Critic Reviews
| 83 |
The Onion (A.V. Club)
Noel Murray
For all Dead Man's Shoes' well-paced, well-observed boondocks melodrama, its premise seems simultaneously slender and overheated.
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| 80 |
Film Threat
Felix Vasques Jr.
An original, complex, and utterly gruesome revenge parable, and never portrays its characters as black and white. Considine handles his performance like a pro, and only adds to the pure skill behind it.
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| 75 |
New York Daily News
Jami Bernard
This is no simplistic vigilante movie. Like Park Chan-wook's "Vengeance" trilogy, it explores the nature of the beast of revenge, leaving the audience in a sweat of dread.
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| 70 |
The New York Times
Laura Kern
The always fantastic Paddy Considine evokes both sensitivity and explosiveness.
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| 67 |
Portland Oregonian
Shawn Levy
Meadows loses control as he goes along, veering into assorted noodling and sacrificing the knife's-edge clarity of the early going for something arty and artificial.
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| 63 |
New York Post
Lou Lumenick
Very slowly builds to a powerful climax for this arty cross between "Straw Dogs" and "First Blood."
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| 63 |
TV Guide
Maitland McDonagh
Though the story is formulaic, the bleakly naturalistic performances give it an uncomfortable sting.
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| 50 |
Entertainment Weekly
Lisa Schwarzbaum
The imagery is exotically grungy and jumbled by flashback, but in the end, the picture's more pulp than juice.
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| 40 |
The Hollywood Reporter
Ray Bennett
The film is filled with deeply unpleasant and stupid people whose vapid speech is largely incomprehensible due to thick regional accents.
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| 40 |
Variety
Derek Elley
Film plays as a quirky Brit riff on everything from U.S. slasher pics to revenge oaters but without Meadows' usual psychological complexity.
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| 40 |
Village Voice
Luke Y. Thompson
Dead Man's Shoes is all about revenge, but in trying to be one of those serious revenge films that questions violence while indulging in it, it manages to keep virtually all the characters unsympathetic and uninteresting.
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| 30 |
Chicago Reader
J.R. Jones
A shocking revelation near the end explains the soldier's nihilistic rage but simultaneously tears a gigantic hole in the plot, leaving little to admire but Considine's typically penetrating performance.
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| 30 |
LA Weekly
Ella Taylor
Like so many movies of its kind, Dead Man's Shoes gets hopelessly lost in vicious process, and so loses all sight of anything you might optimistically call insight.
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| 25 |
Chicago Tribune
Jessica Reaves
There are flashes of grim humor interspersed with the murders, but not enough wit to elevate this movie beyond its primary identity: grisly revenge fantasy.
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