lovely tribute to an era of feverish creativity that seemed as though it would never end yet now lives only in memory.
50 Film Threat Phil Hall
A well-intended but hopelessly ill-focused documentary which wants to be the "That's Entertainment!" for the New York theater but seems like a hodgepodge of anecdotes, factoids and moldy memories.
50 Christian Science Monitor David Sterritt
The movie is mostly a megadose of good-old-days nostalgia.

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